One of the most anticipated films of the Venice Film Festival was Tomas Alfredson‘s Tinker Tailor Soldier Spy, which is a new take on John le Carré‘s 1974 cold-war thriller novel. The film remakes the well-loved 1979 BBC version starring Alec Guinness as retired MI6 agent George Smiley, called back to action to uncover a mole infesting the agency, aka ‘the Circus.’ This version features Gary Oldman as Smiley, with supporting players Colin Firth, Tom Hardy, Mark Strong, Benedict Cumberbatch, Ciaran Hinds, Mark Strong, Svetlana Khodchenko, Toby Jones, John Hurt, Stephen Graham and Kathy Burke.
The first reviews of the film came out of Venice over the weekend and they position the film as one that fulfills most of the hopes we’ve developed based upon the material and cast. Notes from a handful of reviews follow after the break, along with four artful posters and one clip from the film.
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At this point I can’t imagine that I have to reiterate the basic facts that have many of us anticipating Tinker Tailor Soldier Spy like crazy. There’s the source material: John le Carré‘s jargon-laced cold war novel, which has already led to a great 1979 BBC version starring Alec Guinness. There’s the director: Tomas Alfredson, whose last film was Let the Right One In. And there’s the cast, which speaks for itself: Gary Oldman, Colin Firth, Tom Hardy, Mark Strong, Benedict Cumberbatch, Ciaran Hinds, Mark Strong, Svetlana Khodchenko, Toby Jones, John Hurt, Stephen Graham and Kathy Burke.
This is essentially a shorter version of the last trailer that arrived for the film; you won’t find much (if any) new footage here. But if you’ve missed the previous trailers, or don’t want to see too much too early, this one-minute trailer is a good look at the picture. Read More »
The Comic Con footage from Mark Neveldine and Brian Taylor‘s Ghost Rider: The Spirit of Vengeance was the sort of stuff that makes a guy want to type in all caps enthusiasm. Who thought a sequel to the lousy 2007 Nic Cage Marvel Comics adaptation would ever look like so much fun? What prompted the enthusiastic Comic Con response? Think crazy God of War-style chain violence, vomiting flaming bullets, and pissing fire. And that stuff is all in the just-released trailer. So check it out below and then get excited and all-caps shouty in the comments. Read More »
It’s nice to see someone trying to make a genuine ghost story. We used to see a lot more films in the vein of The Woman in Black, but they’ve fallen somewhat out of favor. For his first post-Harry Potter film role, Daniel Radcliffe chose to go with a ghost tale scripted by Jane Goldman (Stardust, Kick-Ass, X-Men: First Class) based on the well-regarded novel by Susan Hill. The first teaser for the film, released a couple months back, had some good chills, and this full trailer is characterized by a thick, bleak atmosphere that is quite appropriate for a story about a young lawyer who confronts ghosts and secrets while settling an estate. Read More »
Movies like this are the reason I’m able to stay optimistic about remakes. The original BBC version of Tinker, Tailor, Soldier, Spy starring Alec Guinness is a great piece of work. To some fans, it is unimpeachable. But based on the two trailers we’ve seen, the new version looks absolutely fantastic.
This is the second trailer, which gives up a little more of the story and shows off the cast in much more detail. (Includes Gary Oldman, Colin Firth, Tom Hardy, Mark Strong, Benedict Cumberbatch, Ciaran Hinds, Mark Strong, Svetlana Khodchenko, Toby Jones, John Hurt, Stephen Graham and Kathy Burke. Do you have chills? I have chills.)
We also get to see a lot more of the period recreation that is displayed in the same cold, almost threatening style we saw in director Tomas Alfredson‘s last film, Let the Right One In. (A film which, ironically, was set to be remade even before it hit the States, angering Alfredson.)
Check out the great second trailer below. Read More »
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Devindra said it best when writing up Ghost Rider: Spirit of Vengeance at Comic Con: “this might not suck.” The beautiful thing about those big Hall H presentations is that you can feel the mood of the room swing positive or negative in real time. The Hall H audience is like a 6000-person-sized elephant, only a bit quicker on its feet, emotionally speaking. As we saw footage of the making of the film, and then some of the final product, you could feel one big, stupid collective grin forming across the giant hall.
So the Ghost Rider sequel no one thought they wanted became the Ghost Rider sequel to which many of us will be at least willing to offer a chance, thanks to the daredevil direction of Mark Neveldine and Brian Taylor and the fact that the title character vomits bullets and pisses fire. We don’t yet have footage to embed, but in the meantime you can get a first look at the film via scans of images that appeared in the new Empire. Read More »
What happens when a studio dedicates a decade to adapting one of the most popular novel series in the world, and does so with an eye for quality? In the case of Harry Potter, the result is a massive payoff. Warner Bros. upset its own record for the biggest domestic opening weekend box office take, set by The Dark Knight in 2008, as Harry Potter and the Deathly Hallows – Part 2 opened to a $168.5 million domestic haul and earned nearly half a billion dollars worldwide. Read the numbers below. Read More »
One of the biggest question marks on the 2012 tentpole schedule is Disney’s John Carter, formerly John Carter of Mars. Pixar’s Andrew Stanton (Finding Nemo, Wall-E) directs the live-action film that adapts A Princess of Mars by Edgar Rice Burroughs. Now that we’re able to see some footage, it appears that he has done so with a sense of grand, old-school fantasy/sci-fi epics. I had no idea what to expect out of this, and so far, I’m impressed.
Check out the trailer for the film, after the break. Read More »
In June, I visited the editing room of John Carter, the big screen adaptation of Edgar Rice Burroughs’ classic sci-fi novel A Princess of Mars (you can watch my video blog here). At the event, director Andrew Stanton and producer Jim Morris gave a presentation explaining how they came to be involved with the project, and described the unique process they took to “shoot” the adaptation. After the jump you will find a complete transcript of the presentation and question and answer session, along with some concept art from the film and photos from the event.
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