Two great movies honoring a fantastic filmmaker with proceeds going to charity, and you get a Mondo poster. It’s hard to imagine something better than that.
Debra Hill, one of the pre-eminent producers of the Eighties and Nineties, passed away in 2005. She left not only a legacy of great films (Escape from New York, Clue, Adventures In Babysitting, The Fisher King) but a commitment to emerging producers and those two passions come together on October 26 and 27 at the New Beverly Cinema in Los Angeles, CA. There, the Producers Guild of America will host the inaugural Debra Hill Film Festival, featuring Big Top Pee-Wee and Halloween on consecutive nights with very special guests and very special posters. For Pee-Wee, Paul Reubens will be on hand along with director Randall Kleiser and co-star Penelope Ann Miller. The poster is by DKNG Studios. For Halloween, John Carpenter will be on hand with a poster by Ken Taylor.
After the jump, find out how you can buy tickets right now and check out both posters. Read More »
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Federico D’Alessandro started as a storyboard artist on James Cameron‘s 3D docuemtnary Aliens of the Deep, and worked his way up the ladder working on horror movies like Stay Alive before getting his chance on big studio pictures like I Am Legend, and The Chronicles of Narnia sequels. For the last couple years, D’Alessandro has been working as the Head Storyboard Artist and Animatics Supervisor over at Marvel Studios, working on all the superhero movies: Thor, Captain America: The First Avenger, The Avengers, Thor 2 and Iron Man 3.
Recently we’ve been interested in seeing the pitch reels which filmmakers are crafting to try to convince studio executives to give them a chance. Most of the time these pitch reels come in the form of a sizzle reel/movie trailer, but other times the filmmakers focus on a sequence to show how they would handle the tone of a project.
When pitching for the directing job on Platinum Dunes’ Halloween remake, Federico D’Alessandro used his skills as an artist and animatics supervisor to create a very polished animatic, alongside some keyframes. Watch his amazing pitch video right now embedded after the jump.
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The practice of theatrically rereleasing classic films seems to be picking up steam, and the latest to get new theatrical bookings is John Carpenter‘s 1978 film Halloween. Carpenter’s movie solidified the slasher genre and wrote much of the roadmap for ’80s horror. It is one of the most successful independent films ever released, and for a long time was one of the most profitable movies, period, as it made nearly $50m in the US alone based on a budget of a couple hundred thousand dollars.
On October 25 the movie will hit theaters again. A list of theaters will be released today, so check that link over the next couple hours for more info. Other than that we don’t have many more details on the rerelease, but you can see the new poster for the film after the break. There you can also get info on the fact that Paramount also announces that “due to popular demand,” the Raiders of the Lost Ark theatrical re-release has been extended from a one-week run to a 300-theater booking starting today. Read More »
The future has been bleak for the Halloween series. There was once a plan for The Weinstein Company to follow Rob Zombie’s two movies with a third movie, to be written by Patrick Lussier and Todd Farmer, but start dates and release dates for that movie have come and gone, and in general TWC seemed little interested in making a new film.
And now the Weinsteins won’t make a new Halloween, as the rights have been sold to another company. Bloody Disgusting reports that Platinum Dunes is taking up the rights to Halloween, and will produce a new sequel, or another reboot, or something. The nature of the intended project is unknown. Supposedly the new film will not be in 3D, and it will not use found footage, and the suggestion is that Lussier and Farmer are out, too.
Given that Platinum Dunes has already remade other major horror franchises (Friday the 13th, The Texas Chainsaw Massacre, and A Nightmare on Elm Street) this is like collecting the final ace for a four of a kind. For them, at least. For us, given the way those other remakes went, it might look more like a bust hand.
After the break, Hellraiser goes to TV, and a comedy with a horror bent gets a remake. Read More »
Last week Yahoo Movies published a few cool infographics comparing the most famous slasher movie villains: Michael Myers, Jason Voorhees, and Freddy Krueger. Jason has “appeared” in thirteen films, Freddy was featured in nine films, and there were ten Halloween movies in total. So which one of these killers has the biggest bodycount? And which one of these horror franchises made the most at the box office? Hit the jump to find out.
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Cool Posts From Around the Web:
What’s Under Your Mask? is a series of prints created by German illustrator Adrian Pavic honoring the masked icons in Western society, ranging from Darth Vader, to Point Break, to Spider-Man. No word on if Pavic will be making his prints available for public purchase, but you can view some of the art in the series, after the jump. I’d love to see Chop Shop produce a t-shirt based on this series.
