Posted on Tuesday, February 17th, 2015 by Angie Han
The Oscars inevitably bring a lot of grumbling about which films the Academy has overlooked. But if one of your favorites is among them, perhaps you can at least take heart in the fact that it’s in great company. The Oscars have a very long history of backing the wrong horse. Some of what we now view as unimpeachable classics weren’t even seen as Best Picture nomination-worthy at the time.
Hit the jump for a list of films never nominated for Best Picture.
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The best part of collecting pop culture art is the moment you see a piece that speaks to you. The moment when an artist created a work for a teeny, tiny film that you loved growing up and now there it is, perfectly represented, and you just have to own it. Personally, this has happened multiple times with the work of artists Jeff Boyes, Joshua Budich and Jay Shaw. These three super-talented, super-deserving, but not-yet-super-famous artists are collaborating in a new exhibition that opens Thursday at Gallery 1988‘s Venice, CA location.
In it, films like Teen Wolf, Eternal Sunshine of the Spotless Mind, Thrashin’ (yes, the Josh Brolin skateboarding movie), Akira, Jaws, Masters of the Universe, Invasion of the Body Snatchers and Klute are just a few of the properties on display. OK, they’re not tiny movies, but still. Check out the images after the jump and find out more about the show. Read More »
Posted on Monday, July 4th, 2011 by Angie Han
We’ve been following Kees van Dijkhuisen‘s “[the films of]” since the very beginning, and with the latest video, we’ve now reached the halfway point of his yearlong, twelve-part project. Like the other installments before it, “[the films of] Michel Gondry” focuses on a director’s body of work, showcasing his unique style through a montage of carefully selected clips from his oeuvre. Relive the whimsy and poignancy of a Gondry film in just two and a half minutes, after the jump.
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If you’ve been reading /Film for a while, then you know that I love good movie-inspired art. And the superbowl of movie art is Crazy4Cult, an art show put on every year by Gallery 1988 in Los Angeles. This year’s show will open on July 9th, and we have seen the first batch of artwork premiere online. For years I’ve been writing about the show, and posting and buying the art online. I’m super excited because this year I’ll be able to attend the event since I now live in Los Angeles.
Last week I posted the first compilation of the artwork from the show, including new pieces from Eric Tan, Dave Perillo, Tom Whalen and more. Click here to see Part 1!
Today I’ve returned to bring you a collection of art pieces which have since come online. Believe me, if you like movie art, hit the jump!
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Dutch Southern has a new t-shirt called “Product Placement”, a design created by Josh Eacret.
It’s a tribute to the fake products and companies found in movies, and to the filmmakers who didn’t want to sell out or get sued by real corporations. Each logo is accurately recreated in painstakingly detail by Josh Eacret’s hand.
After the jump you can find a complete listing of the fictional companies listed, and which movies they appeared in.
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The Internet Movie Database have announced The Top Rated Films of the New Millennium, looking at the 15 films made since 2000 that IMDb users have rated as the best of the new millennium. Usually people are quick to write off the IMDb user ratings as fanboy controlled, but I was surprised to four foreign and three animated films on the list, films from Darren Aronofsky and Michel Gondry, in addition to the expected trilogy and comic book heros. Check out the full list after the jump.
Discuss: Forget the order of titles, as we could argue about that for a year… Which films shouldn’t have made it, and which films should be on the list, but aren’t?
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Charlie Kaufman‘s Synecdoche, New York aka If You Can’t Pronounce My Title, You’re an Effin’ Plebe!!! showed at Cannes and the reviews are hitting the Web like steaming intellectual veg patties. We’ll include the plot synopsis at the bottom, but for now just imagine it’s about a former disgruntled employee (Philip Seymour Hoffman) of Rockstar Games who spirals into an existential crisis and rebuilds New York City
in pixels as a set, and you should be okay. If I had Slashfilm’s psychic pitching machine, it would spit out “a brilliant mess,” “mindf*ck,” “abstruse,” “enlightening,” “Red States won’t get it, but it’s pretty good,” and “[P.C. allusion to] bong rip.” But since I don’t (Peter has it for the long weekend), let’s get to searchin’ and pasting (interns, it’s all yours)…
Non-linking, old people media outlet, Variety, goes the “it’s for smart people, and outside of New York and L.A. it will be dust…” route…
“A wildly ambitious and gravely serious contemplation of life, love, art, human decay and death, the film bears Kaufman’s scripting fingerprints in its structural trickery and multi-plane storytelling. …it will intrigue Kaufman’s most loyal fans but put off fair-weather friends on the art house circuit, where a venturesome distrib will have its work cut out for it to move the film commercially beyond cult status.”
Oh, wow, they used the adjectives “obscuritanist and incomprehensible,” too. This will make a nice segue into the NY Times and the vetted Mr. A.O. Scott, who says that Kaufman, as a first time director, absolutely skullbangs the cool films made from his screenplays like Spike Jonze’s Being John Malkovich and Michel Gondry’s Eternal Sunshine of the Spotless Mind…
“Like his protagonist, a beleaguered theater director played by Hoffman, he has created a seamless and complicated alternate reality, unsettling nearly every expectation a moviegoer might have …But though the ideas that drive “Synecdoche, New York” are difficult and sometimes abstruse, the feelings it explores are clear and accessible. These include the anxiety of artistic creation, the fear of love and the dread of its loss, and the desperate sense that your life is rushing by faster than you can make sense of it.”
“Abstruse”! I swear to Bill Maher’s God I actually called it. Thanks A.O. This is better than winning at Scrabble for a prolonged sexual favor. In a wise move, our friends at Cinematical provide the definition of “synecdoche” preceding a positive review…
“The directorial debut of screenwriter Charlie Kaufman (Eternal Sunshine of the Spotless Mind, Adaptation), Synecdoche, New York is a sprawling, messy work of inspired brilliance and real humanity, a film that enthralls and affects even as it infuriates and confounds. …Kaufman wedges every frame full of set design, side notes, visual tricks, subtext, , deadpan jokes, prosthetic makeup, voice-over, post-modern inventions and old-fashioned melodrama.”
Okay, after this post is done, I’m going to go scream the following pull-quote from Cinematical into the streets: “It’s Jacob’s Ladder for New Yorker subscribers!” Yes! I’m sold like Sissy Spacek in Prime Cut. Moreover, it seems that bringing pot is essentially like bringing glass-ridden sand to the beach: “Synecdoche, New York, might be easier to analyze than enjoy, easier to think about than feel.” There are so many reviews popping up right now and they’re all riding the same WTF rocket, so if you like what you’ve heard, go see this flick. And if you aren’t an original urban outfitter, no worries, just illegally download it and put it on a disc with both Ches. Support! Here’s the Slashfilm plot synopsis…
Synecdoche, New York stars Philip Seymour Hoffman as a theater director named Caden Cotard, whose life in Schenectady, New York is looking bleak. His wife Adele has left him to pursue her painting in Berlin, taking their young daughter Olive with her. A new relationship with the alluringly candid Hazel has prematurely run aground. And a mysterious condition is systematically shutting down each of his body’s autonomic functions. Worried about the transience of his life, he moves his theater company to a warehouse in New York City. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside. Catherine Keener, Michelle Williams, Samantha Morton and Tilda Swinton co-star. Running time is 124 minutes. Your life is in minutes as well.
Definition of synecdoche: noun, word that you had to look up for a movie that .001% of the world saw, but that .004% said was brilliant.
Discuss: If you comment, you MUST USE at least one $10 WORD. Do not blow it.