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Jacob Gentry has been making movies for a long time; he made his first feature almost ten years ago, and hit the Sundance jackpot as one of the creators of The Signal in 2007. Earlier this fall we featured Gentry’s two-part short film / music video – both parts embedded below –for the forthcoming Broken Bells album ‘After the Disco.’ (The album arrives in early January.)

The short features Anton Yelchin and Kate Mara as a couple who find one another through a sort of science fiction dreamscape. Together with the performances, Gentry uses great visuals and Broken Bells’ cinema-ready music to create a vision where dreamers can get lost in their own desires.

I sat down with Gentry in LA not long ago to talk about the process of creating the video, and we ended up talking a lot about core concepts of directing. I always love hearing how a small project comes together to be more than the sum of its parts, but it was Gentry’s talk about the actual craft of directing that I think are really great for other young directors to read. Read More »

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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