Prior to No Country For Old Men, the greatest success for the Coen Brothers was Fargo, their 1996 film that won Frances McDormand the Oscar for Best Actress and the Coens the Oscar for Best Original Screenplay. Fargo was an indie sensation that crossed over into mainstream success — so much so that in 1997 there was a plan to turn Fargo into a TV show.
A pilot was shot with Edie Falco in McDormand’s central role of Marge Gunderson. The show never went to series, but the pilot has been around thanks to a 2003 broadcast on Trio’s Brilliant but Cancelled series. (See the opening embedded below.)
Now Fargo might get another shot on TV thanks to FX, which is developing a new pilot based on the film. Read More »
YouTube user TheToaster2006 has created a supercut of film characters reciting the alphabet, one movie for each letter of the alphabet. Hit the jump to watch the video now.
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UK graphic artist Tom Muller has created an awesome infographic connecting the dots of reoccurring actors in the movies of Coen Bothers. Hit the jump to see the graphic.
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Subtonix decided to create a map of the United States by pinpointing the movies which best represent each of the 50 states. For example, New Jersey is Clerks and Kansas is The Wizard of Oz. There will likely be some debate over some of these choices (is Fast Times at Ridgemont High the ultimate representation of California?) but it is an interesting concept none the less. It’s also interesting to note that more Coen Brothers films appear on the map than any other filmmaker. Hit the jump to see the whole map, and click to enlarge.
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As you probably know by now, Gallery 1988 will be holding their third annual pop culture art show Crazy4Cult 3D from July 16th (TONIGHT!!!) to August 8th in Los Angeles. Gallery1988 has given us permission to run an exclusive preview of some of the cool artwork which hasn’t been seen yet, that will be available at the show. After the jump we’ve included over 30 pieces of the awesome art you’ll see at the show. If you’re interested in buying any of the original art — make sure you’re there! If you want to order any of the prints, you can email Gallery 1988 at email@example.com or call them at 323 937 7088.
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The /Filmcast: After Dark is a recording of what happens right after The /Filmcast is over, when the kids have gone to bed and the guys feel free to speak whatever is on their minds. In other words, it’s the leftover and disorganized ramblings, mindfarts, and brain diarrhea from The /Filmcast, all in one convenient audio file. In this episode, Dave, Peter, and Adam think about how kickass Moby Dick would be in the hands of Timur Bekmambetov, discuss faith-based films, and reflect on the greatness of Fargo. Special guest Josh Green joins us from the Screen Geeks podcast.
Join us next TUESDAY night at 10 PM EST / 7 PM PST as your favorite movie podcast reviews Bill Maher’s Religulous with the amazing Amelie Gillette from the Onion AV Club.
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Welcome to another edition of Movie Playlist, where we talk to the writers, directors, and stars about their favorite films. I’ve always found the celebrity playlists on iTunes to be interesting. Most everyone in the film business moved to Hollywood after discovering their love of films. And I’ve always love talking to people about their favorite films. So talking to the people who make the movies about their favorite films just seemed like a natural idea.
Nanette Burstein is the Academy Award nominated documentary filmmaker behind On The Ropes and The Kid Stays in the Picture. Her latest film American Teen follows five high school students through their senior year. I hate to oversell the movie, but it’s literally one of my favorite films of the year.
Nanette Burstein: There are certain directors whose films, I could just watch them endlessly. Alexander Paine, I’m a huge fan of.
Peter Sciretta: You know, I saw a lot of like Election in American Teen…
Nanette Burstein: Yes, Election definitely influenced this film… Like the shots of the kids when you hear their voiceovers and they’re on the bed, I totally took that from Election. There was the night before election where there’s all these dolly shots into all the main characters and their thoughts and like they’re all crane…
Peter Sciretta: It was like those crane shots.
Nanette Burstein: Yeah, those shots are amazing, and that’s what inspired me to do that.
Nanette Burstein: There’s definitely different homages in this film, like Garden State which I love there’s this scene when Hannah goes to the party and she’s alienated and the way I cut that scene was completely influenced by that scene in Garden State where he’s alienated at the party.
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