Artist Tim Doyle talks his The Vietnam War Movie Memorial art:
“I was asked to participate in an artshow that is also a fundraiser for a documentary about VHS art, and this is the piece I created for it. VHS will always hold a special place in my memory. … Recently I had to re-watch Full Metal Jacket and another Vietnam War movie for poster assignments (the second one is not yet released, fyi) and I got to thinking about how much of our understanding of war in this country is filtered through the for-profit lens of Hollywood. And frankly, I think it’s gross. Multi-million dollar star vehicles showing us all how awful war is, but still with a slight sense of humor and a moral at the end, and the star never comes home with a permanent brain injury or a lost limb. It’s these celluloid fantasies that help shape and sell the narrative of how we in America “understand” what’s going on in all those other countries we can’t spell properly. Many of us here don’t even personally know the name of a soldier serving now, much less one that has died in a past conflict. Do I hate war movies? Heck no. They can be great fun, great social commentary, and depress the hell out of you. They can also exploit, lie, and whitewash. But no one should ever mistake them for what they are- complete fiction. Even the ‘true’ stories aren’t really true. So all of the above was kicking around in my head when I created the above piece. I hope it offends the right people and the original intended message comes through. “
Nakatomiinc is selling a 18×24 hand printed silkscreen print of Doyle’s Vietnam War Memorial, signed and numbered in an artist’s edition of 50.
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Subtonix decided to create a map of the United States by pinpointing the movies which best represent each of the 50 states. For example, New Jersey is Clerks and Kansas is The Wizard of Oz. There will likely be some debate over some of these choices (is Fast Times at Ridgemont High the ultimate representation of California?) but it is an interesting concept none the less. It’s also interesting to note that more Coen Brothers films appear on the map than any other filmmaker. Hit the jump to see the whole map, and click to enlarge.
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During the Comic Con panel for The Expendables, it was difficult to tell if Sylvester Stallone was joking when he said that the whole point of doing The Expendables was that he got greedy. Seemed like a joke at the time. But now might might see reports highlighting how Stallone is reportedly pondering a prequel to First Blood that would star a younger actor. Given that Sly has said he was done with Rambo, that might make the ‘greedy’ comment seem less like a joke.
But wait — this ‘pondering’ is probably less noteworthy than some make it sound. Read More »
It’s a crazy, mixed up world and we are thankful for movies, sans The Tooth Fairy, that offer proof. Weekend Weirdness examines such flicks, whether in the form of a new trailer for a provocative indie, a mini review, or this…
Variations on the utterance, “I wish there was something to do,” number in the hundreds to thousands daily in New York City. It’s a minor grumble that can be overheard even as many a boredom-stricken city dweller is in a bout of multi-tasking worthy of a wintery-layer-obsessed Inspector Gadget. These frequent sentiments both ignore and are at the source of the unbridled creativity occurring around them: somewhere in the city, people are launching unrelated search-and-destroys on boredom in new ways. In the case of a determined 20something actor and filmmaker named Zachary Oberzan, it was via a feature-length adaptation of First Blood…set entirely in a 220-square-foot Manhattan apartment and starring himself as roughly two dozen male and female characters. The resulting film—which cost $96, was made over seven months, and was edited by Oberzan in Final Cut Pro—is called Flooding with Love for the Kid.
In the role of iconic Vietnam vet John Rambo, Oberzan ostensibly fought the law and the law won. Which means Oberzan still won, because they are one in the same and so forth. In a superlative scene in Flooding, Oberzan is show on screen as six different armed men firing shotguns at Rambo in a display of deliberately amateur but charming effects. That the scene, like most of the film, is set deep in a Kentucky wilderness conveyed by makeshift twigs and grimy urban brick should be a lame or childish sight to the grown viewer. Instead, the scene is genuinely suspenseful, partially due to the claustrophobic restraints, and packs just enough Dogme-esque realism to earn a smile. Flooding is currently a subject of fun chatter in NYC, and has even been intensely praised by Rambo’s creator, First Blood author David Morrell.
Unlike Sylvester Stallone‘s 1982 classic actioner, Oberzan made use of Morrell’s original ending, in which Rambo and the relentless sheriff on the hunt for him both die. /Film chatted with Oberzan about the multiple meta meanings at the heart of Flooding‘s faithful conclusion and about many other aspects of his memorable, irony-free creation. A clip from the film and the interview after the jump…
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Posted on Wednesday, June 11th, 2008 by David Chen
In this episode of the /Filmcast, David, Devindra, and Adam debate how good the Religulous trailer really is, remember the good old days when Eddie Murphy used to say “Fuck,” try to ignore the hype/hate behind the Valkyrie trailer, and geek out about Kung Fu Panda. Special guest bloggers Mike Sonders joins us from Great White Snark and Myles McNutt joins us from Cultural Learnings. Have any questions/comments/suggestions? Feel free to e-mail us at email@example.com.
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Why not? On May 15th, Sylvester Stallone‘s Rambo will die for the first time on the big screen in 430-plus theaters around the country. Yes, 1982’s First Blood will have a digitally re-mastered one-off showing complete with the alternative ending that, in a parallel dimension, left no sequels…and probably no Slashfilm. I kid. Included in the screening is a special “never before seen” interview with Stallone in which he’ll extend his arms countless times to emphasize the film’s “epic” creation and grin somewhat painfully while reminiscing, I imagine. We’ve pasted all gazillion of the participating theaters after the jump because we like ya. And click here for more info. Oh yeah, and
O’Doyle Rambo rules.
Discuss: Going? Bring an air horn.Â
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The following review contains very minor spoilers and was written with consideration for those who have not seen it.
I’m disappointed with how Rambo seems to be doing this weekend at the domestic box office, and I am disappointed that I haven’t reviewed the film until now. That said, at least I am reviewing it, as many of the boisterous voices that could have made Sylvester Stallone‘s film an event film with online reviews have not done. There are those action fans, general moviegoers and fanboys who are on the fence about this movie; and for many the tide has already gone out for the film; they’ll get to it on DVD. “Who cares?”
I think this hesitation amongst movie reviewers and movie goers says something about how we deal with age in this country; it signifies that even when an actor goes over and beyond what is expected of him after he’s lived through and outlasted so many copycats, decades of Hollywood, and charlatans to the action throne, the respect is not there like it should be. Is Rambo cool or not cool in the internet culture? Am I too young or too old to see it? I’ve got a college education now, does that matter? What will my buddies straight out of Caddyshack II think if I like it?
Review continued after the jump.
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“Add Two and a Half Men to my chart.”
I’m not sure Rambo knows basic math, but from the looks of this spiffy new Rambo Death Chart (!!!) attached below, he’s too busy chain-gunning evildoers and furry critter bystanders, anyhow. Wow. I’m talking “three kills a minute for the entire film” wow. For the sake of spoilers, I won’t strip down like the chemistry teacher in Breaking Bad and roll around popping huge ’80s era squibs like bubble wrap right now, but let’s just say Rambo aka Rambo IV has a good 100 more deaths than former frag-champ Rambo III. And the good guys get their fair share of the blackness as well.
I remember when I first read the plot to Rambo I thought Sly was slyly but worrisomely going straight for the Passion of the Christ crowd. Then again, considering the red flow here, maybe he still is. View the numbers after the jump, and cheers to John Mueller at the L.A. Times for his numerical prowess. January 25th is officially Rambo Day.
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