Marvel may have made the biggest splash in terms of a deal with Netflix, but DreamWorks Animation got there first. The first animated show DreamWorks put on Netflix was Turbo Fast, a spin-off from the film featuring a Ryan Reynolds-voiced snail. Now they’ve announced three new shows. The shows are Puss In Boots, from the Shrek franchise; King Julian, starring the lemur from Madagascar; and Veggie Tales in the House, based on the popular family franchise.
Sticking with the short form animation front, Disney and Pixar will premiere a new Cars themed short film, The Radiator Springs 500 ½, on their new Disney Movies Anywhere app later this spring. It’s the first in a new Pixar series of shorts called Tales from Radiator Springs. Check out the first images below. Read More »
Please Recommend /Film on Facebook
When Disney took a long look at the DisneyToon studios film Planes, which acts as a spin-off from Pixar’s Cars films, the decision was made to give it a theatrical run of its own. Once intended as a direct-to-disc moneymaker, the movie once knocked as a cash-in knockoff of Pixar’s work hit the big time.
That probably won’t happen with Wings. This release from LionsGate’s home department appears to be a gloriously egregious example of exploitation of a young audience’s interest in anything that looks like Pixar. (And of course kids can tell the difference; it’s the distracted adult that might be fooled for a moment.)
While some advance word on Planes says that it is actually fairly decent, Wings looks like what The Asylum would make if it used Pixar movies as a jumping-off point. Watch the trailer below. Read More »
For all the hate, garbage and stupidity the Internet brings us on a daily basis, every once in a while it provides a global platform for something awesome. In this case, Jon Negroni‘s Pixar Theory. Negroni wrote a post that has been circulating since last week which goes through every single Pixar movie since Toy Story and surmises they’re all set in the same universe.
So, for example, the theory states Brave sets a precedent for why animals can interact with humans, which explains a lot of Ratatouille, which maybe inspired the characters in Up to invent tech to communicate with their animals, which possibly inspired the beginnings of Buy-N-Large from Wall-E, and so on and so on. It’s obviously much more detailed than that and I totally don’t believe it’s “real,” from Pixar’s perspective, but it’s a fun read that does make some sense.
Below, we’ll link to the original post and even show you a video that details it. Read More »
Among Pixar and Disney fans, many regard the Cars movies with a certain degree of apathy. Generally, the sense is that the first movie is okay, the second movie is slightly less okay, and neither ranks anywhere near the best Disney or Pixar has done. However, we also know how much money the franchise makes for the company, thanks to its younger fans and merchandising. We know movies like Cars allow Disney and Pixar to make riskier, interesting films.
I’ll tell you, though. If you’ve been to Disneyland in the last year and visited their latest area, Cars Land, it’ll make you appreciate the movie on a whole new level. In the park, fans are transported to the center of Radiator Springs complete with all the characters and you gain a whole new level respect for the work John Lasseter and his crew put into Cars and Cars 2.
While we have yet to hear any rumblings of a Cars 3, Disney does continue to make short films in the franchise and three new Tales From Radiator Springs have just been released. Directed by Jeremy Lasky, one features Lightning McQueen getting Hiccups, the next is about the fire engine Red getting Bugged and the third shows Guido with a Spinning sign. Check them out below. Read More »
Posted on Friday, December 21st, 2012 by Angie Han
Grownup fans will argue til the cows come home about which Pixar movie is the best (it’s Ratatouille, FYI), but when it comes to the studio’s worst film, there’s a strong consensus that Cars 2 is the studio’s low point. Even the original Cars was beloved more by kids than their parents, and the sequel has the dubious distinction of being the first Pixar movie to ever get a “Rotten” critical score.
Nevertheless, the franchise’s success with the under-12 set can’t be ignored, and so Disney announced a few years ago that a spinoff titled Planes was in the works. (Yes, I mean Disney, not Pixar.) The feature was originally slated to go straight to DVD in the fall of 2013, but now the studio’s changing course with a planned theatrical release next summer. More after the jump.
