Kimberly Peirce (Boys Don’t Cry) is putting together a new film based on Stephen King‘s debut novel Carrie. Brian De Palma’s movie starring Sissy Spacek and John Travolta remains one of De Palma’s most entertaining films, packed as it is with over-the-top characterization and De Palma’s trademark love of split-screen imagery. So my first reaction to hearing about another new Carrie (this isn’t the first remake of the story) is ‘why?’ But having a female director is one way to make this seem like a worthwhile endeavor.
Now we’ve got the first indications of potential casting, as info has emerged about two possible choices to play the adolescent telekinetic Carrie White: 15-year-old Chloë Moretz (Kick-Ass, Dark Shadows) and 24-year-old Haley Bennett (Terrence Malick’s film formerly called Lawless).
Update: Deadline says that Moretz has been offered the role, and that after testing last weekend, she more or less got the job immediately.
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Kimberly Peirce has been hired to direct a remake Stephen King‘s Carrie. Peirce made her name with the 1999 indie film Boys Don’t Cry which featured an Oscar-winning performance from Hilary Swank. Peirce was voted one of Hollywood’s upcoming best new talents, but the filmmaker has yet to deliver a worthy follow-up, helming the 2008 war film Stop-Loss and an episode of The L Word.
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One of my big hopes for True Grit was that the Coen Brothers might have found a genuine new talent in Hailee Steinfeld, who made her feature debut playing the young heroine Mattie Ross. Indeed, she gave a tremendous performance in the film, scoring an Oscar nomination and building a fanbase very interested in seeing her next move.
But that next move can be very difficult to chart, especially for someone relatively new to the business. Working for a talented newcomer (how about Cary Fukunaga’s Civil War heist movie?) or another established master (I hear Paul Thomas Anderson has a new film) would be ideal. Anything else could look like a backward step after True Grit. So what to do? Hopefully not star in the possible remake of Carrie. But that is exactly what a new report suggests could happen. Read More »
The pig blood is bound to fly again as MGM and Screen Gems just announced that they’re going to team up and remake Stephen King‘s Carrie. Roberto Aguirre-Sacasa, a playwright who was recently brought onto the troubled Broadway production Spider-Man: Turn Off The Dark, will pen the new script based on King’s first published work. It was previously turned into a classic 1976 film by Brian De Palma that starred Sissy Spacek as a shy and bullied teenager who develops psychic powers and uses them to get revenge on her tormenters. Spacek and co-star Piper Laurie both got Oscar nominations for the film.
Aguirre-Sacasa is not just a playwright, however. He also writes comics for Marvel including their graphic representation of Stephen King’s The Stand, so he’s certainly familiar with King’s work. There’s more after the break. Read More »
Let’s face it. As far as superpowers go, the ability to move things with your brain is pretty awesome. Sure, flying is cool, turning invisible would have fun benefits, and super-strength could always come in handy. Plus it’s a lot cooler than all the “problem” superpowers, like having your entire body burst into flame, turning into some disgusting creature, or having your power be that you’re just extremely fat, and bouncy, like the Blob.
It’s just not the first power that leaps into people’s minds when they get asked, “If you could have one superpower, what would it be?” Maybe because that other stuff is too sexy. However, it’s the real thinking man or woman who chooses telekinesis, because once you realize the full potential of that power, you’ll wonder how you ever lived without it. As the telekinetic Push opens up this weekend, read on for an ultra-brief history of telekinesis, and find out how it’s affected cinematic history.
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The Alamo Drafthouse has upcoming screenings of Escape to New York and Carrie, and they have commissioned new posters to help promote the films. More after the jump.
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