James Cameron is a man on the cutting edge of technology. He literally invents technology to fit his vision. So when there’s a new piece of technology, especially something in entertainment, it’s always interesting to hear what the director of the two highest grossing movies of all time has to say.
Many think virtual reality is the next step in filmmaking, but Cameron isn’t among them. When asked about the current state of virtual reality, including Oculus Rift -the impressive, all encompassing virtual reality system recently purchased by Facebook – Cameron called it a “yawn.” Read the full James Cameron Oculus Rift quotes and more below. Read More »
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On paper, James Cameron has nothing to do with 2015’s Terminator Genisys. It’s a film based on characters he created, starring an actor he cast, but that’s about it. A few months ago, he did reveal he was “loosely attached” in an advisory role, but wouldn’t be credited. He said his biggest contribution was in regards to the role of the Arnold Schwarzenegger Terminator 5 character. But what exactly did that mean?
Apparently, a lot. In a new interview Cameron revealed his contribution to Terminator Genisys was the seed that made it possible for a 67-year-old Schwarzenegger to return to his iconic role as the T-800. Read the specifics below as well as what Cameron thought of the script and his feelings on returning to the franchise. Read More »
The art above is the production logo for That’s What I’m Talking About, the new film from Richard Linklater. We’re stretching the definition of “sequel bits” just a little here, but the movie has been called a “spiritual sequel” to Dazed and Confused. Linklater started production on the movie this week, and that image is in celebration of the ongoing production.
- The Woman in Black – Angel of Death gets a new US release date,
- James Wan talks about Fast & Furious 7,
- Producers suggest there’s a plan for a new Saw film in 2016,
- A new Horrible Bosses 2 poster goes online,
- As does a Night at the Museum: Secret of the Tomb poster,
- And James Cameron talks Terminator.
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James Cameron, John Carpenter, Peter Jackson, Christopher Nolan & Steven Spielberg. You’d be hard pressed to come up with five names who, over the past few decades, have build better worlds on the big screen. Avatar, Halloween, The Lord of the Rings, Inception and Jurassic Park are just the tip of the cinematic iceberg for that group and, this weekend at the Hero Complex Gallery, they’re paying tribute.
Imagined Worlds is a group show at the Hero Complex Gallery in Los Angeles, CA comprised of art based on the films of those five filmmakers. As you can expect, the possibilities are endless with that group and, below, you can get just a small sampling of the work that’ll first be on display Friday October 17, before going online Saturday October 18. Read More »
Posted on Tuesday, September 16th, 2014 by Angie Han
Unlike some of his esteemed colleagues, James Cameron has never shied away from new technology. He’s been a proponent of 4K resolution and higher frame rates for years. In fact, he’s been telling people he wanted to shoot his Avatar sequels in 60 FPS since 2011 — before Peter Jackson’s 48 FPS Hobbit even hit theaters.
Now it seems Cameron may go even further than that. Douglas Trumbull says Cameron’s Avatar producer Jon Landau is interested in his MAGI process, which captures and displays images at 120 frames per second in 4K and 3D. Hit the jump for more details.
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We’re back in a familiar part of a cycle with respect to James Cameron and his films, where, in the long and seemingly fallow period between movies, people tend to question the wisdom of his next move. It happened before Titanic, and before Avatar. We know how both of those films turned out, at least from the perspective of business and cultural impact. But we still wonder about the value of making not one, but three Avatar sequels.
Cameron and Fox have been developing the movies for a while, and will soon start in earnest on production, with the first film scheduled for release in late 2016. And to hear the writer/director tell it, Avatar is the vehicle through which he can express all his artistic ideas going forward. Read More »
James Cameron can’t write all three Avatar sequels alone. And he especially can’t write them alone at the same time. That’s why he enlisted the help of four writers: Rick Jaffa, Amanda Silver, Josh Friedman and Shane Salerno. The five of them sat in a room for five months, eight hours a day, breaking down the stories for each sequel. It wasn’t until the end of the process that Cameron finally assigned each writer (or team) a film. In that process, it seems the breakdown of who is writing which sequel was misreported in the press. In a new New York Times article, it’s been corrected. Read about the Avatar sequel writers below. Read More »
Posted on Monday, June 9th, 2014 by Angie Han
Sigourney Weaver is officially heading back to Pandora. The Avatar actress has just been set for all three upcoming sequels, joining Sam Worthington, Zoë Saldana, and Stephen Lang.
At this point, moviegoers who saw the first Avatar (so, all of them) may be wondering how Weaver intends to return when her character, Grace, died in the first film. As it turns out, that isn’t an issue at all because Weaver isn’t playing Grace this time around. Hit the jump for details.
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The story is legendary. In the mid 1970s, George Lucas sat down to write a space opera called Star Wars. He wrote a 12 (or 9, depending on who you ask) chapter story that he soon realized was way too ambitious for one film. So he chopped the saga of the Skywalkers story down to its most exciting, and tightest chapter. Chapter 4, eventually called “A New Hope.” Later, those other ideas would become sequels, prequels and soon, a sequel trilogy.
But who knew James Cameron did the same thing with The Terminator?
At the LA Times Hero Complex Film Festival last weekend, Cameron told the story of writing his original 1984 hit The Terminator. He said the story he wrote included the liquid metal warrior who would eventually become the T-1000 in Terminator 2, but he couldn’t afford to make the effect imagined in his head. So he lopped off the second half of the story and the rest is history.
Read Cameron’s story of the film’s origin below. Read More »