
Yesterday we posted ten seconds of The Twilight Saga: Eclipse, the third film in the Twilight series. Now we’ve got the full trailer for the David Slade-directed chapter, which, based on this trailer, brings the love triangle between Bella (Kristen Stweart), Edward (Robert Pattinson) and Jacob (Taylor Lautner) much closer together. Read More »

It’s a teaser for a trailer! The real trailer for The Twilight Saga: Eclipse will be online tomorrow in advance of the theatrical premiere Friday, where it will be attached to the Robert Pattinson film Remember Me. In the meantime, you can now see ten seconds from Eclipse. Here we get a truncated bit of dialogue that sets up, or more properly reiterates, the core conflict at the heart of this romance: does mopey Bella (Kristen Stewart) choose Edward (Pattinson) or Jacob (Taylor Lautner)? Sadly, we don’t get much sense for how new director David Slade will treat the material. Here, it looks like a midpoint between the previous two Twilight films.
But the real reason I’m posting this is that I can’t get over the bit of dialogue from Jacob. “I’m going to fight for you…until your heart stops beating.” Is there any creepier profession of dedication than that? (OK, obviously there is, but in this context I’m still loving Jacob’s line.)
Check out the clip after the break. We’ll have the full trailer tomorrow. Read More »

The last time The Shadow hit movie screens, things didn’t work out so well. The 1994 Alec Baldwin version directed by Russell Mulcahy suggested that the character might have a better home on radio and in the pages of pulp magazines and comics. Yet Sam Raimi picked up the rights to the character in 2006. For a variety of reasons he has yet to pull a film together. Now he’s a step closer, as Fox has bought into the character, so Raimi should have the go-ahead to tinker again in the pulpy hero genre that produced his own film Darkman. Read More »

From day one David Slade seemed like an odd choice to direct a film in the Twilight franchise - and not least because of his controversial comments damning the first installment. With Eclipse, however, it seemed maybe like Summit were going for a slightly harder-edged feel by choosing him, and it even gave some undecided floating voters a tiny bit of confidence that this next film in the series would have broader appeal than the first two - films which were, let’s be honest, quite squarely targeted at certain easily defined demographics.
Entertainment Weekly now bring news that Slade’s choice of editor and regular collaborator Art Jones has been replaced on the project by Nancy Richardson, editor of the original Catherine Hardwicke movie. The studio said that they were not “blaming” Jones but that the film needed a “stronger” edit. Hmmm. The comments on this one pretty much write themselves - and that ‘Art’ has been replaced by ‘Nancy’ just adds to the comedy potential.

Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley marvel at the new trailer for District 9, discuss the new batch of remakes that Hollywood is mulling over this week, reflect on the relative hopelessness of Eclipse, and spend 55 minutes conducting a review/therapy session over the fate of X-Men Origins: Wolverine. Special guests Elisabeth Rappe from Cinematical and Neha Tiwari from DL.TV join us.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week as we review Star Trek (Date and time TBA).
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Two nights ago, /Film’s Brendon Connelly unearthed an old interview segment in which David Slade said he would rather get shot rather than view Twilight during that film’s theatrical release. This was an interesting stance, since Slade is now slated to direct the third film in the Twilight saga, Eclipse. Slade related a Twitter message he had made from his now-deleted account, in which he described his decision-making process for whether or not to see the film:
Twilight drunk? No, not even drunk. Twilight on acid? No, not even on acid? Twilight at gun point? Just shoot me.
Naturally, this created a firestorm of criticism in the Twilight community. Slade was recently compelled to respond, and Twilight Lexicon has published an e-mail from Slade in which he repudiates his previous remarks. It reads, in part:
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When Peter compiled his epic and useful list of directors, actors and screenwriters plugged into Twitter, one of those included was Hard Candyman David Slade. Today, however, it seems like Slade’s Twitter account has been deleted, which is a crying shame. Besides the loss of an interesting tweeter, another of the reasons this is unfortunate is that the deletion covers Slade’s tracks a little and hides a rather amusing little attack he launched on the Twilight franchise.
That being the very same Twilight franchise Slade has subsequently signed up to, and for which he will be directing the third installment, Eclipse. Oops.
So, the original Tweet might be gone but after the break we have audio of Slade ripping into Twilight and, if nothing else, its quite funny stuff… and I can’t help wondering what Summit Entertainment, the Twilight cast and Stephenie Meyer think about it?
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As well as his much publicized gig on Eclipse, the third Twilight film, Hard Candy and 30 Days of Night director David Slade also has the horror film Cold Skin in preproduction. Slade has reportedly been working on the project since 2008, consulting with screenwriter Jesus Olmo until they’d arrived at a draft they were pleased with.
According to Variety, this fit-to share screenplay is currently out to cast and, depending on who comes on board, the budget will swing up or down around the $25 million mark. Pleasantly modest moneys, I’d say, and almost definitely set to be leapfrogged by the BO receipts by time the film hits DVD.
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In this episode of the /Filmcast, David Chen, Devindra Hardawar and Adam Quigley weigh the stupidity of Fox’s multiple Wolverine endings, speculate on David Slade’s capacity to direct Eclipse, and grow ever more dubious of McG’s credibility. Special guests Tyler Smith and David Bax join us from the Battleship Pretension podcast.
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next MONDAY night at Slashfilm’s live page at 9 PM EST / 6 PM PST as we review X-Men Origins: Wolverine.
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