In recent times, Adam Scott has sparkled in pop-culture for two masterful performances as manicured, modern cornholios in the Will Ferrell-endorsed comedies Step Brothers and Eastbound & Down. In the former, his character coached an obnoxious wife and kids in a caravan acapella of “Sweet Child of Mine,” while faithfully rocking a Bluetooth headset. In the latter, Scott was a delusional assistant to an assistant of a Major League Baseball team who brags to Kenny Powers that his black AmEx can purchase fellatio from the Jonas Brothers. Ironically, Scott’s character proceeds to offer sex—even with “the kids”—to recruit Powers, a karma-deal that snorts the iconic wind from Powers’s mulleted sails.
On Party Down, one of the strongest and most left-field cable series to debut last year, Scott has managed to be just as funny and biting as the lead amongst a stellar ensemble cast. His character, Henry Pollard, is an out-of-work actor riding out his prime and the recession as an L.A. caterer, a role fleshed out with drama, depression and romance. But I was still surprised to see Scott’s performance in the upcoming indie, The Vicious Kind, which recently earned him an Independent Spirit Awards nom for Best Male Lead. He’s in serious company with Jeff Bridges and Colin Firth for playing a construction worked named Caleb Sinclaire. A self-righteous, aimless man with an estranged father (J.K. Simmons) and a misogynistic albeit amusingly bleak worldview, Caleb sinks to new lows in making a hate-play on his innocent brother’s weary girlfriend (Brittany Snow).
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Here’s a little indie starring Adam Scott, J.K. Simmons, and I guess I should continue, Brittany Snow, that a growing number of people are on the lookout for. Entitled The Vicious Kind and executive produced by sometime-gangster Neil LaBute, the film sees the irreverent, dry-witted Scott in a more serious role compared to those in Step Brothers and the addictive Starz series Party Down. (That said, fans of Party Down witnessed a glowing coal rock of dramatic potential during the actor’s debut season.)
The movie recently nabbed two Independent Spirit Awards, one for Best Screenplay, and one for Scott’s performance, placing him—with some surprise—alongside other notable noms/Oscar locks Jeff Bridges and Colin Firth. Find out what Vicious is about and watch Simmons commit attempted murder in the encouraging, amusing, if hipster-hirsute trailer below.
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Over the last decade, Martin Starr has brought a unique ruckus to comedy on TV and in the movies. As an actor, he portrays characters that have settled into their aloof, awkward skins by way of deep thought, nerdy diversion, and hilarious observation. Poofs of weed smoke often chip in. While plagued with girl problems, his characters typically win over audiences until they are subtly recognized as the coolest, smartest dudes on screen.
It was under the guidance of Paul Feig and Judd Apatow—as the lanky, bespectacled and beloved teenager Bill Haverchuck on Freaks and Geeks—that Starr set this precocious M.O. in motion. And it’s a personal belief that had Freaks not been brutally axed in ’00 during its lone season, Haverchuck would have gone on to land a bevy of moist females. Of course, Freaks is now forever renown for launching a bevy of careers, including those of Starr, Seth Rogen and James Franco. And for being one of the best fucking things ever. Starr has notably followed up with memorable roles in Knocked Up—beard fail—and in the recent, terrific Adventureland, an ’80s time-capsule that stays with you like the killer kiss on a Ferris Wheel that didn’t happen and will not.
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Posted on Monday, January 19th, 2009 by David Chen
Actor J.K. Simmons has revealed to MTV that he will return to play the Daily Bugle publisher J. Jonah Jameson in the fourth Spider-Man film. According to Simmons, the role will be similar in scope to that seen in the first three Spidey films:
We’ve definitely brainstormed ideas for Triple-J, but I have no desire to make Triple-J more of the focus of those movies. The amount that I did in 1, 2 and 3, is just exactly right. Like be the wolf. Come in, blow in, do a week, blow out, be the comic relief, and hit the road. And let Tobey and everybody else do the heavy lifting.
Simmons also revealed that shooting is scheduled to begin in 2010, meaning the film will probably be released in summer 2011.
I’m a huge fan of Mr. Simmons, all the way back to his Law & Order days, but I thought that his J. Jonah Jameson in the films was a bit too much of a caricature for my tastes. The Jameson from the comics always struck me as a bit more complex, tortured, and/or nuanced than the cartoon-like Jameson from Sam Raimi’s series. None of that reflects on Simmons of course; I’m certain he’ll continue to make the best out of what little he’s given. But either way, it’s not like audiences really seem to care about the quality of these films anyway.
Discuss: Are you looking forward to Spider-Man 4?
JK Simmons, probably best known for playing J. Jonah Jameson in the Spider-Man films, told IESB that the last time he talked to Tobey Maguire, the Spider-Man star was still open to the possibility of returning for a fourth film.
“I spoke to Tobey in, I guess it was February… sort of awards season time,” said Simmons. “and, y’know, he’s certainly amenable to doing some more and hopefully we’ll be able to get everybody back and make another good one.”
