One of the more promising projects for the next couple years (don’t expect this until 2012 at least) is The Congress, in which Waltz With Bashir director Ari Folman liberally adapts a story (‘The Futurological Congress‘) by revered speculative fiction author Stanislaw Lem. The film is planned as a mix of live-action and animation, and we’ve already seen a taste of what the animation will look like.
Robin Wright stars as a struggling actress whose image has been bought and co-opted; she’s essentially outmoded and unnecessary. As the film moves forward, animation takes the place of live action and Robin Wright’s character is seen in what appears to be a dystopian future of sorts, where manufactured pharmaceuticals play a big role in life. Details are thin right now and, honestly, that’s OK. It’s good to be tantalized by a film like this, and with Ari Folman directing I’m happy to be along for the ride. But there are new details: Kodi Smit-McPhee (The Road, Let Me In) has been cast, and it appears that Danny Huston, Paul Giamatti and Harvey Keitel have parts, too. Read More »
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We’ve seen a teaser and an international trailer for Little Fockers, the second sequel to Meet the Parents, and now there is a full theatrical trailer. What’s the difference? In addition to showing more plot and (depending on your point of view) jokes, this trailer has a few shots of Dustin Hoffman, whose mart was shot after the teaser debuted. Read More »
Steve Carell only has one season left as Michael Scott on The Office, and the showrunners are looking for an actor to take over as the show’s branch manager. Paul Lieberstein, who plays Toby on the show in addition to being a writer, producer and occasional director, already has someone in mind: Harvey Keitel.
Read what he had to say after the break. Plus: TV news bits on new shows from J.J. Abrams and Battlestar Galactica co-creator Ronald D. Moore. Read More »
Universal Pictures has released a new international movie trailer for Little Fockers, the third film in the Meet the Parents series. Watch it now embedded after the jump.
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Not much to say here — Little Fockers is the third film in the unlikely series spawned by Meet the Parents. The upside is that, based on this trailer, the movie seems to be slightly less about the children of Ben Stiller‘s character than you might guess. The downside is that, based on this trailer, the movie looks like another couple hours of watching Ben Stiller and Robert De Niro make antagonistic eyes at one another. If that’s your thing, then this will look like pure gold. Read More »
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I’m not sure if these production photos are new, but I certainly haven’t seen them posted around the movie news web space. Universal Pictures has released two photos from Little Fockers, the third film in the Meet the Parents series.
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UPDATE: According to a publicist who represents the producers and emailed me regarding the rumor.: “No – we have a slow 35 city roll out.” So, it appears many people beyond NY/LA will have a chance to dance in the moonlight with a cracked out Nicolas Cage.
It’s hard both to deny and describe the crazy cinematic potion that has flowed off the marketing materials and clips for Bad Lieutenant: Port of Call New Orleans thus far. I cannot align these entertaining yet toxic vibes with another recent film, and many critics who see it—and like it—seem to share the task. It’s as if the voodoo weirdness that floats throughout pockets of the troubled region seeped into the dailies and into the gainfully employed skin of star Nicolas Cage. Much of this can be chalked off to the film’s publicized equation of iguana hallucinations, wild-man director Werner Herzog, and crack rocks, the math of which has stirred up semi-ironic anticipation for the film within movie culture. Unfortunately, it may be that a wide theatrical release for this anomaly is no longer happening; First Look Pictures, the film’s U.S. distributor looks to rush the film to DVD/Blu-ray for a February 2010 release.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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Did Slashfilm piss off the Ghost of April Fool’s Day? Topping off a day of odd movie announcements and rumors, Variety reports that director Werner Herzog (Grizzly Man, Aguirre: Wrath of God) will helm a remake of Abel Ferrara’s NC-17 classic Bad Lieutenant starring Nicolas Cage in the title role, formerly inhabited, and fantastically so, by Harvey Keitel back in ’92. The remake is scheduled to begin filming late summer. Like Point Break 2, first word of this remake arrived last year and I believe that Ferrara himself was considering it.
For those who haven’t seen it (do so), Keitel starred as a corrupt New York cop strenuously spiraling into an abyss of narcotics, thievery, naked disorientation, and betting/losing his monies on Darryl Strawberry (the irony). Ferrara’s is one of my favorite depictions of New York in film, because the city’s garbage and vice seeps into Keitel’s character until he’s forced to flush it out and face the consequences. And it may sound sensational, but the movie’s recurring theme of faith is like a punch in the gut and quite effective.
Apparently, Herzog’s remake will update the time period and cop to post-9/11. Last year, FilmStalker parlayed that the script by TV writer/producer William M. Finkelstein (NYPD Blue, Murder One) contained the following plot points…
According to the story Finkelstein is bringing the character back to life with a backstory of drug addiction, the showing of his promotion to Sergeant, the drug related murders of five illegal immigrants and a name for the character. Other than that they say that the drugs, sex, stealing and gambling are still going to play a major part in the story.
Hopefully this doesn’t turn into a case of “who’s bad?” between ’92 NYC and ’00s NYC. That would make as much sense as remaking Larry Clark’s Kids in the present day. Respected producer Edward R. Pressman, who backed the original film, is on board again along with a long line-up of other producers including Stephen Belafonte and Nu Image/Millennium’s Danny Dimbort. I am a big fan of Herzog and dig/ignore a lot of Cage’s work, but I’m not yet convinced this will be anything other than a harder, more intimate version of Training Day.
Discuss: The talent involved strikes interest, but is an update needed? Who cares about debating whether Hollywood should remake the film, because they will remake anything, but do you personally think the times call for a new Bad Lieutenant, as it seems it will be heavy on commentary? I know we’ll get a lot of “well, it could be worse” below, but try to avoid that treaded route if you’ve seen the original. Add insight.