Hell Comes to Frogtown

In 1978, a pair of young, wannabe filmmakers made a 12-minute, 35mm short called Xenogenesis. One of those wannabes was a visionary artist by the name of James Cameron. The other—who Cameron calls “the best kept secret in Hollywood”—was a precocious storyteller by the name of Randall Frakes. 

Over the following four decades, the two have collaborated on several projects. But one project that did not collaborate on—though they came close to doing so—was a subversive, sci-fi B-movie called Hell Comes to Frogtown. That one was written solely by Randall Frakes, though the final film stayed significantly from his initial vision. To figure out what happened, I spoke with Randall Frakes about cyborgs-turned-assassins, wrestlers-turned-actors and the underappreciated unity of opposites. 

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