Posted on Tuesday, August 19th, 2014 by Angie Han
Because Paramount stuck Labor Day in the doldrums of January, we’re getting not one Jason Reitman movie this year but two. The second is Men, Women & Children, an ensemble piece about the way technology has changed the relationships between, well, men, women & children.
Adam Sandler, Ansel Elgort, Kaitlyn Dever, Judy Greer, Rosemarie DeWitt, Jennifer Garner, and Dennis Haysbert are among the faces who populate the small town where the action takes place. The first Men, Women & Children trailer has just hit, and you can watch it after the jump.
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Early on in The Graduate, there’s that iconic moment. Ben Braddock, a recent college grad, is talking with the beautiful older family friend Mrs. Robinson. Ben says, “Mrs. Robinson, you’re trying to seduce me.” It’s iconic thanks to director Mike Nichols’ choice of angle, the delivery of the line by Dustin Hoffman, and the way that one sentence sets the entire story into motion.
At Jason Reitman‘s final live read of the season, actor Jay Baruchel played the role of Ben Braddock. When he got to that line, delivered next to his Mrs. Robinson, Sharon Stone, the 32-year-old actor broke character, cocked his right arm on his side and whispered, “Yes!” He was excited, not just because he nailed the legendary line, but maybe he got the feeling what was to follow was going to go very well. Reitman’s casting of Baruchel as the nervous, unsure, yet charming and likable Ben couldn’t have been more perfect. The same could also be said for Sharon Stone, whose Mrs. Robinson was sexy, confident and cool.
Though both actors were merely sitting in chairs, reading lines of dialogue, their body language created an electric chemistry that turned the combination of a great cast and a flawless script into a memorable event. Below, read more details about the Film Independent at LACMA Live Read of The Graduate. Read More »
10,000 years. That’s how long Phil Connors was stuck in Groundhog Day. At least, that’s what writers Harold Ramis and Danny Rubin said in an early draft of the now classic 1993 film. That revelation was later cut out, along with a lot of other things, to make the film we know and love.
But on March 20, Jason Reitman presented that early draft as part of his Film Independent at LACMA Live Read series. On a night dedicated to Ramis, the Groundhog Day co-writer and director, Reitman brought together a small but perfect cast to read through the script. That cast included Jason Bateman as Phil, Elizabeth Reeser as Rita, Jeffery Ross as Larry, Mae Whitman as Nancy, and Stephen Tobolowsky as Ned, the role he originated.
That balance of familiarity from Tobolowsky, coupled with a fresh but perfectly poignant take from Bateman, made Groundhog Day one of the best live reads to come out of the series to date. Read More »
Briefly: The new novel from The Descendents author Kaui Hart Hemmings is now a possible new project for Labor Day and Young Adult director Jason Reitman. Appropriately, the book is called The Possibilities; it’s set to be published in May. Reitman’s company and Indian Paintbrush have optioned the novel, and attached Reitman to direct.
THR has news of the option, and describes the novel:
Set in a Colorado ski town, the story follows a grieving mother struggling to overcome her son’s death. She’s visited by a strange girl with a secret that will change them both.
This won’t be Reitman’s next film, as script development will take some time. His follow-up to Labor Day is set to be Men, Women & Children, with Emma Thompson, Adam Sandler and Jennifer Garner starring.
Posted on Wednesday, November 13th, 2013 by Angie Han
Jason Reitman has worked with some pretty big names over the course of his career, including, most recently, Kate Winslet and Josh Brolin. His next film, however, could star a near-total unknown.
The filmmaker has reportedly offered a big role in Men, Women and Children to newcomer Travis Tope. Though the 22-year-old has just one completed feature on his resume at the moment (the 2007 indie Divine Souls), he’s definitely on his way up: Tope is also considering roles in Sacha Gervasi‘s November Criminals and Rupert Wyatt‘s The Gambler. More about all three projects and their potential leading man after the jump.
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We’re very happy to exclusively premiere a special online trailer for director Jason Reitman‘s latest film Labor Day. The theatrical trailer will premiere later today, but first take a look at this alternate online trailer — You may remember that Jason also let us premiere that amazing Up in the Air “bag” online-exclusive teaser – still one of my favorite trailers of recent years.
In Labor Day, Kate Winslet delivers an award-worthy performance as a depressed single mother, who along with her young teenage son Henry (Gattlin Griffith) have their lives changed forever when they offer a wounded man a ride. The man (played by Josh Brolin) turns out to be an escaped convict, who takes the family hostage during Labor Day weekend. Watch the whole trailer embedded after the jump.
Update: We’ve added the theatrical trailer below, too.
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Jason Reitman‘s new film, Labor Day, opens on Christmas Day, and it will be promoted via a new trailer on Halloween. That trailer hits at 9am PST tomorrow, and as a precursor we have a new poster. The film features Josh Brolin as an escaped convict who is taken into the home of a reclusive woman (Kate Winslet) and her son.
While the first poster and image (above) featured Brolin and Winslet in an ambiguous pose — is he protecting or threatening her? — this new poster uses a similar pose to communicate a more specific connection between the characters. Read More »
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We’re very happy to exclusively premiere the poster for director Jason Reitman‘s latest film Labor Day. Kate Winslet has an award-worthy performance as a depressed single mother, who along with her young teenage son Henry (Gattlin Griffith) regretfully offer a wounded man a ride. The wounded man (played by Josh Brolin) turns out to be an escaped convict on the run, and takes the family hostage during Labor Day weekend. The movie is very different than any of Reitman’s previous works, definitely not a comedy — yet it is instead Reitman’s darkly twisted take on the coming of age film. It’s a more accomplished and mature film than his past works, but also a more nuanced and quieter film. The movie premiered at the Telluride Film Festival to great acclaim. Check out the poster after the jump.
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