Richard Kelly Gone Girl
I’ve always loved hearing filmmakers discuss movies. We’ve often printed interviews where we ask filmmakers about their favorite films and the /Filmcast has tried to bring on directors to review the latest big screen movies. That hasn’t been as constant of a feature as David Chen and I originally planned, because as it turns out, people in the movie industry generally don’t like to publicly bas other filmmaker’s projects and we generally only got yeses from those directors who had a positive take on the film at hand. But I’ve always enjoyed hearing filmmakers discuss the movies they love and the current state of cinema.

Richard Kelly, writer/director of Donnie Darko, Southland Tales, and The Box, has always made his opinions and himself very accessible (actually, I almost wish he wouldn’t have explained the intentions and meanings behind his films, as they serve better as mysteries with no definitive answer). And this week, like many of us, he saw David Fincher‘s latest film Gone Girl and wrote a bit about it on his blog. Find out more about the Richard Kelly Gone Girl review, after the jump.
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David Fincher video essay

Things that are absent can be just as important as what is present. When talking about directors, the classic approach is to focus on the “positive space,” to appropriate a concept. What does the director do? They use handheld or dolly shots in a certain way; maybe they have a consistent approach to blocking two-shots and conversations; perhaps they consistently use close-ups to deliver information to the audience.

And then there’s the negative space. What does a director not do? What do they avoid, and why? With the release of Gone Girl, many people (including us!) are looking back at the consistent filmmaking techniques and concerns employed by David Fincher. A new video essay from “Every Frame a Painting” editor Tony Zhou focuses on the elements that are absent from Fincher’s technique. Why does he avoid close-ups and hand-held shots? What does his positioning of actors tell us about a scene? There’s a lot of information in the great David Fincher video essay, and I expect many people will view Fincher’s work a bit differently after watching. Read More »

david fincher ranked

David Fincher began his directorial career making music videos for some of the biggest talents in pop music. Beginning with Alien³ in 1992, his work in features has combined a drive for technical achievement off-screen with a consistently recognizable interest in detail-oriented obsession on-screen. He is a consummate craftsman, but one with an uncanny ability to lay his finger right on the cultural pulse. Together, those talents result in films which have gone beyond reflecting cultural attitudes, to defining them.

With the release of his latest film, Gone Girl, we’ve taken the opportunity to revisit the director’s narrative works on film. (And, briefly, in television.) Below is a list of the films of David Fincher ranked by achievement. It’s a highly subjective effort, we realize. Where does Gone Girl fit in alongside Fight Club, Se7en, The Social Network, and Zodiac? What stands out as the best film in his career to date, and what virtues can we find even in his least successful efforts? As you’d expect with Fincher, the answer to that last question is a lot more detailed than it would be for many other filmmakers. Compare our list with your own after reading further.

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David Fincher Utopia

More and more filmmakers are making the jump to work in television, where the stories that studios will never finance as mid-budget dramas can flourish as long-form narrative experiments. Cary Fukunaga and Steven Soderbergh have done significant work with True Detective and The Knick, respectively, for which each director took charge of the entire season, rather than just directing an episode or two.

David Fincher only occasionally sat in the director’s chair for a couple episodes of House of Cards, but he’s really taking the plunge with his next series. Utopia sees Fincher reunited with Gillian Flynn (Gone Girl) as they adapt the UK series of the same name for HBO. (That’s the show about people who possess a text that supposedly predicts future disasters, and not the new Fox reality TV disaster.) This time, Fincher will direct every episode of the show’s first season.

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David Fincher

From what we’ve heard, J.J. Abrams was always the director Kathleen Kennedy wanted to direct Star Wars Episode VII. Abrams had the ability and the insane Star Wars fandom to please executives and fans alike. However, don’t forget, he initially turned it down. History gets murky after that, with an incredible list of A-list directors who were rumored to, and reported to, have been contacted. Brad Bird, Matthew Vaughn, Jon Favreau, Guillermo del Toro and many others were mentioned in tandem with the film. Then, of course, J.J. Abrams changed his mind and the rest his story.

Probably the most interesting name mentioned in regards to Star Wars Episode VII was David Fincher. We published a rumor about Fincher meeting with Lucasfilm in November 2012 and, it turns out, that was correct. In a new interview, Fincher confirmed he met with Kennedy about the film but has a much different view of Star Wars than what she had in mind. Read the David Fincher Star Wars 7 quote below. Read More »

Gone Girl clip

For fans of David Fincher and/or Gillian Flynn, Gone Girl became a must-see the second it was announced. But for those still on the fence — or, alternately, for those who are so eager they just need something to tide them over until the movie actually opens — Fox has tons of new marketing material to share.

Among them are the first Gone Girl clip, four new Gone Girl TV spots, and the full streaming Gone Girl soundtrack. Bury yourself in Nick and Amy’s twisted world after the jump.

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Gone Girl soundtrack preview

It was only a few years ago that Trent Reznor and Atticus Ross began composing scores, but already they’ve come to feel like a staple of David Fincher‘s films. The dynamic duo are at it again this year with Gone Girl, and in keeping with the twisted feel of the movie the first track released from the Gone Girl soundtrack is eerie and kind of off-putting. In a good way.

Hit the jump for the Gone Girl soundtrack preview, plus a big gallery of new high-res pics from the thriller.

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Gone Girl

Gillian Flynn‘s Gone Girl was one of the most talked-about novels of 2012 — and now David Fincher‘s adaptation of it could become one of the most buzzed-about movies of 2014, if the first wave of reviews are to be believed.

The first wave of reactions are mostly, though not entirely, positive, with critics praising Ben Affleck and Rosamund Pike‘s lead performances as well as David Fincher’s pitch-black sense of humor. Hit the jump to get the Gone Girl early buzz.

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VOTD: The Films of David Fincher

The Films of David Fincher

Daniel Silva has edited a 17-minute tribute to filmmaker David Fincher, artfully splicing together the director’s nine feature films including Se7en, The Game, Fight Club, Panic Room, Zodiac, The Curious Case of Benjamin Button, The Social Network and The Girl with the Dragon Tattoo. This video tribute does not include Fincher’s Alien 3 (because, you know why), his 1985 documentary The Beat of the Live Drum (probably because it isnt a narrative feature film) or his upcoming film Gone Girl. The edit is not just a music video like most of the tribute videos you see these days, including lengthy bits of scenes. That said, the short does include “Closer” by Nine Inch Nails and “Oraculum” by Trent Reznor & Atticus Ross. Watch Daniel Silva’s The Films of David Fincher now embedded after the jump.

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