For cinephiles, one of the most helpful and revered books is Hitchcock/Truffaut, the 1967 publication that features French filmmaker Francois Truffaut sitting down with legendary director Alfred Hitchcock for a week-long conversation that spanned the master of suspense’s entire career up to that point.
The book (which you can pick up right here) was full of insight and wisdom with regards to Hitchcock’s filmmaking style and sensibilities, and it has been referenced as being a catalyst for opening the eyes of many filmmakers. And now some of cinema’s best have sat down to talk in a documentary that serves as a sort of appendix to the book, providing plenty of details about Hitchcock’s filmmaking process.
Watch the Hitchcock Truffaut trailer after the jump! Read More »
If you’re a film fan, chances are you’re an Alfred Hitchcock fan. And if you’re an Alfred Hitchcock fan, today just might be Christmas. Film Detail was poking around online when they stumbled upon almost 12 hours of audio featuring the father of the French New Wave, François Truffaut, interviewing the Master of Suspense, Alfred Hitchcock in 1962. Let’s say that again. There are 12 hours of free audio of Truffaut talking to Hitchcock about his entire life, both personal and professional. For anyone who can’t afford $120,000 for film school, we may have just found a free one. Read the details, track titles and get all the links after the break. Read More »
Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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“Sayonara, Bonfire of the Vanities!”
Frank Darabont‘s adaptation of the classic novel Fahrenheit 451 ranks right up there with Tarantino’s Inglorious Bastards, Fincher’s Rendezvous with Rama and Aronofsky’s take on Lone Wolf & Cub as an epic dream project that’s been discussed for ages. For nearly a year, Tom Hanks had been pegged for the 2009 film’s lead role of Guy Montag, a content fireman of the future who slowly realizes that his government occupation of burning books and oppressing book owners is nothing less than horrific.
Unfortch(-unately, by reader request) Hanks is no longer attached to what would have been his second collabo(-ration, by reader request) with the director after 1999’s so-so The Green Mile, according to Darabont…
“Mr. Hanks sadly and regretfully had to back out,” Darabont told MTV. “I was really looking forward to working with him again but his other commitments just precluded it. He had to take a step back.”
Darabont remains confident in his long percolating vision, and it sounds like the film won’t be sidetracked by the snag. But what actor is up to the challenge of portraying sci-fi author legend Ray Bradbury‘s disillusioned everyman in one of the great, prolific Man vs. The Man tales of all time?
“It needs to be somebody like [Hanks] who has the ability to trigger a greenlight but is also the right guy for the part. It’s a narrow target. It’s a short list of people,” Darabont sighed.
As a fan of the book who was never big on Francois Truffaut’s 1966 version, which always seemed more occupied with getting film students’ rocks off than being a worthy harbinger of doom, this quote from Darabont is particularly cool…
“I see this movie so clearly in my head. It’s flowing in my veins,” he said. And just because you think of books first when you think “Fahrenheit 451,” don’t expect something akin to Jane Austen, Darabont promised. He explained, “One character in the script says, ‘It’s not really even about books. It’s about control.’ It’s about the control of government and authority. It’s one of the greatest books ever written. It’s got all that great political stuff underneath the skin of it but really what it is is a great galloping tale.”
I haven’t yet seen The Mist, but Darabont seems to be getting a little angrier and darker with age and that’s always a good thing in my book. The exception being Craig Ferguson, who agreeably treats life like a beach as his hair goes grayer.
Discuss: Who should play Montag now that Hanks has lost his bookmark? Should Darabont go younger?