While best known as a director of stop-motion animation (James and the Giant Peach, The Nightmare Before Christmas, Coraline) Henry Selick has also dabbled in live-action. There are the live-action scenes in James and the Giant Peach, for example, and his follow-up feature, Monkeybone.

Now Kamala Pictures and FilmNation have set Selick to direct the live-action adaptation of Adam Gidwitz‘s book A Tale Dark and Grimm, which follows two fairy-tale children as they flee their own story only to end up in others. Read More »


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Henry Selick‘s stop-motion animation Shademaker hit a massive roadblock last year when Disney backed out of the project, but happily it turned out not to be dead so much as stalled. K5 International got things going again this week when it decided to back the project (now titled The Shadow King) and bring it to the European Film Market.

Today, we have a first look at the new feature in the form of a sales poster for EFM. In addition, we have some info on the promising cast, which will include Jeffrey TamborBrendan Gleeson, and Catherine O’Hara. Hit the jump for more.

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Last year we got the disappointing news that Henry Selick‘s next stop-motion animated film had been canceled by Disney. But there’s good news: the film has come back to life, via a new producer and financier. The picture is now called The Shadow King, and it follows a boy who learns to create shadows that become a crucial weapon in a war against a monster that threatens the boy’s family, and all of New York.

Better yet, Selick doesn’t have to start from scratch. The work and early production done under Disney are still being used, which means we might see The Shadow King sooner rather than later.

More info follows.  Read More »

UPDATE: Looks like Selick won’t head back to Laika after all. According to Oregon Live, who spoke with an unnamed “person direct knowledge of Laika’s thinking,” the filmmaker did indeed meet with the studio. However, the talks went nowhere and Laika will not fund its former director’s project. Thanks to /Film reader ThumBlister for the tip.

Henry Selick‘s career started at Disney in the ’70s, brought him to Laika in the 2000s, and sent him back to Disney/Pixar in 2010. Now, it could pingpong him back to Laika once more, at least for one of his upcoming projects.

As of earlier this year, the filmmaker had two pictures set up at the Mouse House — one an adaptation of Neil Gaiman’s The Graveyard Book, and the other a top-secret original stop-motion picture formerly titled Shademaker. Over the summer, however, the studio got cold feet about financing the latter. Selick’s been shopping it around town since then, and it appears the first to bite is his old home Laika, where he once directed Coraline. More details after the jump.

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Henry Selick has two films set up at Disney: an adaptation of Neil Gaiman’s The Graveyard Book, and a film being created by his new studio Shademaker Productions, of which we know relatively little. That is, he had two films set up at Disney; the Mouse has decided to pass on the Shademaker film, while keeping the Gaiman adaptation going. Read More »

Briefly: Yesterday we told you two things: one, that Disney had picked up Neil Gaiman‘s The Graveyard Book and would make development of a feature based on the book a priority. And two, that Henry Selick, who directed The Nightmare Before Christmas and another Neil Gaiman book adaptation, Coraline, has been consulting with Disney and Pixar talent for his latest feature. Turns out those things are more closely related than we thought.

Now Disney has attached Selick to direct The Graveyard Book, which sounds wonderful. I thought very highly of his work on Coraline, which aside from the one character invented for the film, was a really solid effort. Incidentally, Deadline also says that The Graveyard Book will come after the film Selick has been working on for the past year.

Here’s where there’s some confusion. Deadline says that Selick is “already working for Disney-based Pixar on a top secret film.” That contrasts the last info we had, which said that Selick had consulted with Pixar on the feature he’s working on at his own animation studio, Cinderbiter. Regardless, Disney is set to release his next film, and I wouldn’t settle into the idea that he’s making a Pixar movie just yet.

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Over a year ago Henry Selick, director of The Nightmare Before Christmas, James and the Giant Peach, and Coraline, formed a new animation studio in San Francisco. At the time, he was said to be working on “great, scary films for young ‘uns with a small, tight-knit crew,” and the outfit was pulling together talent for its debut film. Selick had signed a deal with Disney in 2010, and when we first saw info on the studio there was word that it was affiliated with Disney.

The studio is called Cinderbiter, though there was a point where the name was reported to have been changed to Shademaker, which was also being thrown around as the working title of the company’s first feature. We don’t know what the title of this first feature will be, but we do know now that Disney will distribute the film. A few details are below. Read More »

This year might be the point where studio reliance on tentpole films finally got out of hand. We’ve seen Sony schedule a date for the sequel to The Amazing Spider-Man — that’s a sequel to a film that isn’t even close to finished, and which, consequently, no one has seen. And now Lionsgate has staked out a spot for Catching Fire, the sequel to The Hunger Games, which also hasn’t finished shooting and won’t be seen by audiences for another seven months. That info, as well as dates for the thriller Parker and Henry Selick‘s new animated effort, are all below. Read More »

Henry Selick, who directed The Nightmare Before Christmas, James and the Giant Peach, and Coraline, is at the head of a new animation studio in San Francisco. Shademaker Productions, previously called Cinderbiter Productions, is pulling together talent now for its first film, a movie also called Shademaker, and there are already some impressive names involved with the fledgling outfit that aims to make “great, scary films for young’uns.” Read More »