Harvey Weinstein has created a new, more family-friendly PG-13 cut of The King’s Speech, but the film’s director Tom Hooper, the proud owner of a shiny new Best Director Oscar, hasn’t yet seen the cut. Within the context of creative enterprise this is an interesting representation of the cross purposes of storytelling and business, but after the resounding endorsement of the current version of the film (four Oscars, over $100m domestic box office) is the whole idea of a different edit just a weird coda to the film’s success story? Read More »
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The Weinstein Company found itself embroiled in two battles with the MPAA last year. One was over the film Blue Valentine, which was given an NC-17 for one sex scene, and the rating was successfully appealed down to an R without edits being made to the film.
The other was for The King’s Speech, given an R for profanity, most of which is uttered in one sequence where King George VI (Colin Firth) attempts to break through his stutter. That appeal was unsuccessful, and the film’s R rating stuck. But when the film was nominated for many Oscars, the company said it might edit the film to get a PG-13 in order to capitalize on awards momentum. Now the edited version of the film has been given a PG-13. Read More »
What is Page 2? Page 2 is a compilation of stories and news tidbits, which for whatever reason, didn’t make the front page of /Film. After the jump we’ve included 40 different items, fun images, videos, casting tidbits, articles of interest and more. It’s like a mystery grab bag of movie web related goodness. If you have any interesting items that we might’ve missed that you think should go in /Film’s Page 2 – email us!
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Ask Roger Smith, George W. Bush, Charlton Heston and the heath care industry. If there’s one person you don’t want to screw over, it’s Michael Moore. Whether you agree with his politics or not, Moore is well-known for being extremely vocal and diligent. So when he audited his $200 million, 2004 hit film Fahrenheit 9/11 and found “substantial irregularities in the accounting,” he went to the men responsible: Bob and Harvey Weinstein. After several months discussing the matter, Moore filed a lawsuit against the Weinsteins in Los Angeles County Court Monday for “breach of contract, breach of fiduciary duty and constructive fraud claims.” He claims the Weinsteins used “Hollywood accounting tricks” and “financial deception” to cheat the him out of almost $3 million. Read more after the break. Read More »
Hey, remember when Harvey Weinstein was all incensed last year about the R-rating given to The King’s Speech? It was at the same time as he was campaigning to appeal the NC-17 given to Blue Valentine, so you might have missed the much more minor controversy about Tom Hooper’s film. The rating for Blue Valentine was successfully appealed, but the R given to The King’s Speech was not. (The rating was given for a string of curses, including a many f-bombs, uttered by Colin Firth as King George VI as he tries to break through his stutter.) A lawyer for The Weinstein Company invoked the First Amendment when talking about the R rating, saying “it should strike fear in the heart of every director and producer.”
Now, with twelve Oscar nominations, Harvey Weinstein has basically said ‘fuck it’ with respect to the rating and integrity of the film. He wants to cut the movie to score a lower rating and, hopefully, bring kids into the audience. Read More »
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In a rare case of a successful appeal before the MPAA, the NC-17 rating initially slapped on Derek Cianfrance‘s Blue Valentine has been overturned. Harvey Weinstein personally appeared before the appeals board to plead on behalf of the film. The film will go out to theaters with an R rating. Read More »
It’s been a big Toronto Film Festival for Harvey Weinstein, as The Weinstein Company picked up films like Dirty Girl, Sarah’s Key and the surprise hit of the fest, Submarine. But there’s another Harvey-related buy that might not make him as happy: IFC has picked up Unauthorized: The Harvey Weinstein Project, a documentary about the industry titan.
The Barry Avrich-directed and produced film is said by IFC to be “a powerful, uncensored, no-holds-barred account that traces Weinstein’s path from concert promoter on the cold streets of Buffalo to his first trip to the Cannes Film Festival, where he arrived with one pair of pants and closed his first movie deal, to winning an Oscar, and breaking the bank with his first $100 million film.” Avrich previously claimed the film would be balanced, rather than a hatchet job.
The film isn’t yet finished, and a release date hasn’t been reported.[Deadline]
After the break, sales deals for John Cameron Mitchell’s Rabbit Hole, the Korean thriller I Saw the Devil, and pre-sales for Almodovar’s next and Dredd. Read More »
If you were following the Disney sale of Miramax earlier this spring, there was the point where it seemed almost a foregone conclusion that Bob and Harvey Weinstein — the guys who started Miramax in the first place, and named it after their parents — had successfully wrangled a deal to regain control of the company name and film library (despite Disney’s insistence to the contrary). In conjunction with supermarket mogul Ron Burkle, i.e. the guy providing the money, the Weinsteins supposedly had Miramax sewn up and would be announcing their triumph at Cannes.
Now, what’s being announced is that the deal has fallen apart. Read More »
We have the intersection between famous people and crazy people to thank for no small amount of entertainment. Take the lawsuit filed by Dannez Hunter, who claims that in 1999 he submitted a story treatment to Miramax about a character named Ren. Hunter claims that Ren became O-Ren Ishii in Kill Bill, and that Quentin Tarantino stole elements of his treatment, including the specific manner of murder of Ren’s mother.
But it gets better, because Hunter also applied for a job at Miramax, and was, ahem, “never given a return phone call, as numerous similar situated less qualified Jewish and White people were bestowed job after job after job.” He wants a bag full of money, in part because whites and jews got all the royalties from Kill Bill. Good luck with this one, buddy. [TMZ]
After the break something slightly more substantive but less amusing: Tarantino reportedly may make a Harvey Weinstein documentary. Read More »