Briefly: Shakespeare in Love and The Debt director John Madden had a pretty good spring thanks to the $100m global take of The Best Exotic Marigold Hotel, but now he’s going into a new mode with a new mystery. A Murder Mystery, to be exact, as Madden will make shoot a film with that title from a script by James Vanderbilt (The Amazing Spider-Man, Zodiac).
Co-producing and in talks to star is Charlize Theron, who has her own run this summer thanks to Snow White and the Huntsman and Prometheus. The film is called an “affectionate deconstruction” of a story in the vein of Agatha Christie tales, and features “comedy, action, and mystery” as an American couple travels abroad.
I like the idea of the guy who wrote Zodiac putting together a comic take on the classic whodunnit, and I like the idea of Theron taking a moment to do a solid comic turn in the same sort of project. We’ll watch for more details on the script, and hope that Madden doesn’t keep things too fluffy. [Deadline]
Please Recommend /Film on Facebook
Prometheus is going to be a controversial film. As a prequel to Alien, and a “summer” movie, it has a certain suspense / horror / sci-fi pedigree that generally belies serious conversation. There’s no particular reason Prometheus should have “big” themes running through it, any more than Battleship or MIB 3 would, except for the salient fact that we believe director Ridley Scott has embedded some interesting nuggets throughout, much as he did with Blade Runner.
So what are these “big” ideas? What are the questions and themes Prometheus tackles throughout its two-hour running time? We’ll start with the easy ones, and then progress toward the more philosophical questions.
Note: Massive thematic SPOILERS follow, naturally. Read More »
Last week in London I had the opportunity to sit at a table with other journalists and interview Prometheus star Charlize Theron.
Charlize talks the evolution of the script from when she first read it to shoot, the secrecy of the production, the brilliance of working on practical sets vs. cg, the extent that Ridley Scott went to make everything feel real, gives a little bit of insight into the backstory of her character, being frightened by the unknown, deciding not to rewatch the Alien films before shooting, having fun with Fassbender in between takes on set, theories about her character, the delivery of dialogue, preparing for Mad Max: Fury Road, making big movies vs. making smaller movies, producing tv projects with Ridley Scott and David Fincher, the attraction to do tv over films, her obsession with HBO and Game of Thrones, finding time to take a vacation, and much more.
Read the entire interview after the jump. It contains only very minor spoilers (I have made any mild spoilers invisible, you need to highlight to reveal).
Read More »
Snow White and the Huntsman leaves the most interesting character out of the title: Ravenna, the so-called evil queen who wants Snow White’s heart on a platter. In this telling, the queen is a black widow whose appetite for power is driven by a consuming fury towards all men. Charlize Theron plays Ravenna not with subtlety — nothing in this would-be blockbuster is subtle, from the insistent effects to the poop jokes — but at least a sense that Ravenna nurses a great wound in her soul.
No other character is as captivating. Ravenna is a strange, wild jewel, flawed and brilliant. She’s more than just a cookie-cutter villain, and begs to be the center of the film. If Sleeping Beauty’s Maleficent can get her own movie, why can’t Ravenna?
Huntsman doesn’t seem to know what it has, however. It wants to be a fairy tale revision, an action movie, a franchise opener. Even if the movie truly was hers, the monster can’t always be the center of attention; leave the camera on the shark in Jaws and you’ve merely got a documentary. But the film’s approach to retelling the story of Snow White, and of the Huntsman who saves her and the Prince who loves her, is so fractured that all the queen’s dark power is wasted. Read More »
Charlize Theron is having a pretty decent month. She’s the star of Show White and the Huntsman, which opens Friday, as well as Ridley Scott’s Prometheus, which opens next Friday June 8. From there, she’s heading to Africa to shoot Mad Max: Fury Road starring Tom Hardy and directed by George Miller. That’s about what you’d expect for an Oscar-winner who is sought after for almost every female role in Hollywood today.
/Film attended the London junket for Prometheus and while Theron spoke plenty about that film (we’ll run the full, spoiler-filled, interview next week) she also talked about her excitement at finally getting to shoot Mad Max, a film that has had a tumultuous time making it in front of cameras. She commented on if the script changed in that time, how violent it will be and how her character is different from anything she’s ever done. Read her quotes after the jump. Read More »
Cool Posts From Around the Web:
Sequels in all stages of production – from hypothetical, to development, greenlit, filming and finished – are all featured in today’s Sequel Bits. After the jump read about the following:
- A prequel to the video game Tekken might be on the way from the director of Ong Bak. Or not according to the creator.
- Not only would Andrew Stanton be open to making Finding Nemo 2, he feels Pixar will continue to make sequels after Monsters University and beyond.
- Watch an awesome 15 minute interview with Rick Baker, in his studio, talking Men in Black 3 monsters.
- Men in Black 3 didn’t have a lot of deleted scenes.
- Check out a teaser poster for Red 2
- Iron Man 3 starts shooting today and just got their budget increased.
- Mad Max: Fury Road with Tom Hardy and Charlize Theron starts shooting June 2.
Read More »
We’re less than a month away from my #1 anticipated film in a great, great year of movies: Ridley Scott‘s Prometheus. The sort-of Alien prequel starring Noomi Rapace, Michael Fassbender, Guy Pearce, Idris Elba and Charlize Theron opens June 8 and the news of its R-rating is just the latest in a long line of fantastic updates on the 3D, sci-fi epic.
The latest comes from Entertainment Weekly, the May 18 issue of which (out Friday), will be graced by the film. While the story itself has yet to come online, they’ve updated their site with 17 new looks at the sets, costumes and stars of the highly anticipated summer film. Check them out below. Read More »
I think I’m at the point where I have to stop watching new Prometheus materials. With last night’s long international trailer, the footage cut into new clips seems to have tipped from suggestive to all-out demonstrative. In other words, Fox is ready to show much more of Ridley Scott‘s hand. I’d rather see that in the full film, and so I’m shutting down my own viewing for now.
But I know there are many who want to see all they can. And so here’s the latest in Prometheus marketing: a featurette similar to one we ran last week. This time, the focus isn’t on how awesome Ridley Scott is, but more on what he and screenwriters Jon Spaihts and Damon Lindelof came up with for the film. Check it out below, and if the paragraph above isn’t warning enough, beware slight spoilers. Read More »
Briefly: Rupert Wyatt didn’t exactly come out of nowhere to direct Rise of the Planet of the Apes, as he already had his name on The Escapist and Subterrain. But the unlikely success of his Apes prequel definitely put him on the map for a lot of audiences. Wyatt is tapped to make another Apes movie for Fox, but he’s also making other deals.
The latest is a project called Agent 13 that, if given a green light, would have Wyatt directing Charlize Theron in a sci-fi action story scripted by T.S. Nowlin. Read More »