If you’re a Quentin Tarantino fan, then you know that there are tiny connections that link all of his movies together so that they all exist in the same universe. Tarantino actually clarified how these connections work earlier this year after The Hateful Eight was in wide release:
“There are actually two separate universes. There’s the realer than real universe, and all the characters inhabit that one. Then there’s this “movie” universe, so From Dusk Till Dawn and Kill Bill take place in this special movie universe. Basically, when the characters from Reservoir Dogs or Pulp Fiction go to the movies, Kill Bill and From Dusk Till Dawn is what they go see.”
Now a stylish new video illustrates perfectly and entertainingly how all these movies are connected by jumping back and forth between them. There are even some of the more subtle references that you may have never picked up on, including some stuff from one of Tarantino’s “lost” movies.
Watch the Quentin Tarantino universe video after the jump! Read More »
It’s no secret Quentin Tarantino‘s films tie together. Forget Red Apple cigarettes, because the connections go deeper than that. Some of the writer-director’s characters are related, some have possibly crossed paths with one another, and some, according to Tarantino, have even watched each other at the movie theater.
After the jump, the Hateful Eight director discusses the Quentin Tarantino universe.
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Posted on Wednesday, December 30th, 2015 by Jacob Hall
I’ve spent the past few weeks immersing myself in the world of Quentin Tarantino. To prepare for the release of his latest film, The Hateful Eight, I ranked each and every one of his characters. Then I wrote about The Hateful Eight itself, which I saw in its glorious “roadshow” version. Now, it’s time to close the book on this subject for a little while… or until Mr. Tarantino decides to get around to making another movie. It’s time to rank all of his movies. Because this is the internet and ranking things is what we do.
So how do you rank the work of a filmmaker whose worst movie is still an exceptional piece of cinema? With great difficulty. This kind of thing isn’t science. This isn’t definitive by any means. Consider this an opportunity to talk about Tarantino’s work, to debate and discuss his movies. You will most certainly disagree with this ranking and that’s kind of the point.
Now, let’s dive in.
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Posted on Thursday, December 24th, 2015 by Jacob Hall
Here we are: the grand finale of the ridiculous endeavor to rank all 122 significant characters in Quentin Tarantino‘s filmography. In case you missed them, you can find Part One and Part Two of every Quentin Tarantino character rankedby clicking on those links. And now it’s time to end this.
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Posted on Wednesday, December 23rd, 2015 by Jacob Hall
Welcome back. In part one of this series, we began counting down each and every single one of director Quentin Tarantino‘s 122 significant characters to celebrate the impending release of the The Hateful Eight. In today’s edition, the next batch of scoundrels and soldiers and thieves and the occasional innocent-caught-in-the-crossfire. Follow me after the jump…
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Posted on Tuesday, December 22nd, 2015 by Jacob Hall
Every single Quentin Tarantino character is full of life. Look to the fringes of his films and you’ll find supporting characters with more personality and spark than leading characters in other movies. Minor characters, who appear for a single scene and vanish forever, are given lines of dialogue that would be the highlight of other films. Few living filmmakers stack their films with so many memorable names and faces.
And with his new movie, The Hateful Eight, about to hit theaters, it’s time to something really, really dumb: rank every single Quentin Tarantino character of any significance from worst to best. Bear with me. This is going to take awhile.
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If you’re an observant love of cinema, aside from likely knowing each and every film directed by Quentin Tarantino, you know that it’s fairly easily to recognize his work. This isn’t just because of the extensive dialogue and endless homages to classic, obscure films, but simply by the way he shoots his movies. From dancing scenes to trunk shots to sprawling overhead God’s eye sequences, Tarantino has a very distinct style.
Now a new supercut takes a tributary look at the cinemtography of all of Tarantino’s films, from Reservoir Dogs to his most recent Django Unchained. This slick video highlighting some of the best Quentin Tarantino cinematography will make you want to have a Tarantino marathon very soon. Read More »
It’s no secret that Quentin Tarantino steals from other movies in order to make the films that everyone loves to see him make. This isn’t really an insult to Tarantino as the filmmaker has said previously, “I steal from every single movie ever made. If my work has anything, it’s that I’m taking this from this and that from that and mixing them together.”
And if you’ve ever wondered what movies Tarantino is stealing from, a great visual guide has surfaced online to show you. See what movies Quentin Tarantino steals from after the jump! Read More »
Cool Posts From Around the Web:
Amongst even the most fervent Quentin Tarantino fans, the subject of Death Proof is touchy — is it a good film, or not? I love the movie, seeing it as precisely the sort of grindhouse movie that it hoped to replicate, with a layer of commentary thrown in for good measure. But Tarantino stirred up new conversation about the film today with comments in a long interview about the fact that he hopes Death Proof ends up judged as the least of his films.
The beginning of awards season each year sees THR assembling talent in one room for great roundtables, and this year the director roundtable features Ang Lee, Tom Hooper, Ben Affleck, David O. Russell, Gus Van Sant, and the dominating presence of Tarantino.
The comment about Death Proof may have been the most attention-getting thing Tarantino said, but he had a lot more to offer, from a breakdown of his own writing and directing process, to plans to write books (novels and film criticism) after he stops actively directing. And the end of his directorial career seems prompted by technological change, as the move to digital projection leaves him cold.
And there’s a lot more, too — while Tarantino tends to dominate the conversation, each of the participants has great stuff to add about the business of directing. It’s worth an hour of your time to watch the whole thing. Read More »
Lionsgate and Miramax are teaming up to celebrate the first 20 years of Quentin Tarantino‘s career with an ten-disc blu-ray box set featuring Reservoir Dogs, Pulp Fiction, Jackie Brown, True Romance, the two Kill Bill films, Death Proof, Inglourious Basterds, and new supplemental material.
The bad news is that, with the exception of the two discs of supplemental material, it looks like this is a collection of the existing catalog releases of each film. So if you’ve already got all or most of these Blu releases, there’s not much incentive to buy. The good news is that if you don’t have those releases, this is a great one-stop way to get Tarantino’s major work on disc. Read More »