shudder recommendations

Between Netflix and Hulu and Amazon, you may think you have enough streaming options in your life. But you don’t, especially if you’re a horror fan. If you’re in the market for a scary movie, you aren’t going to find much to get excited about amongst most of the major players. The handful of gems tend to be wedged between whatever schlock your streaming service of choice could buy on the cheap.

That’s why I was so intrigued by Shudder, a horror-centric streaming service that supplies all of the great horror options that are so painfully absent elsewhere. Browse through Shudder’s library and you’ll find untouchable classics and cult favorites, mainstream movies and eclectic curiosities from every corner of the globe. And it only costs five bucks a month, which makes me feel like I’m getting away with murder by subscribing.

Because I genuinely love Shudder and because you can sign up for a free trial before you commit to actually paying a dime, I combed through their archives and tried to find ten movies I could recommend to subscribers and curious newbies alike. I ended up narrowing it down to twenty titles and couldn’t bear to cut another one because I have zero discipline. So I decided to program ten double features, linked by filmmakers, themes, styles, and occasionally utter nonsense, that you can enjoy via Shudder.

So don’t let the lack of great horror options on Netflix bring you down. There is another way.

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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?

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