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We’ve featured many of the Alamo Drafthouse commissioned movie posters in past editions of cool stuff. Today Mondo has released three posters for the Drafthouse’s Halloween series of films: Beetlejuice, A Nightmare on Elm Street, and John Carpenter’s Halloween. Unfortunately, the posters were very popular and sold out minutes after going on sale. But you can still check out the digital images after the jump.
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Post-Screening Update: In short, my verdict on Halloween 2 is that it’s superior to Rob Zombie‘s first effort and a far more entertaining film. Zombie definitely listened to criticism that the first film wasn’t holiday-oriented. In this one, he stages a trippy Last Supper with Jack-o-Lanterns. And moreover, it works for chrissakes. The critics labeling the film a by-the-numbers “rote slasher picture” either didn’t see the movie or haven’t been paying attention to recent “rote” horror flicks like Prom Night and Platinum Dunes‘ stillborn Friday the 13th.
I ask these critics to show me a comparable “rote” horror film this well-shot that stars the excellent Brad Dourif (Blue Velvet, John Huston’s Wise Blood) reminiscing about Lee Marvin. Or how about one with a fun Malcolm McDowell thinly and hilariously disguising contempt for movie journalists who trash certain directors with trigger-happy aimlessness. The early hospital scenes set to The Moody Blues’ “Nights in White Satin” make for only one of the sweet, sweet uses of music therein. Sidenote: I enjoyed seeing actress Silvia Jeffries‘ (Tracy on Eastbound & Down) play a stripper who receives a priceless tip from Michael. Like most, I was worried that Sheri Moon Zombie would take a sizable Yoko-like chunk out of the movie, but she’s merely a muse to Michael (and Zombie) here. And sure, the dream sequences are different from previous Myers installments, but is that a bad thing? They add genuinely creepy flourish to Zombie’s grisly murder scenes. It’s only been an hour since my screening let out, but I’d say this is the second best Halloween movie in existence: inferior to John Carpenter‘s first (obviously!) but better than Rick Rosenthal‘s original sequel. I doubt the critics hating on this movie (and Zombie, for whatever reason) can debate my closing statement. And tellingly so. Rob Zombie put Laurie Strode in a Black Flag shirt and dragged her to hell. And I liked it!! And it makes me wonder: are sites like CHUD and STYD, that profess love for horror, this out of touch per the genre? They really prefer the dated Abercrombie bottle blondes of Platinum Dunes to Zombie’s girls, who for Halloween go as guys dressed as girls and leave parties to shag a werewolf in a van? Weird.
Set Visit Report: Earlier this year, /Film went down to Georgia to visit the set of Rob Zombie‘s Halloween II. The sequel to 2007’s remake was shooting in a quaint, charming town called Newborn—an hour or so outside of Atlanta—that is tucked behind sprawling farmland and reached by hilly roads outlined in dead trees. Spring was in session, but outside it was already chilly and the approaching darkness and anticipation made it feel like Halloween night. After spending an hour completely lost and staring at a cow in search of cell phone reception, /Film finally reached the set. A handful of other peers including STYD’s Ryan Rotten joined us as we piled into a van and drove down a dark street to watch what publicists said was a climatic action piece in the film.
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While on the set of Halloween 2 earlier this year, an acquaintance and I witnessed a night scene in which a helicopter hovered above Michael Myers. We witnessed this scene again and again and again. On the first few takes, we laughed at the bizarre noise (and at the sheer giddy thrill of hangin’ in Haddonfield) being yelled by the towering actor Tyler Mane as Myers in said scene—I won’t reveal further details at this time. However, after about the fifth take, and against the whirring of a ‘copter and an excruciating windchill, it seemed like Michael Myers was in fact emitting a single, fully-constructed word. Shock, horror. Dear Zombie detractors, no, it was not a curse word delivered with backwoods panache. Nor was it “Boo!”—the virgin utterance once prescribed to Myers and later scrapped altogether in Zombie’s first remake. But hearing Myers, a silent horror icon a la Jason, speak for the first time was simply off-putting. “Caveman” jokes were exchanged next to heat lamps.
We immediately went around and checked in with several people involved on the production. We were told that Myers was simply emitting a grunt. At that hour and temperature, the explanation seemed fair enough. And if it was a word? It was merely a performance-enhancer to later be edited out. Well, about an hour ago, Rob Zombie posted the following on Twitter: “Off to meet Tyler for some Michael Myers ADR. Sleeping some day would be great.” As STYD has pointed out, ADR means additional dialogue recording. (Note: STYD’s editor, Ryan Rotten, was on the set as well.) So, what’s the deal?
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