Here’s your best indicator yet as to what the crop of nominations for the Best Picture Oscar is likely to be. The Producers Guild of America (PGA) has announced its nominations for 2011 awards, which will be doled out on January 21.

The ten films nominated for the PGA’s top honor include expected pictures such as The Artist, The Descendants and War Horse. There are no real surprises, but the growing Oscar chances for The Help won’t be hurt by getting a PGA nomination (would be slightly wild to see Chris Columbus, a producer on The Help, with an Oscar), and Woody Allen’s Midnight in Paris makes an appearance on the list, too. There are a couple surprises, though, in the form of Bridesmaids and The Girl With the Dragon Tattoo — the Judd Apatow and Scott Rudin effects in full force there. With 5-10 Best Picture nominations possible for this year’s Oscars, most of the films in the PGA’s top list are likely to end up in the race.

The full PGA press release, with the full slate of nominations, is below. Documentary and animation nominations are there, too, though the slate of nominations in each category is more or less exactly what you’d expect to see at this point. Read More »

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Every single year come awards season, it’s always upsetting to see the blatant misfires on the Academy’s short list of films eligible for the Best Documentary Oscar. Just last year, the big story wasn’t so much that Exit Through the Gift Shop or Restrepo were up for the award, it was that films like Catfish, Best Worst Movie and Joan Rivers: A Piece of Work were snubbed.

This year it’s more of the same. Much more. Fifteen films have been chosen that will be narrowed down to five to tangle for the Oscar itself and on that list are several exceptional documentaries: Bill Cunningham New York, Paradise Lost 3: Purgatory and Project Nim (above) just to name a few.

Not on the list, however are Constance Mark’s Being Elmo: A Puppeteer’s Journey, Steve James’s The Interrupters, Werner Herzog‘s Into the Abyss, Errol Morris’ Tabloid, Ian Palmer’s Knuckle, Morgan Spurlock’s The Greatest Movie Ever Sold, Andrew Rossi’s Page One: Inside the New York Times, Michael Rapaport’s Beats, Rhymes and Life, Disney’s African Cats, Jon Chu’s Justin Bieber Never Say Never, Cameron Crowe’s Pearl Jam Twenty, Peter Richardson’s How To Die In Oregon, Mark Landsman’s Thunder Soul, Kevin Macdonald’s Life In A Day and, most notably out of all of those, Asif Kapadia’s extraordinary Senna. Just to name a few.

Those films didn’t make the cut. Read what did after the jump. Read More »

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