I visited Mars almost two years ago. It was April 2010 and the film set was in the middle of nowhere. Finding Nemo/WALL-E director Andrew Stanton was making his live-action debut John Carter, a big screen adaptation of Edgar Rice Burroughs‘s novel A Princess of Mars. There had been many failed attempts to bring the material to the big screen, but somehow Stanton was able to convince the studio heads to let him be the one to make the adaptation at a cost of hundreds of millions of dollars.
Disney flew a group of journalists into the Las Vegas airport, where we boarded a shuttle bus to a location five hours away. A location so far away that we were no longer in Nevada. Located at the center of the Grand Circle, Big Water Utah has a population of only 417 people (which probably explains why you didn’t see many John Carter set photos). The set was located out in the middle of a desert.
You wouldn’t have any idea a big Hollywood production was being shot in town, aside from small yellow signs that read “BARSOOM” which help crew members find the small dirt road which leads to the set. And by set, I mean a few structures which have been constructed on the grey dirt in the middle of these large brown hills made of sandstone. Barsoom, of course, is what the Martians in the books call their home planet.
Read More »
Please Recommend /Film on Facebook
Posted on Wednesday, February 8th, 2012 by Angie Han
I haven’t been quiet about my ambivalence toward John Carter, Andrew Stanton‘s live-action directing debut, but I think I’ve finally figured out what my problem with the film is: the dialogue. Or at least, that’s what I’ve come to suspect after watching this new 60-second TV spot. The new video downplays the talking bits and highlights the action, and perhaps as a result, it may be my favorite teaser / trailer / commercial for John Carter yet. Watch it after the jump.
Read More »
Posted on Wednesday, February 8th, 2012 by David Chen
This week, David, Devindra, and Adam chat about the perils of marathoning Mad Men, dissect the pleasures of marathoning Skins, lament the nonsense of Ultraviolet, and assess this year’s Super Bowl ads.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us for our next live broadcast at 10 PM EST / 7 PM PST at slashfilm.com/live.
Download or Play Now in your Browser:
Subscribe to the /Filmcast:
Read More »
Posted on Tuesday, February 7th, 2012 by Angie Han
One film I’ve been decidedly mixed on is John Carter, Andrew Stanton‘s live-action debut. Much as I love the talent involved — stars Taylor Kitsch, Willem Dafoe, Mark Strong, etc., screenwriter Michael Chabon, and of course Stanton — I haven’t loved the footage we’ve seen of it so far. But trailers, clips, and Super Bowl spots only tell us so much, and some of the buzz from the early screenings have made the project sound a bit more promising. Hit the jump for more.
Read More »
Disney aired a new commercial for Andrew Stanton‘s live action debut John Carter during the big game. After the jump you can watch the super bowl spot, and a 60 second extended spot.
Read More »
Cool Posts From Around the Web:
Super Bowl Sunday is one of America’s biggest non-denominational holidays. Whether you follow the NFL every single Sunday or hardly know which teams are participating, odds are at some point you’ll be sucked into the hype. Maybe it’s for the commercials or maybe it’s because there’s a party going but either way, Sunday’s game is hard to avoid.
As film fans, Super Bowl XLVI has a few cool, minor threads. For example Rooney Mara, star of The Girl With the Dragon Tattoo, is the niece of the owner of the New York Giants. So just imagine an actress who is Oscar-nominated for playing an anti-social hero jumping up and down based on the play of Eli Manning. Kind of hard to picture.
Another thing is that Andrew Stanton, a native of Rockport, Massachusetts, will reportedly screen his latest film, John Carter, for not only his hometown team, the New England Patriots, but the Giants as well. Read more about it after the jump and check out a new featurette with never-bef0re-seen footage. Read More »
If the name Kerry Conran doesn’t sound familiar, that’s because he’s only made one movie: Sky Captain and the World of Tomorrow. For a directorial debut, though, talk about a massive undertaking. The film is still largely considered a failure but its innovative use of green screen and digital effects foreshadowed what would become the standard in filmmaking in the years that followed.
One of those films is the upcoming John Carter, Andrew Stanton’s hugely expensive and highly anticipated adaptation of the work of Edgar Rice Burroughs. Before Stanton took the helm, though, John Carter of Mars was a property many, many producers and directors tried to tackle. We’ve all heard about Jon Favreau and Robert Rodriguez but one name we forget was Conran, a natural choice thanks to his digital work, who was attached to the film around the time of Sky Captain.
His attachment was probably in large part to an extensive demo reel used pitch his vision. And wouldn’t you know it? It’s online. Watch it after the jump. Read More »
The first teaser for Disney’s John Carter, and the trailer that followed, skipped over most of the details of how Civil War soldier John Carter (Taylor Kitsch) is transported to Mars. You see glimpses of his existence on Earth, but for those who don’t know the story on which the movie is based, the real details are still a mystery.
A new Japanese trailer shows a bit more of the framing story, and of the moments in which John Carter is actually transported to Mars. There are a few other new moments in this trailer, making it worth a look for those who still have high hopes for Andrew Stanton‘s adaptation of the Edgar Rice Burroughs novel A Princess of Mars. Read More »
Walt Disney Pictures has announced the upcoming publication of The Art of John Carter: A Visual Journey (preorder on Amazon). Disney Editions has released a series of concept art illustrations from the book hidden within a web game, which give us a more expansive look at Andrew Stanton‘s version of Mars.
Read More »