Is there a killer almost-a-movie that you’d consider trading a pinky to see on screen? For me, one such project will forever remain Batman: Year One from director Darren Aronofsky (Pi, Requiem For a Dream, The Wrestler). There was a time when Aronofsky and Christopher Nolan seemed neck and neck for the reinvention of Batman on film, and while Nolan went on to make history, recalling the former director’s references of A French Connection, Dracula and hints at an R-rating still karate-chop my brain.
For me, that discarded and impossibly cool project is slowly being replaced by a new genre outing for the director, one that might actually reach fruition. Earlier [...]