In 2011, the Spoke Art Gallery in San Francisco, CA came up with the great, simple idea for an art show. Take the wildly varied films of two of the most eclectic and revered filmmakers out there, and mash them together. The result, Quentin vs Coen, opens yet again Saturday July 5.
Quentin Tarantino and The Coen Brothers are obviously successful, talented filmmakers. But what makes them so similar to each other is how different they continue to be. From film to film to film, audiences never know what they’re going to get when they sit down for a Tarantino or Coen Brothers film. A film noir masked as a stoner comedy, a murder mystery set in Minnesota, a series of stories told out of order, a near four hour samurai movie. The sky is the limit.
And that’s reflected in the art show, too. The huge scope of films made by these filmmakers, filled with iconic imagery and classic characters, is paradise for an artist looking to do something different. Below, we’ve got a small sampling of what’s in store for the show, as well as information on how you can attend and buy online. Read More »
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Would you watch a Steven Spielberg movie starring Tom Hanks, written by the Coen Brothers? Yeah, thought so. Last year, Matt Charman wrote a true-life cold war drama that tells the story of a US attorney who negotiated with the KGB to secure the release of a spy plane pilot. Tom Hanks came on board, and Steven Spielberg was recently attached to the Dreamworks project. It’s at the point now where the film is being talked up as one of the most likely next projects for the director. And now Joel and Ethan Coen are rewriting the script. Read More »
Posted on Friday, May 16th, 2014 by Angie Han
If the plot of Inside Llewyn Davis didn’t break your heart, the soundtrack surely did. No wonder, then, that the Coens are now ready for some sunnier fare.
Joel and Ethan Coen are reportedly gearing up for Hail Caesar, a comedy set in ’50s California. While this isn’t the first we’ve heard about this project, the plot details sound a bit different from the last time we checked on it. Hit the jump for all the new info.
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We’re back to the question of what the Joel and Ethan Coen will do to follow the stellar Inside Llewyn Davis. We’ve recently heard that there could be scripts that take place in the world of opera, and possibly in ancient Rome. The latter led people to think of a script called Hail Caesar that had been talked up many years ago, meant to star George Clooney. The actor called it a capper to their loose “idiot trilogy,” the first two films being O Brother, Where Art Thou? and Intolerable Cruelty.
Turns out that Hail Caesar script is still in play, and could even be next. But it isn’t the Roman movie — or it might not be, anyway. The Coens talk, below. Read More »
Inside Llewyn Davis opens in limited release tomorrow, and with a new Coen Brothers film on screens, there are two great pleasures to take up our time. One — the primary one, obviously — is discussing the movie itself, and there is no shortage of topics with respect to Inside Llewyn Davis. The other is more minor, but still entertaining: sifting through comments from the directors to get a sense of what new horizon they’ve fixated upon.
One option, floated some time ago, is a film set in or around the world of opera singer, and another new one is set in perhaps the most unlikely Coen territory: ancient Rome. Read More »
The Coen Brothers‘ new film is Inside Llewyn Davis, and this one is particularly special. It’s a beautiful, bleak picture. One of the characteristics of the movie is a silky, strangely luminous color palette that relies on subdued silvery grey and faded browns. It’s nearly black and white.
That led me back to the brothers’ 2001 film, The Man Who Wasn’t There. Released in black and white, the film was shot in color — with a palette not dissimilar from that of Inside Llewyn Davis — and then graded to B&W in post-production.
A color version of the movie was also finished for contractual reasons, and released on DVD in markets such as France and South Korea. Though the movie wasn’t really intended to be seen in color (most of the making-of shots you’ll see are even B&W) it’s still an interesting way to see the film. Below, see a long color clip from that version, and watch an interview with the Coens talking about its creation. Read More »
Posted on Wednesday, December 4th, 2013 by Angie Han
The Coen Brothers‘ Inside Llewyn Davis has earned strong buzz from the get-go, picking up the Grand Jury Prize shortly after its Cannes debut and earning Best Feature at the Gotham Independent Film Awards this past weekend. Now, after months of hype and even more months of marketing, it’s finally about to arrive in theaters.
Oscar Isaac leads the drama as Llewyn, a singer trying to make his way around the folk scene in the early ’60s. He’s not having an easy go of it: his solo career isn’t taking off, his best friend’s girlfriend is pissed at him, and he doesn’t even have a proper coat to keep him warm through the winter. But his misfortune is our good luck, as his many trials make for a pretty great film. Watch the newest U.K. trailer after the jump.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we get the UK version of Inside Llewyn Davis, literally raise the roof, get weird with Lana Del Rey, catch something worse than the herps with a one night fling, and be entranced by a blacksmith…blacksmithing.
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