After four features including this year’s The Grey, it’s no surprise Joe Carnahan is considered a solid filmmaker. The bigger surprise is that he’s now becoming an innovator in the world of social media too. Carnahan made big headlines last month when he posted two pitch trailers created for a possible Daredevil reboot at 20th Century Fox. They were rare but welcome glimpses into the development of a major property, similar to Kevin Tancharoen’s Hunger Games pitch trailer.
Now Carnahan is sharing again. Thursday he posted a screen test for a film he wrote and is hoping to direct, called Continue. He describes it as “Groundhog Day as an action movie.” Unfortunately, Carnahan has since removed the clip. After the jump, read what he had star Frank Grillo doing, and thoughts on whether or not we’ll ever get to see the film. Read More »
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Want to finally watch Joseph Gordon-Levitt talk about the ending of The Dark Knight Rises? How can you get the latest updates on The Wolverine? Which ad for The Avengers is causing controversy overseas? What does Joe Carnahan have to say about his Daredevil movie? Have designs from the computers in The Dark Knight Rises made it onto the internet? And how cool does the Deadpool video game look? Read about all of this and more in today’s Superhero Bits. Read More »
Posted on Tuesday, August 14th, 2012 by Angie Han
Would-be Daredevil director Joe Carnahan recently tweeted that his “Serpico-styled” take on the blind superhero was just about dead, so this next bit of news doesn’t come as much of a surprise. But in case there was any doubt about it, various outlets are now reporting that the Daredevil rights will indeed revert back to Marvel Studios (which is part of Disney).
Earlier this month, Fox and Marvel had considered striking a deal to give the former more time to get a Daredevil adaptation together. However, that request has since been denied, which means Fox would’ve had to push Daredevil into production by October 10 in order to retain the rights. That became a virtual impossibility when they decided not to move forward with Carnahan’s vision. To offer a little taste of what might’ve been, however, Carnahan has posted a couple of sizzle reels from his version. Watch the videos and read more about the Daredevil rights after the jump.
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So what’s happening with Daredevil over at Fox? The studio has planned to reboot the character, and for some time had David Slade attached to direct the film. The script is based on Frank Miller and David Mazzuccheli’s Born Again storyline, which sees Matt Murdock’s friend/employee Karen Page addicted to heroin and selling Murdock’s secret identity — he’s really the vigilante Daredevil — to score drugs. The info lands in the Kingpin’s hands, and he uses it in a very nearly successful attempt to destroy Murdock.
We’ve known that the script was a serious, ’70s style thriller rather than a colorful lark with a blind guy in a red costume. When Slade fell away from the project recently, we heard that Joe Carnahan was in talks with Fox to take over. Carnahan has done a couple of colorful larks (The A-Team, Smokin’ Aces) but he’s also done a couple more serious thrillers (Narc, The Grey) and the idea of him bringing that sensibility to Daredevil was the most interesting angle we’d heard for the reboot yet.
Now, however, the director suggests it very well might not happen. Read More »
Big news on the Daredevil front today: The Grey and The A-Team director Joe Carnahan is looking like the next guy in line to direct the reboot of the red-costumed blind Marvel vigilante hero. But that’s just the beginning, and the news that Fox is likely to move forward with Daredevil has a few more interesting facets.
Last we heard, the next Daredevil film had to be in production by this fall if Fox wanted the keep the rights to the character. (By October 10, to be exact.) But now there’s word that Marvel is willing to give Fox more time with his new Daredevil movie. In exchange, however, Fox would have to turn over rights to some characters from the Fantastic Four universe. Namely one of Marvel’s perpetual Big Bads, maybe the Biggest Bad: Galactus. Read More »
Posted on Friday, July 27th, 2012 by Angie Han
Sleazy lawyers, nefarious CIA Cold War plots, and Scandinavian crime thrillers fill up today’s TV Bits. After the jump:
- Run Lola Run and Bourne star Franka Potente goes nuts for American Horror Story
- AMC is working on a Cold War-era Area 51 drama with Walking Dead producer Gale Ann Hurd
- A&E will adapt the Danish crime drama Those Who Kill; Joe Carnahan will direct
- Connie Britton gives a small update on that possible Friday Night Lights movie sequel
- Vince Gilligan is making no promises about a Saul Goodman spinoff, wants to do a Western
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One bit of Death Wish trivia known to those who’ve read a lot about the film’s early development is that Sidney Lumet was originally looking at adapting the Brian Garfield novel that Michael Winner eventually turned into the film starring Charles Bronson. Lumet was looking at casting Jack Lemmon in the role of accountant Paul Benjamin, whose wife is killed and daughter incapacitated by a violent attack. (In the Winner film, the character’s name and occupation were changed.) That would have been a very different film than the eventual Bronson version, and likely one that did not celebrate vigilante violence in the manner of Winner’s movie.
Now, to follow The Grey, director Joe Carnahan is writing and planning to direct a new version of Death Wish. He’s creating a role for Frank Grillo, after Grillo was so good in one of the most important roles in The Grey. Carnahan has explained a bit about his new Death Wish — that it will be set in LA, and showcase lesser-seen sides of the city — and now Grillo has revealed that the film will feature two brothers, and possibly echo the approach that Lumet might have taken if he had directed the original film decades ago. Read More »
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Yesterday it was announced that Joe Carnahan would write and direct a remake of the 1974 revenge classic Death Wish. Today, Carnahan has confirmed the report, and clarified his vision on the new film.
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