What’s good for Harry Potter and Twilight is now good for cinema’s most famous provocateur, Lars von Trier. We know the director is preparing to make Nymphomaniac, in which Charlotte Gainsbourg will play the adult version of a character whose erotic life we are shown “from the age of zero to the age of 50.”
That’s a lot of time to get across in one film, but now Trier has some space to breathe. Nymphomaniac‘s producer has revealed that the project will be split into two films, with one covering “her childhood and adolescence. The second part will deal with her adulthood.”
So, yes, that means that Lars von Trier is going to release a film dedicated to exploring the sexual life of a child. Interns at Fox News are already hard at work crafting outraged headlines. More details (on the films, not the predicted controversy) below. Read More »
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The idea of presenting an ‘official synopsis’ for any given upcoming film is typically pretty dull, as these plot summaries often do little more than recap what we already know about a story. Things are a bit different, however, for a movie like Lars von Trier‘s Nymphomaniac. The director has joked about the film since his appearance last year at Cannes, but the project is no gag.
Nymphomaniac will star Charlotte Gainsbourg, making this her third film with Trier, and likely feature Stellan Skarsgard as well. The film is said to be extremely sexually explicit, with plans to release both softcore and hardcore versions to different exhibitors. A few more details on the movie came to light today, and can be found after the break.
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A great deal is often made of the supposed misogyny of Danish director Lars von Trier, but despite those accusations, the guy has a track record of attracting top-notch actresses. Sure, there’s the fact that Bjork so hated the process of making Dancer in the Dark that she refused to ever work with Trier again, and in fact nearly swore off acting entirely. But on the other hand, you have someone like Charlotte Gainsbourg, who has done two films in a row with Trier (Antichrist and Melancholia) and is now looking at a third.
That latest film is The Nymphomaniac, and it is possible that the film, which has been promised as “an explicit exploration of female sexuality from ages 0 to 50,” and will reportedly be released in hardcore and softcore versions. Read a bit more info after the break. Read More »
Lars von Trier detractors often accuse the Danish director of being little more than a provocateur, and his impetuous demeanor when dealing with the media doesn’t dispel that impression. That leads some — even our own Germain, in his review of Melancholia — to suspect that Trier’s actual films are constructed, in part, as nothing more than button-pushing exercises. I tend to believe in the director more as an imp who has a healthy, if perverse sense of humor, and who takes the opportunity to enjoy unorthodox fun when he can.
Such is the case, I suspect, with the new character posters for Melancholia.
In anticipation of the film’s UK release this weekend and October 7 VOD bow in the US (to be followed by a November 11 theatrical release) there are six new character posters for the film. They feature actors Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård and John Hurt. But there’s also a poster for Lars himself, which is even stamped with a ‘persona non-grata’ seal, mocking his expulsion from the Cannes Film Festival this past May. See all six below. Read More »
There’s not a whole lot in this first official domestic trailer for Lars von Trier‘s Melancholia that we haven’t seen in previous trailers and clips. (Such as the great UK trailer we just saw a few days ago.) But what the hell, the film is among our most-anticipated of the year, and this trailer offers up a great HD look at the gorgeous and subtle cinematography from Manuel Alberto Claro.
So hit the jump and get one more look at the ways in which sisters played by Kirsten Dunst and Charlotte Gainsbourg deal with the possibility of the impending end of life on Earth. Read More »
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It’s been a big, loud year for Lars von Trier, thanks in part to his new film Melancholia, and more so to the Cannes press conference comments that saw the director banned from the festival. But getting beyond that controversy, there’s the fact that Melancholia is one of the best-reviewed films of the director’s career, and remains one of my most-anticipated films of the fall.
We’ve seen one trailer for the film, in which Kirsten Dunst and Charlotte Gainsbourg play sisters with very different dispositions who are staring down the end of the world on the eve of Dunst’s character’s wedding. Now here’s the UK trailer, which nicely shows off the ensemble cast (which also includes Kiefer Sutherland, Charlotte Rampling, John Hurt, Alexander Skarsgård, Stellan Skarsgård and Udo Kier) and opens on a surprisingly upbeat note before settling into the anxious mode that you’d expect from a film about the end of the world. Read More »
You can say this for Lars Von Trier: he doesn’t believe in treading lightly. If today wasn’t so busy I’d spend a few hours digging up the director’s old comments from Cannes press conferences and correlating their level of pseudo-outrage to the quality of the film he’s promoting. His latest movie, Melancholia, premiered at Cannes today and the reviews are (perhaps predictably) mixed, with some of the most telling comments coming in the form of negative reviews from normally sympathetic fans. (There are also some significant raves.)
‘Sympathetic’ is the byword for LVT today, as the press conference for Melancholia featured the director baiting the press with statements about feeling that he understands Hitler and being a Nazi. Depending on how you look at it, press-baiting may not even have been his goal — it is more like the Nazi comments grew out of an attempt at a joke that, like a poor SNL routine, went on too long and wound down into an awkward sort of ‘oops’ conclusion. (A conclusion that proved perhaps appropriately apocalyptic, given the context of promoting a film about the end of the world.) The discourse about him today is dominated this current provocation, but we’ve also got early reviews of Melancholia and a few more upcoming career details. Read More »
Lars Von Trier‘s new film, Melancholia, premieres soon at Cannes, and the debut of the film sets up a showdown between two sci-fi influenced dramas. On one side you’ve got Another Earth (trailer here) in which the emergence of a second Earth, which may or may not be an exact duplicate of our own world, leads to an exploration of second chances and the idea that our mistakes don’t have to be our sole defining trait.
And then there is Melancholia, in which Kirsten Dunst and Charlotte Gainsbourg play sisters coming to terms with the impending end of the world. We’ve seen very little footage from Melancholia so far — just one short trailer — but a clip released this week shows Kirsten Dunst’s character proclaiming that life on Earth is evil, seemingly setting up her whole attitude throughout the film in a nutshell. That clip is after the break, along with an effects reel and a short international TV spot. Read More »
We just saw a trailer this week for Lars Von Trier‘s new film Melancholia, which will premiere in competition at Cannes this May. We still don’t know too much about the film — he famously proclaimed “no more happy endings!” when announcing it, and there is a basic sci-fi concept wrapped around a family drama and some sort of existential crisis for the main character, played by Kirsten Dunst.
Now Lars Trier has dropped a few tidbits about the film to Empire, and those who can’t wait for Magnolia to set a US release date for the film should hit the jump to enjoy the scant new bits of info. Read More »