Here’s a pretty great bit of news that doesn’t come from Comic Con: Charlie Kaufman‘s long-gestating Frank or Francis now has a possible cast. Jack Black and Nicolas Cage are now attached to the film, and Charlie Kaufman is in talks with Steve Carell to sign on, too. Read More »
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After “quitting” acting in a big, public way, Joaquin Phoenix is navigating an impressive comeback. He’s currently shooting Paul Thomas Anderson’s The Master and now he’s also attached to star in the latest collaboration between screenwriter Charlie Kaufman and director Spike Jonze. The film, an untitled political satire, is being financed by Megan Ellison‘s Annapurna Pictures and Warner Bros. has also reportedly come on board, aiming at a March 2012 start date. Read more after the break. Read More »
OK, we really need to send a giant ‘thank you’ bouquet to Megan Ellison. Her company, Annapurna Pictures, is reportedly financing two Paul Thomas Anderson films (The Master and Inherent Vice) and is backing Wong Kar Wai’s new film The Grandmasters as well as pictures like The Wettest County in the World and Cogan’s Trade. In short, if you like ambitious, literate films, she and her team are on your side.
Now the company is negotiating a deal for rights to “an untitled satire” that will mark the reunion of Being John Malkovich and Adaptation director and screenwriter Spike Jonze and Charlie Kaufman. Get a few more details after the break. Read More »
If you’re among the rather rabid audience for which the mere combination of the names Spike Jonze and Charlie Kaufman causes excited palpitations, then you’d better lie down before reading any further. The two filmmakers, who teamed for Being John Malkovich and Adaptation, are reportedly circulating a new film pitch to financiers. There is no plot outline available, or any info at all. The LA Times reports the news, and notes that as the project exists in pitch form, there’s not even a script to share at this point.
And here we were, just earlier today, noting that a heady film like Synecdoche, New York or the theoretical Fellini-esque second half of Martin Scorsese’s The Irishman project seemed like a difficult sell of late. And perhaps that’s the case — there’s no financing for this one yet. But fingers crossed that Jonze and Kaufman get financiers to bite. We can always use more conceptual, engaging movies like their previous two collaborations. Very much hoping this happens, and isn’t an overblown, too-early announcement of intent.
A few speculative, possibly connected details are after the break. Read More »
Your first reaction to that headline is probably going to be your jaw hitting the floor. But pick it up and relax. Yes, Charlie Kaufman has evidently done some script work on Kung Fu Panda: The Kaboom of Doom. But it’s just a polish, not a major rewrite. Still, does this mean that we’ll see a wild sequence of exquisitely realized self-doubt in the film? Probably not (or probably not in the classic Kaufman mode) but read on anyway. Read More »
It was only a few weeks ago that I flew out to Los Angeles to talk with filmmaker Spike Jonze about his adaptation of Where The Wild Things Are. I really wasn’t expecting to hear back from Spike until the next film, probably a couple years down the line. Last week, Jonze’s new short film We Were Once a Fairytale leaked online, and the filmmaker wanted to touch base again and talk about the new project. So I got on the phone with the man himself, on his birthday no less, to talk about the short film starring Kayne West, which is now officially online on iTunes in both standard and high definition video (download it now). I also snuck in a few unrelated questions from Twitter, including a joke question from Up in the Air director Jason Reitman.
Spike Jonze: Peter. Hey, how are you doing?
Peter Sciretta: Hey, Spike. Good. How are you doing?
Spike Jonze: Good, good.
Peter Sciretta: Happy birthday.
Spike Jonze: Thanks. Yeah, it’s– I’m just leaving on a vacation. So I had a great birthday, and then, I’m going to have a birthday trip. So it’s all good.
Read More »
The Dana Carvey Show is now on Hulu. What’s the big deal? Well, when the sketch comedy show premiered on ABC in the mid ’90s—following a family-safe block of programming—millions were in awe at the stuff it got away with. It was too good to be true, giving SNL an irreverent elbow. When Carvey spoofed President Bill Clinton by whipping out countless flabby breasts to proudly nurse babies and puppies, it was the beginning of the end. Ratings were steady but still used as a scapegoat, and it was axed after eight episodes. Parents and middle school teachers exhaled in unison.
Knowing that Robert Smigel‘s “The Ambiguously Gay Duo” debuted right after Jonathan Taylor Thomas’s stupid girl troubles on Home Improvement remains incredibly surreal and relevant in the current climate.
After the jump is a screen-shot that captures the show’s insane roster of writers: Stephen Colbert, Steve Carell and Charlie Kaufman for starters…
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In this special episode of the /Filmcast: After Dark, David Chen, Devindra Hardawar and Adam Quigley devote 80 minutes to discussing Charlie Kaufman’s frustrating, enigmatic, and brilliant film, Synecdoche, New York. Special guests Matt Singer from IFC and Angie Han join us.
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