Posted on Wednesday, September 14th, 2016 by Jacob Hall
Someday, someone is going to write a tell-all book exploring the history of Marvel Studios, and it will almost certainly be a compelling read. The company’s rise has been nothing short of astonishing, but the stories emerging from behind-the-scenes have often been bizarre and inexplicable, the result of battles over creative control between several different captains trying to steer the ship in different directions. Specifically, we’re talking about the clashing between Marvel Entertainment CEO Ike Perlmutter and Marvel Studios president Kevin Feige.
A little over a year ago, Feige won this particular war, essentially cutting Perlmutter out of the decision-making process at Marvel Studios. However, the fragments of their years of strife are still apparent and still being talked about. Case in point: Rebecca Hall still isn’t euphoric with what went down on Iron Man 3.
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There’s no shortage of violence in movies today. Whether it’s superheroes fighting each other, spies being betrayed by their superiors, sentient foods being eaten by people or even frustrated fowl, almost every movie has a little bit of violence. But when it comes to the movies of writer/director Shane Black, there’s probably a little more than usual. However, as a new video essay points out, there’s something special about how the director of The Nice Guys and the writer of Lethal Weapon uses violence in his films.
Watch the video essay on violence in Shane Black movies after the jump. Read More »
There have been some disappointing decisions on the merchandise side of things from Disney and Marvel Studios, specifically with regards to their treatment of female characters. Black Widow, once the only female member of the Avengers, had a rather disappointing shortage of toys, so much that Avengers star Mark Ruffalo lamented that his daughters and nieces couldn’t find many at the store. In fact, Black Widow was even left out of an action figure playset inspired by a key scene for the character in The Avengers: Age of Ultron. Now some more upsetting details from behind the Marvel machine have been revealed.
Director Shane Black has been out promoting The Nice Guys (in theaters this weekend), and a recent interview saw part of the discussion steer towards Iron Man 3 and some of the difficulties he had on the production. One surprising revelation that came from the discussion was that the primary villain in the movie, played by Guy Pearce, was originally slated to be a female character. But Marvel forced a change in the character’s gender because they believed a female villain action figure wouldn’t sell as well. Wow.
Find out more about the axed Iron Man 3 female villain after the jump. Read More »
Disney Home Entertainment has announced they will be releasing the Marvel Cinematic Universe: Phase Two Collection as an Amazon exclusive for this holiday season. Hit the jump for details on this 13-disc Blu-ray set.
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Posted on Monday, October 19th, 2015 by Angie Han
Guillermo del Toro‘s Crimson Peak is a deliciously dark and twisted piece, set in the most gorgeous, most decrepit haunted house you’ve ever seen and anchored by three mesmerizing performances from Tom Hiddleston, Mia Wasikowska, and most especially Jessica Chastain. It’s also not the horror movie that’s being sold in the trailers, but a Gothic romance. Think Jane Eyre plus ghosts, not The Conjuring plus corsets.
That’s not such a bad thing if you happen to love costume dramas, but it can be an unpleasant surprise if you don’t. And that misleading marketing doesn’t seem to be doing it many favors. I’ve seen a lot of critics ding it for being ineffective as a horror movie — which of course it is, because it isn’t really one. The B- Cinemascore and limp box office might also reflect the discrepancy between what Crimson Peak seems to be, and what it actually is.
Admittedly, it’s not difficult to understand why Universal chose to market Crimson Peak as a horror movie. A Brontë-esque romance is a much harder sell outside the arthouse than a spooky, seasonally appropriate haunted house flick. And it’s hardly the first time a marketing team has chosen to sell a completely different movie. Sometimes it’s part of a savvy strategy and sometimes it’s a desperate ploy; sometimes it works, and sometimes it doesn’t. Below, let’s look back at 15 movies with misleading trailers. Warning: Some spoilers ahead. Read More »
Even though special effects have never been better than they were today, there’s always room for improvement. For example, even though we’ve had stellar digital visual effects at our disposal awhile now, there have been plenty of disappointments on the big screen. In fact, one area where Hollywood sometimes had difficulties was in creating realistic movie explosions. But thankfully, science stepped up to help.
A new video from Theodore Kim, professor of Media Arts, Technology and Computer Science at the University of California, explains how Hollywood has been able to create realistic explosions in movies, and it’s all thanks to a fancy algorithm. Read More »
Posted on Thursday, July 23rd, 2015 by Angie Han
In less than a decade, the Marvel Cinematic Universe has gone from an ambitious pipe dream to an inescapable box-office juggernaut. Now, as Ant-Man brings Phase Two to a close, we wanted to take a look back at the twelve films released so far. Which soared? Which fell flat on their faces? After the jump, get our rundown of all twelve films of the Marvel Cinematic Universe ranked.
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I love wacky film theories. It doesn’t matter to me that the filmmakers most likely didn’t intend these interpretations, but I find it interesting the connections some people make within the movies they enjoy. It could be as ridiculous as a one line cue which leads some people to believe that Chris Pratt’s character in Jurassic World could be the young boy from Jurassic Park, how all Pixar movies exist within the same universe, that Stan Lee Is Playing the Same Character in All His Marvel Cameos, or even us trying to predict the future with a theory on How The Marvel Cinematic Story Might Connect Through Phase 3. Or it could be a much more well reasoned theory, like an explanation of why Top Gun is a deeper movie than you think.
Over the weekend I received an email from a /Film reader named Andy from the UK. He has a theory that all of the Marvel Phase Two movies feature a huge easter egg that we’ve all been missing: the black hood of death. This theory falls on the more ridiculous end of the spectrum but I still find the observation fun. And at very least, this shows that Marvel is over-using the black hood “in disguise” cliche in phase two. Hit the jump to read Andy’s Marvel black hood of death theory.
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Posted on Wednesday, April 22nd, 2015 by Angie Han
Marvel loves burying Easter eggs in their movies. Sometimes they turn out to be set-up for future films, but often they’re just fun little gags. Falling into the latter category is this genius Star Wars reference, which has managed to make it into every single Phase Two film. Find out what the Marvel Phase Two Star Wars Easter egg is after the jump.
Be warned that spoilers lie ahead for Marvel Phase Two, including minor implied spoilers for Avengers: Age of Ultron and Ant-Man.
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Want to buy some cool, limited superhero art featuring Spider-Man, Batman and Iron Man? Is Weta working on a special scene in Batman v Superman: Dawn of Justice? What is Claudia Kim‘s character name in Avengers: Age of Ultron? Was the Ellen Brandt fight in Iron Man 3 going to be different? Did Stan Lee predict the future of superhero movies in 1988? Can you buy the cowl from Batman: Arkham Origins? Read about all this and more in the final Superhero Bits of 2014. Read More »