Read More »
LucasFilm and Disney have long had a very symbiotic relationship. It began when Star Tours first hit Disney parks in 1987 and ever since, Disney characters have dressed up as Star Wars characters, Star Wars actors have done events at Disney, Disney sells tons of Star Wars merchandise, you catch the drift. The latest collaboration between the two brands is a little more surprising however.
Star Wars Celebration VI is currently taking place in Orlando, Florida and at The Disney Collectors Panel it was revealed that the characters from Cars would soon be reimagined as Star Wars characters. Mater as Darth Vader. Lightning as Luke Skywalker, and so on. After the jump, check out a bunch of photos of the characters and discuss this financially sound, but creatively crazy idea. Read More »
How is it that a movie studio that produces kid’s films can be responsible for so many of the best films in cinema?
Twenty years ago, that question would be directed at Disney. Now it’s more likely to refer to Pixar, Studio Ghibli, or even Dreamworks of late. What is it about children’s entertainment that has, time and time again, managed to capture the hearts and minds of adults as much as it has their offspring?
Perhaps it’s a result of these films rekindling our lost sense of childlike wonder and naively adventurous spirit. Perhaps it’s their universally accessible narrative simplicity, always ready to charm away our worries with the awe-inspiring visual splendor through which these tales are so often told.
Whatever the case may be, with thirteen films under their belt, the Pixar formula is one that’s proven itself to leave a lasting impression, transporting us to spectacular, gorgeously rendered and thoughtfully defined worlds — second only to the passionately heartfelt and funny stories of family and friendship embedded within.
What’s more, Pixar is able to achieve this mixture while emboldening children to think for themselves; to challenge the status quo; to recognize their true potential, as well as their limitations. As fun and charming and pretty as Pixar’s films are, it’s the complex ideas and emotions they explore that makes them truly special, affording youths the opportunity to confront the realities of the world around them in a way they can understand and cope with. While everyone else is content to pander to kids, Pixar knows that the best way to communicate with children is to treat them as equals.
But equality is not a trait shared by the current roster of Pixar films. Despite the technical virtuosity on full display with every production, it takes a lot more than stunning animation to make a film great, and that’s not a balance that Pixar always strikes — at least not recently. At one point it may have seemed like the studio could do no wrong, but that was a short-lived romantic notion, and hardly one that merits much deliberation. No, far more instructive would be to scrutinize their missteps in conjunction with their successes, and try to determine what exactly it is that makes any one of their works richer than the other. After all, what better way to understand what makes a story great than to study the best? Read More »
This weekend saw the release of Pixar’s latest film, Brave, a movie that easily won the weekend, garnering an overall “A” CinemaScore from appreciative audiences. Still, at only 74 percent on RottenTomatoes (Pixar’s second worst), and a 7 out of 10 from Germain Lussier, it is clear there is a bit of room for dissent.
Out there in audience-land, did you notice something a little “off” about Brave? Perhaps there are lessons that can be learned, or conversations to engage in?
To provide some context, and on the off chance we have completely different taste, here are my top five Pixar efforts:
3. Toy Story
4. Finding Nemo
5. Monsters, Inc.
Until now, the only Pixar film I flat out didn’t enjoy was Ratatouille, though I admit to only having seen it once, and folks say I’d like it much more if I were to re-visit. Even Cars 2 had redeeming qualities. I can truly say I’ve never found a Pixar film entirely lacking, and that statement includes Brave. There’s no question the film had amazing visuals, setting a new standard for excellence within the animation genre. Unfortunately, the story lacked a bit of … what’s the word I’m looking for? Ooomph. As such, I’m compelled to break down where I feel the problems were, if only to restore everyone’s favorite animation house to the glory they so richly deserve.
One final note, just to head off the obligatory “comparing Brave to the rest of Pixar’s work isn’t entirely fair” argument, we’re in complete agreement there. It’s not fair, and in many ways Pixar’s own ambition and commitment to excellence have raised the bar for all movies. So no, Brave isn’t a bad movie on merit, it’s merely an average one, which animation houses make all the time without compelling anyone to write a 3,000 word article on the subject. But within the greater context of Pixar’s previous work, Brave does come up short, and I think we’ve got a bead on the reasons why.
Note: Massive SPOILERS follow, naturally.
Read More »
Cool Posts From Around the Web: