There are a couple of small pieces of trivia that cropped up this week, none really worth a headline of their own, but entertaining enough that I’ve crammed a couple together here. One comes from the deep history of Sylvester Stallone, who talks about an audition he once had in front of George Lucas. The other tells of a set of films that could have borne Edgar Wright’s name, had things been a little bit different. Read More »


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Quentin Tarantino’s Top 8 Movies of 2009


The Hollywood Reporter had a chance to ask Quentin Tarantino about his favorite films of 2009, and the filmmaker responded with the following eight movies…

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This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.

Buy It

The only thing missing from this bit of glorious schlock-o-rama is 3D. So many gag-inducing substances are splattered in and around Alison Lohman‘s mouth, the central conflict of the film might as well be her trying to keep her face clean. This fiendish display of gore and grue, combined with an underlying sense of dark, campy comedy that’s carefully balanced against the film’s otherwise serious tone, is not something that’s likely to appeal to all horror buffs. Those looking for an original storyline and unique characters are going to walk away unimpressed. However, as I’m sure any other Evil Dead fan will also tell you, Sam Raimi‘s horror expertise extends less to the general plot of his films and more to his enthusiasm and creativity with all of the scenes in between. When a girl is being haunted in your typical horror film, it’s generally a matter of going through the motions, showing us the same damn thing we’ve seen time and time again while we anxiously wait for something exciting to happen—often to no avail. In a Sam Raimi film though, you better believe that girl is going to get the shit kicked out of her, and as her frail body flies across the room, you won’t know whether to laugh or cringe. You’d think the PG-13 rating would’ve forced Raimi to show some restraint, but the ensuing torment is presented with such relentless ferocity—always playing on just the right visual/aural buttons—he manages to leave other R-rated horror films in his dust. Without a doubt, Drag Me to Hell is one of my favorite movies of the year, and sits right alongside Trick ‘r Treat as one of the best two horror films of ’09.
Blu-ray? Yes.
Notable Extras: DVD & Blu-ray – Includes both unrated director’s cut and theatrical versions of the film and production video diaries.

Target Best Buy Fry’s
$16.99 $17.99 $15.77
Amazon – $16.99

Target Best Buy Fry’s
$24.99 $26.99 $25.77
Amazon – $24.99

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Drag Me To Hell

Readers of /Film know that I’m a fan of wacky movie theories that make you reevaluate a film in much different light. Sometimes the theories are intended creations of the writer/director behind a film, but most times they are just fun interpretations created by the viewer (like this one). Either way, I always find them interesting and entertaining. Before you read this theory, take a deep breath — no one is saying that Raimi intended this interpretation — it’s meant to be fun.

/Film reader Steve M sent over an interesting theory he read over on IMDB. Micobiella thinks that Sam Raimi‘s Drag Me To Hell isn’t actually a horror movie, but instead a story of a farm girl with an eating disorder, who starves herself to fit a certain image and begins hallucinating and going crazy. Apparently you can watch the entire movie from this viewpoint, with few exceptions, and it all makes sens. Read the theory after the jump. Warning: Spoilers follow.

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In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley debate how Weeds compares with Desperate Housewives, continue their praise of Party Down, try to figure out what went wrong with Outlander, evaluate the prospects of a Buffy remake, and revel in the pleasures of Torque. Special guest C. Robert Cargill AKA Massawyrm joins us from Aint It Cool News.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 9PM EST / 6 PM PST at Slashfilm’s live page as we review The Hangover.

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The Sunday night estimates are in over at Box Office Mojo:

1. Up – $68.2 million
2. Night at the Museum: Battle of the Smithsonian – $25.5 million ($105.3 million)
3. Drag Me to Hell – $16.6 million
4. Terminator Salvation – $16.1 million ($90.7 million)
5. Star Trek – $12.8 million ($209.5 million)

Our previous report available after the jump.

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Pixar’s Up isn’t the only film that comes out this weekend. Actually, it’s not even the only really great film to hit theaters today. Sam Raimi‘s Drag Me To Hell is also receiving a lot of praise from fans and critics, currently sitting high on Rotten Tomatoes with a 95% fresh rating on the tomatometer. This seems to be the first horror film people outside of the horror community have really connected with in a long while.

But what did you think about Sam Raimi’s return to horror? How does it compare to his Evil Dead trilogy? What did you like? What did you hate? Discuss the movie in the comments below! As always, the spoiler gates are open.

Sam Raimi’s Drag Me To Hell Poster


You’ve seen the trailer , and you’ve heard the early test screening buzz , now Shock Till You Drop has a look at the poster for Sam Raimi‘s return to horror, Drag Me To Hell.

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