Scream 4 is done. It’s out there. And as we ride a wave of publicity, press screenings and more leading up towards the April 15 release, fans will have to dodge an obstacle course of spoilers revealing who dies, when they die, how they die and, of course, who or what is Ghostface this time around. For the record, I have no idea – I’m also avoiding spoilers at all costs – so feel free to read on.
Besides the onslaught of spoilers, one of the film’s biggest controversies was the reported creative differences surrounding franchise creator and the screenwriter of this fourth film, Kevin Williamson. We heard that sometime in the middle of production he left and Ehren Kruger (who wrote Scream 3 and Transformers: Revenge of the Fallen) came in. Director Wes Craven has finally spoken out on these issues and while you can read his comments below, beware that we’re also going to include some new photos, one of which is surely considered a spoiler. Feel free to read the quotes below but then watch out for the spoiler warning. Read More »
UPDATE: There might be more truth and ugliness to this than I first thought was the case. New info at the end of the article.
We’ve been running a lot of Scream 4 info, and in a piece I ran yesterday one commenter asked why we’ve been covering it so much. The simple answer is “it’s what we do,” but the more complex answer is that there’s a lot of motion on the picture this week. Partially as a by-product of trying to keep the script secret, the film has been casting quite a few roles even as photography has begun.
But today the big rumor has been that there’s been a total screenwriter switcheroo on the picture, with the effect of not only making big changes to this film, but demolishing the option for a fifth. As is so often the case there seems to be some truth to the story, surrounded by a lot of exaggeration. Read More »
Producer Don Murphy maintains a pretty lively website and forum that was crashed for a bit this morning when Roberto Orci confirmed in a forum post that he and Alex Kurtzman would not return at all for Transformers 3, leaving script duties entirely in the hands of Ehren Kruger. (Well, not entirely, as Michael Bay will have his input.) This is no surprise to anyone who’s been following along over the past couple months. Read More »
Today is day one of Michael Bay‘s hard graft on Transformers 3. He has, apparently overnight, flown to Rhode Island to talk to Hasbro about incorporating new characters into the film and is now working with Ehren Kruger on the screenplay. The final day of his travails will be on July 1st, 2011 which is now the date set for the film’s release – just like Paramount and Dreamworks had initially promised us back in March. But what does this mean for his ‘smaller film’, Pain and Gain? And is Megan Fox coming back for more punishment?
Michael Bay has given an update on his developing upcoming projects on his official website. Bay says that he will be meeting later this week with producer Steven Spielberg, and screenwriter Ehren Kruger to discuss ideas for Transformers 3. By the end of the week he will probably have a better idea if a third film will hit theaters in the summer of 2011 or 2012.
With the Weinstein Company skating on financial ice, even with Inglourious Basterds breaking $100m domestic, the Brothers Weinstein are once again placing their bets on horror. As they should: their success has long been tied to the genre in addition to Oscar pics. Now that Rob Zombie is finished retooling the Halloween franchise—his sequel dropped by 70+ percent this weekend—Dimension and Bob Weinstein have announced a new writer/director for the next unrelated installment: Halloween 3D. Fangoria parlays that they’ve tapped Patrick Lussier to helm the first 3D outing of Michael Myers, due to start production for a quick 2010 release.
Lussier is riding off of the tidy hit that was My Bloody Valentine 3D, and he’s been a go-to editor for the Weinsteins’ horror pictures dating back to Scream in ’96. Expect a more accessible, give-’em-what-they-want slasher outing. Dimension has also announced a new theatrical remake of Stephen King‘s The Children of the Corn. Labor Day just got better for one guy! They’ve hired major screenwriter, Ehren Kruger, forever co-responsible for Transformers 2 (also: Scream 3), to re-haul the franchise. If, unlike us, you’re not yet muttering in a daze of muckkity muck like Col. Kurtz, more details after the jump. Read More »
“Why?” is my first , second and third thought to come into my head after learning that Universal Pictures is going to remake David Cronenberg‘s 1983 sci-fi horror film Videodrome. What’s the point? The original film is a cult hit, considered one of the weirdest films of all time, and let’s not forget, the tenth most sampled film in music. An update with someone other than Cronenberg at the helm will most likely result in a generic Hollywood sci-fi horror film, and nothing more. Oh, and did I mention that Cronenberg is not involved in the movie at this point?
Ehren Kruger has been hired to write the screenplay, which will modernize the concept, and according to Variety, “infuse it with the possibilities of nano-technology and blow it up into a large-scale sci-fi action thriller.” Kruger is probably best known as the screenwriter who wrote the American remake of The Ring. His filmography is filled with a lot crappier films, including Scream 3, Reindeer Games, Imposter, The Ring Two, The Skeleton Key, The Brothers Grimm and Blood and Chocolate. I could point out the many reasons why Kruger is probably not the right guy to write a remake of Videodrome, but I think that would be far too obvious.
Bad News:Â Ehren Kruger and the writing team of Alex Kurtzman and Roberto Orci are in talks to write the screenplay. Kruger’s scriptology consists of mostly bad horror films: Scream 3, The Ring, The Skeleton Key, The Brothers Grimm, Blood and Chocolate and Reindeer Games. Kurtzman and Orci are (f course) the team that were largely responsible for the first film, which may be a bad or good thing depending on your viewpoint.
Honestly, I enjoyed Transformers quite a bit. I like the comedy angle that Kurtzman and Orci brought to the film. But I think anyone would agree that there was a bunch of things not to love in terms of the script (that whole ebay plot line). But the first film had to serve a bigger function: to appeal to everyone, and introduce us to the characters and robots. A second film would likely require less exposition (which should be a good thing).Â Kurtzman and Orci are getting a lot of flack from other online websites. But I have really liked their past work on Mission: Impossible III, Alias, and even Bay’s The Island (am I the only one who had fun in that flick?). And these are the same guys writing Star Trek for JJ Abrams.