The world premiere unveiling of a freshly remastered digital print of John Landis‘ An American Werewolf in London was arguably the highlight of the Film 4 Frightfest last weekend. To accompany this, the festival also premiered Paul Davis‘ long awaited, self initiated American Werewolf retrospective documentary, Beware the Moon. Settling in for this double bill was like watching the new Werewolf Blu-Ray in the best possible circumstances: on a huge screen, wonderfully projected and in the company of over a thousand ardent horror fans.
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Update: The script for Knights of Badassdom has been written and is being rewritten by Matt Wall and Kevin Dreyfuss. Also note the lack of hyphen in the title – that flourish of mine was just a little line out of line.
Breaking news from Film 4 Frightfest. During an on-stage Q&A with John Landis and many of the crew and some cast (read: Linzi Drew) of An American Werewolf in London, Landis dropped a couple nice little nuggets of horror news. He had apparently been offered a picture called The Knights of Bad-assdom (my hyphen) but turned it down and directed the producers instead to who he considered the right man for the job.
That man is Wrong Turn 2’s Joe Lynch, and according to Landis he’s the guy particularly because the film deals with video games and Lynch reportedly knows all about them. Not a great deal to go on, so after the Q&A wrapped, I scooted up to Lynch and asked for more info.
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John Landis is reportedly on the verge of production on a Burke & Hare film, with Simon Pegg on board to star. Burke and Hare, for those not in the know, were a pair of Irish immigrant murderers in early 19th century Edinburgh who sold on the corpses of their victims to the local medical college.
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According to Bloody Disgusting, the Weinstein Brothers have purchased the rights to remake An American Werewolf in London from original writer/director John Landis. Dimension Films already has a Hellraiser remake in the works (which can’t seem to keep a director on board) and has the second new Halloween film hitting theatres soon. The news that a cash-strapped Landis has sold rights to the Weinsteins (who have been reported to be equally cash-strapped, ironically) will probably cue the question that has cropped up a lot lately: is nothing sacred? The perpetual answer is: not in Hollywood, no. And that’s OK, because we’ll always have the original. Read More »
John Landis on Point Blank
The Pitch: John Landis gives a commentary on the trailer for John Boorman’s Point Blank in Trailers From Hell.
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In the dizzying sinkhole of modern remakes, enough time has passed with 1954’s Creature from the Black Lagoon to dampen fanboy squabbles over a new studio effort. Of course, the sci-fi horror reboot still needs to impress, and that responsibility falls with its director. While I hoped to see John Landis or Rob Zombie strike up fresh chills and gills in exotic locales, director Breck Eisner (Sahara, son of Michael) tells ShockTilYouDrop that his planned remake is moving forward, complete with locations scoped out in South America, a fully created, newly envisioned creature, and less than two percent aspiration to be the next Mummy 1, 2, 3, 9.
Eisner didn’t draw comparisons to the tone of The Dark Knight (watch for an oncoming avalanche from countless PG-13 assigned directors), but did bring up fashionable parallels to The Wolf Man (the original) and Universal‘s other classic monsters (but not, you know, Sommers’s The Mummy).
“We debated tone a thousand times. For me tone is the most interesting thing a filmmaker has and so the Creature is a creature, it’s not a monster. That’s my number one thing about the movie. We’re not going to turn him into a monster. He’s still going to be empathetic, he’s still going to be deadly, he’s still going to have a misguided means of expressing his interests in a woman, but it’s uniquely the Creature. …It will deliver of action and excitement, but I want it to be scary. The Creature was scary when it first came out in ’54 – it’s not scary today – but that’s what updating means to me, updating the tone of the original.”
In other words, don’t worry too much, it won’t be Sahara with a man in
birthday suit. Intriguingly enough, Eisner references Werner Herog’s Fitzcarraldo for inspiration and says he’ll shoot partially in the Brazilian city of Manaus where Herzog and Klaus Kinski notoriously went nuts. The titular lagoon(s) has been chosen as well. When can we expect this then?
“I want to get [Eisner’s remake of George Romero’s The Crazies] done, get it into post-production then head to the Amazon for ‘Creature.’ Oddly, I’m waiting on the height of the Amazon river before we start shooting – it drops 50-feet in October and November. But we’ve got the boat set and everything ready to go.”
Eisner says he’s reworking the script by Gary Ross (Seabiscuit) and confirms that Spectral Motion (Hellboy, Fantastic Four) is a lock for the SFX. I’m really curious to see any artwork or the script for this, so please leak them. Mixing studio-pleasing action with genuine scares is nearly as hard to pull off as horror comedy, but Eisner’s well liked and most in the know feel his best days and visions are in front of him. Creature > McConaughey’s spray-on tan adventure.
Discuss: Now that it’s picking up speed, what are your feelings on the remake based on Eisner’s quotes and notions above? And given the creature’s penchant for the ladies, do any of Slashfilm’s female readers find it attractive? In 3D?
I’m not sure how much play this post will get in the comments, but to me this is a very cool and very important project. Director John Landis (An American Werewolf in London, Coming to America) is set to helm a feature biopic on the life of EC Comics publisher and personality Bill Gaines, nicely entitled Ghoulishly Yours, William M. Gaines.
In the early 1950s EC Comics became renown amongst adults, sneaky young people and creative-types for its rebelliously imaginative and professionally illustrated sci-fi, war and horror comics, with landmark titles that included Tales From the Crypt and Weird Science. Of course, EC also birthed Mad magazine, and the influence of that publication on American pop culture can never be overlooked, just like the ears and missing tooth of its prep-addled mascot Alfred E. Neuman. Gaines’s publishing house basically never recovered when Gaines testified, rather bullishly, at a U.S. Senate subcommittee in 1954 on whether or not his comics contributed to juvenile delinquency in America. A national witch hunt, censorship, the Comics Code, and general apathy for what EC stood for notoriously drove it out of business, but Gaines went on to publish Mad until he died in 1992.
Landis has suffered magnificent, almost beautifully so, bombs as a director (Blues Brothers 2000, The Stupids) and then there’s what happened on his segment of The Twilight Zone: The Movie, but I love how he’s stuck to his guns for an entire career. You’ll catch him now and then in an interview and when he discusses his love of the horror genre, I dunno, he’s like that oft-imaginary super cool uncle who’s cooler than you. He’s in it for the love. This material is perfect for him, and I imagine he’s envisioned putting this inspirational life on a film for quite a while.
Joel Eisenberg is penning the screenplay, and no word on a release date or casting. Gaines had the Jerry Garcia look down in his later years, and no specific actor comes to my mind. Maybe…Daniel Day-Lewis, in a million years, I know. Any suggestions?
Source Link: Variety