Posted on Wednesday, May 23rd, 2012 by Angie Han
There are long-simmering projects, and then there’s A Confederacy of Dunces. A cinematic adaptation of John Kennedy Toole‘s canonical novel has been in development since the early ’80s, and has gone through many hands in the decades since with no success. But Hollywood keeps trying, and now the latest big names to try and crack it could be Zach Galifianakis and The Muppets helmer James Bobin. More details after the jump.
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Posted on Thursday, March 1st, 2012 by Angie Han
It’s not like Kermit, Miss Piggy, and the gang ever totally disappeared from the public eye, but last fall’s The Muppets definitely went a long way toward reinvigorating the franchise for a whole new generation. The film was a hit both critically and commercially, and it’s in no way surprising that Disney’s now getting the pieces together to move forward on the sequel.
What’s disappointing, however, is that it seems Jason Segel — who not only starred in, but also wrote and executive produced the The Muppets — won’t be involved in a screenwriting capacity. (Don’t freak out, Gary fans — it’s still possible he’ll star.) Instead, Muppets director James Bobin and original co-writer Nicholas Stoller have closed a deal to pen the script. More details after the jump. Read More »
Posted on Wednesday, February 29th, 2012 by Angie Han
Aside from a brief appearance by Miss Piggy and Kermit and a win for composer Bret McKenzie, this weekend’s Oscar ceremony was tragically light on the Muppets. But in just a few weeks, fans will be able to get their fill of the gang when the film hits DVD and Blu-ray.
Today, we have a preview of some of the bonus features from The Muppets, including a making-of featurette, a blooper reel, and a deleted scene — plus a clip of Kermit and Glee star Darren Criss performing “Rainbow Connection” for E!’s pre-Oscars show, just because. Watch them after the jump.
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If you walked out of The Muppets feeling like you were on top of the world, Bret McKenzie was a big reason. The actor/singer/songwriter, best known for his HBO series Flight of the Conchords, was hired by director James Bobin to write many of the brand new songs for characters like Kermit, Miss Piggy, Fozzie, Gonzo and others to sing in the Muppets triumphant return to the screen. And to that aim, McKenzie was a success. He was rewarded for his work with an Oscar-nomination for Best Original Song for “Man or Muppet,” which features Jason Segel’s character Gary and his brother, Walter the Muppet, signing about their true identities. It’s funny, clever, catchy and has a 50/50 shot at gold since only two songs are nominated.
We sat down to talk to McKenzie about the honor, his process integrating songs in the film, the song not being performed at the Oscars, as well as his upcoming role in a tiny film called The Hobbit and more. Watch the video interview after the jump. Read More »
Of the many things that make me happy about The Muppets, this story concerns three of them.
James Bobin’s film does a fantastic job of not only paying respect to the Muppet legacy but also setting a foundation for a whole new world should audiences demand to see it. And why wouldn’t they? The Muppets is filled with memorable characters and an interesting story interspersed with a slew of catch tunes and sounds that can’t help but make you feel happy.
In regards to both those points, this article will provide an update from the producers on what work is being done on a sequel as well as a video from the Soundworks Collection about the music and sound of The Muppets and a music video of the song “Man or Muppet.” Read More »
Over its first five days, The Muppets pulled in over $40 million, making it a bona-fide success for Disney. That’s in large part to the simple fact that the movie is just plain good.
Angie gave The Muppets a great review on the site and it’s still kicking at 98% on Rotten Tomatoes. But the film wasn’t always a rainbow connection. The film had several problems before, during and after production, ranging from original puppeteers not wanting to be a part of the project; current puppeteers not agreeing with character choices; and major changes to the script at almost every stage. Nowhere is that flux better illustrated than the film’s ending. In fact, the ending you now see in theaters is not how the movie originally ended.
After the jump, we’ll reveal the original ending which – of course – will force us to spoil the current ending. If you haven’t seen The Muppets yet, go do that, then come on back. Read More »
After a long promotional runup that included a never-ending string of parody trailers, photo shoots and gleeful audio experiments, The Muppets is finally in theaters. Jason Segel‘s loving ode to Jim Henson‘s puppet troupe combines some winking modern showmanship with a whole lot of love for the Muppets and what they have always represented in pop culture. Because the Muppets mean a lot to many of our readers, it is possible that the film has a difficult standard to live up to.
So the question is: did director James Bobin, co-writers Segel and Nicholas Stoller, songwriter Bret McKenzie, co-stars Amy Adams, Jack Black, Chris Cooper and all the Muppet puppeteers manage to craft a modern Muppet vision that jibes with the classic image of the characters? Tell us what you thought in the comments after the jump. As always, spoilers are fully cleared to go in this discussion. Read More »
Posted on Monday, November 21st, 2011 by Angie Han
For those who came of age any time between the ’50s and the ’90s, the Crayola-colored felt faces of the Muppets hold a certain unshakeable allure. Kermit’s familiar green visage is a face I grew up with, and I still have a knee-jerk tendency to break out in a smile whenever I see him or his pals. While the Muppets have never entirely left the public consciousness, they’re hardly the ubiquitous powerhouse they once were. This year’s The Muppets marks the first real introduction for a whole generation of kids who were born too late to remember 1999′s Muppets in Space, let alone 1979′s The Muppet Movie.
So if The Muppets coasts just a tiny bit on the goodwill that people like me still reserve for them, I’m pleased to say it’s still a solid enough film to appeal to the uninitiated while also pleasing old(er) fogies who recall them fondly from past decades. Which, not coincidentally, is also the characters’ goal within the storyline itself.
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