Every once in a while a trailer is just demoralizing. Take The Prince, for example. There’s Bruce Willis, looking at first like he might be committing to his role. Jason Patrick shows up — often a good sign — but the plot reveals itself to be another knock-off of Taken. In this case, Willis plays a bad guy who is angry at Patric, himself a former assassin. So Willis kidnaps Patric’s daughter and, well, we start to feel like we know how it is going to go. (John Cusack factors in, somehow, as a wild card.) As a fan of both actors I couldn’t resist watching the trailer, and now we’ll pass it to you. Read More »
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Want to see a close up image of the rumored new Batman vehicle in The Dark Knight Rises? (That’s not it above) How about an inside glimpse at the NASA-based set of The Avengers? What do Kevin Costner and Diane Lane look like on the set of Man of Steel? Does Anne Hathaway get offended when asked about her weight in The Dark Knight Rises? And what documentary inspired Andrew Garfield‘s movement in The Amazing Spider-Man? Read about all this and more in today’s Superhero Bits. Read More »
What did Anne Hathaway have to say about the legacy of Catwoman? Which Doctor Who star dressed up as Batman this week in Hollywood? What superhero is a former Congressman using to attack his political rivals? Marvel is bringing two stars to San Diego Comic Con this year, who are they? And is Ghost Rider really becoming a girl? Read about that all and more in today’s Superhero Bits. Read More »
Whenever I’m asked to name a great director who always manages to stay off the popular radar, Guy Maddin is the first who comes to mind. He makes films to appeal to the hardcore film nerd: things that look like broken artifacts once buried under the foundation of an old hotel in the middle of nowhere. Most of his movies are black and white and often shot on 8mm or 16mm film with in-camera effects techniques that would have been current around the time King Kong made his first trip up the Empire State building.
Guy Maddin’s stories follow their own very strange logic, but despite a deliberately unusual approach to narrative, he creates characters that are effective and memorable. The people in his movies want the same things we all want; they just live in worlds where the rules are a little different from ours. His last few features are absolutely worth a look for anyone who isn’t shackled to the idea that films have to be modern in appearance or traditional in story structure. (My Winnipeg and The Saddest Music in the World, are streaming on Netflix, and Brand Upon the Brain! has a great Criterion release.)
He hasn’t had a new feature since the 2007 pseudo-documentary My Winnipeg, but now Keyhole — which features gangsters, the reanimated dead and a near-mythological journey — is almost ready to go. There are new stills from the film that features actors such as Jason Patric (a very interesting addition to his company), Isabella Rossellini and Udo Kier. The shots are beautiful. If I needed to hear more than ‘new Guy Maddin movie’ to get interested in Keyhole, these shots would do the trick. Check ‘em out after the break. Read More »
Taylor Lautner‘s action film Abduction, to be directed by John Singleton, just got an extra dose of class. Sigourney Weaver is joining the cast as “a psychiatrist to Lautner’s character, who discovers his own baby picture on a missing persons website.” Also in the supporting cast are Lily Collins and Alfred Molina. [Variety]
After the break, Ashley Judd is back, and HBO’s movie blogger drama gets yet another cast member. Read More »
Paul Rudd will star in My Idiot Brother, an indie comedy that will have the actor as “an idealist, dealing with his overbearing mother, who crashes into the homes of his three ambitious sisters and, in succession, brings truth, happiness and a sunny disposition into their lives while also wreaking havoc.” Is it any wonder that producers of Little Miss Sunshine are behind this one?
Jesse Peretz directs from a script by Evgenia Peretz (his sister) and David Schisgall. The sisters aren’t yet cast, but we should hear those names soon, as the film shoots next month. [THR]
After the break, new cast for Tilda, Deathgames, and a ‘Fight Club meets werewolves’ movie. Read More »
The Los Angeles Times has an interview with Sylvain White, director of the big screen adaptation of The Losers. The article comes with a new promo photo, which kinda recreates the drawn teaser poster for The Losers, which was revealed at Comic Con. Check out the full photo, after the jump. If you haven’t yet seen the movie trailer that hit the web on Friday, click here.
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Warner Bros has released the first official photos from Sylvain White‘s big screen adaptation of the Vertigo label comic book The Losers, thanks to Omelete.
Originally published as a war comic feature set during World War II, The Losers was later re-imagined set against the events surrounding the war on terror. The Vertigo imprint version ran for 32 issues from 2003 to 2006. The Losers tells the story of a former Special Forces team who were betrayed by their handler Max, and left for dead following the conclusion of their operation. The team were forced to regroup and enter on a mission of revenge against Max, who has been using the CIA for his own interests.
More photos after the jump.
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