Posted on Monday, February 3rd, 2014 by Angie Han
It may not be a tradition as entrenched as the Golden Globes drunkenness or office Oscar pools, but for the past twenty years the Vanity Fair Hollywood Issue has been a fun fixture of awards season. The magazine gathers up the brightest stars of the year, pretties them up and poses them just so, and snaps a photo that simultaneously celebrates the year that was and looks ahead at the years to come.
This year’s choices are a nice mix of established A-listers (George Clooney, Julia Roberts), rising veterans (Chiwetel Ejiofor, Idris Elba), and exciting fresh faces (Lupita Nyong’o, Margot Robbie). Hit the jump to see the full spread.
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Posted on Wednesday, January 29th, 2014 by Angie Han
The Good Luck of Right Now hasn’t even begun production yet, and it’s already shaping up to be the most endearingly quirky movie of the year. Little Miss Sunshine helmers Jonathan Dayton and Valerie Faris were set to direct a few weeks back, with a script by Mike White (Enlightened) based on the novel by Matthew Quick (Silver Linings Playbook).
And now, casting is off to a great start as well. According to a new report, Short Term 12 star Brie Larson has just entered talks to star. Hit the jump for more details on the role.
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As films move and shift in and around that crazy 2015 release schedule, one that’s methodically, quietly, and steadily moving forward like a killing machine is the Terminator reboot. Alan Taylor hasn’t even officially been announced as the director, yet they’re also very close to casting one of the film’s leads: unsuspecting mother turned soldier Sarah Connor. Reports state Taylor and Paramount are now down to two actresses: Game of Thrones‘ Emilia Clarke or Short Term 12‘s Brie Larson. However, with Taylor’s Game of Thrones roots, it seems Clarke might have the edge. Read More »
Three major films have some not so major updates: two sets of casting rumors and a small title change. After the jump, read about the following:
- A few names, including Emilia Clarke and Garrett Hedlund have been mentioned to possibly be up for Sarah and John Connor in Terminator 5.
- Here we go again. Jonah Hill and Emma Stone‘s names have been mentioned again regarding Ghostbusters 3.
- Sin City: A Dame To Kill For has reportedly been renamed Sin City: A Dame to Die For.
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Briefly: Brie Larson has been on the rise for a few years, but 2013 has been a big year. Her role in Short Term 12 has proved to be an attention-getter; she’s great in The Spectacular Now, and she was terrific in a minor but important role in Don Jon as well. Those are just three pieces of work that are propelling Larson towards bigger movies, but coming all at once (all were Sundance debuts) has helped build momentum.
Now she’s in talks to join Mark Wahlberg in The Gambler, which is a remake of a 1974 film starring James Caan. We don’t have any details about her role, but casting for the film seems to be coming together, so we might hear more soon. Rupert Wyatt (Rise of The Planet Of The Apes, The Escapist) will direct from a script by William Monahan. [Deadline]
Note: This review was originally published on January 20th 2013 during the Sundance Film Festival. We are reprinting it for the film’s theatrical release.
Movie fans have long known that Joseph Gordon-Levitt is a great actor. With Don Jon, the world will now see that he’s a talented writer and director too.
The film, his feature debut, focuses on a New Jersey-based ladies man who is hopelessly addicted to online pornography. A heavy and potentially uncomfortable topic for sure, but Gordon-Levitt handles it with an honesty and energy that makes it fun as well as easily digestible. The supporting cast, including Scarlett Johansson as a New Jersey princess-type, Tony Danza, Julianne Moore and Glenne Headly, only helps a film about objectification and media consumption feel so effortless and entertaining.
Don Jon is a high end Hollywood comedy masquerading as a Sundance film. Read the rest of my review, and watch a video blog featuring Peter Sciretta and Russ Fischer, below. Read More »
Editor’s Note: Short Term 12 opened in New York and Los Angeles last weekend and expands this week. Below we’re republishing Germain’s review from South by Southwest 2013 and click here for an interview with the director.
Sometimes you watch a movie and, at the end, can’t think of anything in the film that could have been done better. The whole thing just feels perfect or magical, a shining example of what cinema is all about. Short Term 12 is one of those movies.
Written and directed by Destin Daniel Cretton based on his award-winning 2009 short film of the same name, Short Term 12 stars Brie Larson as Grace. She’s young woman who spends her days overseeing a huge group of foster kids in a group home, many of whom are mentally ill. They suffer from depression, have suicidal tendencies and OCDs. It is Grace’s job — and that of her boyfriend Mason (The Newsroom‘s John Gallagher Jr.) and a new guy (Rami Malek) — to try and keep the kids content while they go about their lives. This is easier said than done when Grace is probably more messed up than everyone else in the building.
Funny, moving, surprising and emotional, Short Term 12 is an awards contender from top to bottom. The performances are mindblowing, the writing sharp, and the direction beautiful. It’s a very special movie, and worthy winner of the 2013 South by Southwest Grand Jury and Audience Awards. Read More »
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Posted on Wednesday, June 19th, 2013 by Angie Han
In James Ponsoldt‘s last film, Smashed, binge-drinking helped tear two married people apart. In his new one, The Spectacular Now, it brings two very different teens together, albeit in an unexpected way.
Miles Teller stars as popular, hard-partying Sutter, who drinks himself to oblivion one night after getting dumped by his girlfriend. He wakes up on the lawn of a classmate, sweet sci-fi geek Aimee (Shailene Woodley). Despite their differences, the two find themselves inexorably drawn together.
That setup may not sound like much of anything special, but the rave reviews out of Sundance indicate that Ponsoldt makes the most of it. Check out the first trailer and poster after the jump.
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