As we head toward the end of the year, it’s clear that 2011 has yielded some damn great performances from both established stars (Gary Oldman, Glenn Close) and rising talents (Jessica Chastain, Mia Wasikowska). So naturally, the best way to celebrate their accomplishments is by inviting each of them to play characters wholly unlike the ones they’ve recently received acclaim for.

In a video gallery from The New York Times Magazine titled “Touch of Evil,” thirteen of this year’s most notable stars tackle thirteen villainous types, from “The Menacing Dummy” (Oldman) to “The Sociopath” (Rooney Mara channeling A Clockwork Orange‘s Alex DeLarge) and everything in between. Hit the jump for a photo gallery from the feature.

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Every year during awards season, The Hollywood Reporter somehow organizes the schedules of basically every single actor, actress, writer and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Actors Roundtable, they’ve brought together George Clooney of The Descendants, Christopher Plummer of Beginners, Gary Oldman of Tinker, Tailor, Solider, Spy, Christoph Waltz of Carnage, Albert Brooks of Drive and Nick Nolte of Warrior to discuss their own, and each others’, performances, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »

And just like that, Martin Scorsese‘s Hugo became an Oscar contender. While I like the movie a good bit, primarily for very specific elements, I didn’t really expect to see Hugo turning into something that would be an awards-season player. But the National Board of Review disagrees, and today the board named Hugo the best film of 2011 and Martin Scorsese best director. Check out the NBR’s full evaluation of 2011 below. Read More »

As the source is somewhat less than airtight, you should probably take the following with the biggest grain of salt you can get your hands on — but on the off chance there’s some truth to it, this rumor is too wild not to repeat. A new report claims that George Clooney and Noah Wyle are vying for the lead role in the upcoming Steve Jobs biopic, which is being developed at Sony based on Walter Isaacson‘s bestselling biography. More details after the jump.

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It’s time for another round of Hypothetical Movie Contract Info. Early this year we heard that Warner Bros. is looking at making a new film called Cannonball Run. That is, of course, the name of an early ’80s racing comedy that spawned a sequel and one or two tenuously-connected DTV films. I probably wouldn’t call this a remake, as a new Cannonball Run is likely to bear as much resemblance to the 1981 film as Steven Soderberg’s Ocean’s Eleven did to the Rat Pack movie with which it shares a name.

That’s not an idle mention of Ocean’s Eleven. Not only did Rat Pack-ers figure into the original Cannonball Run; the current report is that Guy Ritchie, previously mentioned as a possible director, is still the studio pick for the film. And he wants to enlist Brad Pitt and George Clooney, the better to make an Oceans Eleven-style film.

Or perhaps we should say ‘commercial’ instead of ‘film,’ as General Motors is also nearing a deal to finance the movie, as a showcase for the best cars GM can build. Read More »


The first trailer for The Descendants, Alexander Payne‘s first feature film as director since Sideways in 2004, set up a lot of story: George Clooney is a relatively uninvolved dad who has to step up and take care of his two daughters when his wife suffers an accident, only to learn that there are things about his wife’s life he didn’t know.

This second trailer is more of a teaser that puts the movie across as a more gentle, perhaps even quirky story than we saw in the full trailer. It tells us that the fact that the story takes place in Hawaii shouldn’t lead us to expect something cheery and easy, but then offers up a relatively cheery and easy look at the film. Oh, and the trailer is propped up in the middle by a nice two-part quote from some guy named Peter Sciretta. Check it out below. Read More »

George Clooney may be among the most prominent of celebrities, a fabulously wealthy, incredibly successful man at the very top of the A-list. But it seems there’s a side of him that isn’t so very different from film geeks like us who watch his movies. (Yes, all of that was a long-winded way of saying “Clooney: He’s just like us!”)

For a recent interview about his upcoming Ides of March, which Clooney directed, produced, and starred in, Clooney revealed his top 100 films from 1964 to 1976, which he believes to be “the greatest era in filmmaking by far.” The list is definitely cinephile-friendly, if not especially surprising: it includes tons of major classics and a handful of somewhat lesser known gems, all across a very wide variety of genres. Read the top 100 after the jump.

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During my first day at the Telluride Film Festival, I had the opportunity to screen Alexander Payne‘s The Descendants and the much talked about Cannes sensation The Artist, a black and white silent film set in the silent-era Hollywood. Both of the films will be vying for awards come Oscar season, and you can get the scoop right here. Also after the jump is a couple of ramblings and musings on how Telluride has changed in the information age and rise of social media, along with some of the photos I’ve taken during my first day in this small mountain town.

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