A lot of people say that they can’t imagine Spider-Man without Tobey or Kristen, but I say that’s easy. On the other hand, I’m not sure anyone could replace JK Simmons as J. Jonah Jameson. The studio has supposedly checked in with Simmons to say they want him back for a sequel, but Sony still has no idea when it’s going to happen or who would be directing it. Simmons admits that if Sam Raimi weren’t involved in some capacity, he would have to reconsider his options.
“But if he’s involved, hopefully directing or at least as a producer then I’m pretty confident that it would be something that I want to do.Â Plus they pay money.”
Hope everyone is having a pleasant Saturday afternoon. Writing this latest Uwe Boll item poolside recalls the floater scene in Caddyshack, so let’s make it short and easy. Next weekend, Boll’s Postal, based on the “shocking” videogame, was set to open against Spielberg’s Indiana Jones, but its domestic theatrical roll-out has been greatly reduced from 1,500 screens to five (or less, depending on where you look). Slashfilm received a press release (is that Boll’s personal email? LOL.) in which Boll cites a conspiracy launched by exhibitors (the government?) to counter his film’s “infuriating” imagery, like that above. Keep in mind that a Dubbya doppleganger was just seen lacing joints with coke in Harold and Kumar 2, so Boll’s conspiracy claims are typically unfounded and shitrageous…
“Theatrical distributors are boycotting Postal because of its political content,” says Boll. “We were prepared to open on 1500 screens all across America on May 23rd. Any multiplex in the U.S. should have space for us, but they’re afraid. We have even tried to buy a few screens in New York and Los Angeles, and they won’t let us even rent the theaters! I urge independent exhibitors to contact us and book Postal! Audiences have been expecting the film and I don’t think exhibitors should censor what gets played in U.S. theaters.”
Postal boasts a few respectable names like Jason Reitman’s go-to man, J.K. Simmons, TKITH‘s Dave Foley and far less respectable names like Verne Troyer and Uwe Boll. Peter saw the flick a while ago and said it wasn’t Boll’s worst offender, which is sort of like saying, “Grandma had a good day today.” It’s pretty bad when Boll’s films don’t even flop anymore, they just crawl onto Slashfilm pre-release and cease. So, pay your quick condolences and then continue exploring Liberty City.
Discuss: RIP Postal. The Boll petition has over 250,000 signatures.
Since Jason Reitman announced that his next movie will be a book adaptation, we’ve been trying to figure out which property he might be adapting. Reitman’s hint of “‘Thank You for Smoking,’ but instead of political it’s corporate” led many to believe that he might be working on a big screen adaptation of Max Barry’s Company. This was quickly debunked when Reitman appeared on the Howard Stern Show and gave out more details. Finally Latino Review has solved the mystery.
Jason Reitman will be making a big screen adaptation of Walter Kirn‘s Up in the Air, which tells the story of Ryan Bingham, a guy with a simple goal: to accumulate one million miles in his frequent flyer account.
“Bingham’s job as a Career Transition Counselorâ€“he fires peopleâ€“has kept him airborne for years. Although he has come to despise his line of work, he has come to love the culture of what he calls “Airworld,” finding contentment within pressurized cabins, anonymous hotel rooms, and a wardrobe of wrinkle-free slacks. With a letter of resignation sitting on his boss’s desk, and the hope of a job with a mysterious consulting firm, Ryan Bingham is agonizingly close to his ultimate goal, his Holy Grail: one million frequent flier miles. But before he achieves this long-desired freedom, conditions begin to deteriorate. With perception, wit, and wisdom, Up in the Air combines brilliant social observation with an acute sense of the psychic costs of our rootless existence, and confirms Walter Kirn as one of the most savvy chroniclers of American life.”
The book was named one of Amazon.com’s Best of 2001. Time Out New York called Up in the Air “a hilarious, often ingenious ode to America.” The Washington Post called it “A dead-on, wry portrait of the life of the road warrior.” Another one of Walter Kirn’s novels, Thumbsucker, was adapted as a feature film back in 2005.
Jason has said that he plans to direct Up in the Air for around $112 to $15 million, later this year before he moves on to Pierre Pierre. Jason has already revealed that he wrote one of the roles for Reitman regular J.K. Simmons (who played Ellen Page’s father in Juno and Aaron Eckhart’s boss in Thank You For Smoking).
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Jason Reitman has been very tight lipped about his next film project. What we know so far is that he was working on a screenplay when he came across Diablo Cody’s Juno script (prompting him to cease work on said mystery script). MTV was able to squeeze a few more details out of Retiman
“Yeah, I’m writing something,” he grinned, cryptically. “I’m going to direct it at the end of the year. And no, I haven’t told anyone what it is yet.” “It’s a comedy and a drama [book adaptation]. Think ‘Thank You for Smoking,’ but instead of political it’s corporate.”
He also revealed that he is writing one of the roles for Reitman regular J.K. Simmons (who played Ellen Page’s father in Juno and Aaron Eckhart’s boss in Thank You For Smoking).
So I want to send this question out to the /Film Readers: Does anyone have any ideas which book Reitman could be adapting? Tell us in the comments below!