When Steven Spielberg officially fell away from the DreamWorks project Gods and Kings, leaving the director’s chair open for potential occupation by Ang Lee, we knew that the film’s sagging momentum would be an opportunity for Fox to push its own Moses movie forward.
Ridley Scott has been developing the film, Exodus, at Fox. (Its relationship to Otto Preminger’s 1960 film is in title only, we presume. The film’s relationship to the book of the same name in the Hebrew Bible is likely more direct.) Originally written by Adam Cooper and Bill Collage, it has a new draft by Steve Zaillian. Ridley Scott reportedly wants to make it his next film after The Councellor, and now he may have Christian Bale as his Moses. Read More »
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Posted on Monday, June 11th, 2012 by Angie Han
It’s been a while since we’ve received any significant updates on Timur Bekmambetov‘s action-oriented Moby Dick adaptation, but the project’s apparently still simmering over at Universal and has just brought in a new writer to help with one specific stumbling block: the budget.
Over the past year, we’ve seen several big action adaptations get scrapped or put on hold for financial reasons, including Disney’s Lone Ranger, Warner Bros.’ Akira and Arthur & Lancelot, and Legendary’s Paradise Lost, and it seems Universal is also treading carefully. Aaron Guzikowski, who previously wrote Universal’s Contraband, is in negotiations to rewrite the Moby Dick script with the specific aim of trimming costs. More details after the jump.
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Abraham Lincoln is the subject of two films currently in production, but what about our nation’s first President? American legend George Washington is getting into the movie business in a big way as Darren Aronofsky is shopping around an Unforgiven-style biopic of the president called The General. The plan is that he’ll produce and direct. Paramount is likely to purchase the rights to the film, written by Adam Cooper and Bill Collage, as they have a first look deal with Aronofsky’s production house Protozoa Pictures. More details after the jump. Read More »
Posted on Tuesday, November 22nd, 2011 by Angie Han
It feels like just about every network on TV has a Western project in the works by this point, but one of the most recently announced ones also sounds like it could be one of the most promising. Ron Howard and Akiva Goldsman are slated to team up for a Western drama about Doc Holliday, the legendary gambler and gunslinger known for his friendship with Wyatt Earp and his involvement in the Gunfight at the O.K. Corral. The project is an adaptation of Mary Doria Russell‘s acclaimed novel Doc, which was released earlier this year. More details after the jump.
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The story of Marco Polo has been brought to the screen before and will probably be adapted many times in the future. The next film about the explorer could be directed by Francis Lawrence (I Am Legend) as Warner Bros. has attached the director to a project based on a pitch by Adam Cooper and Bill Collage, who will write a script based on Polo’s adventures. Read More »
The same writing team hired to make a graphic-novel style, adventurous take on Moby Dick for Timur Bekmambetov and Universal have sold a pitch to Fox that would see them re-telling the story of Moses in the style of Zack Snyder’s 300. Yep, Moses will soon be using the stone tablets bearing God’s laws to knock heads in at a theatre near you. The Bear Jew? Guy’s a pussy compared to this Moses. Read More »
In what the trades are dryly referring to as a “reimagining” and “splashy,” Universal Pictures has hired Timur Bekmambetov (Night Watch) to direct a new version of the literary classic, Moby Dick, that will “apply the visual flourish he displayed on the [studio's] summer hit Wanted.” So, 360 flips and Angelina Jolie’s ass? It’s pointless to feign outrage about this announcement (books, meh), but note that screenwriters, Adam Cooper and Bill Collage, have taken liberty with Herman Melville‘s opus, exercising the first-person narration of Ishmael so “the whale can fuck up way more shit, dudes.” They previously penned Accepted and the Olsen Twins’ New York Minute.
Also, Captain Ahab “will be depicted more as a charismatic leader than a brooding obsessive.” I’m no longer paraphrasing and you have to wonder if this choice was made due to the tepid fanboy reception of Peter Parker in Spider-Man 3. If you recall, Ahab’s Biblical emo-ness was a focal point…
All that most maddens and torments; all that stirs up the lees of things; all truth with malice in it; all that cracks the sinews and cakes the brain; all the subtle demonisms of life and thought; all evil, to crazy Ahab, were visibly personified, and made practically assailable in Moby Dick.
No longer. As someone who enjoyed Wanted and anticipates the cinematic giant shark mind-fryer that is MEG, I guess I should propose an upside to blowing off dusty works of literature like NES cartridges and inserting them into Hollywood’s puckering slot. So be it. If the filmmakers rig Ahab’s peg leg into a 3D harpoon, that could be schweeet.
Discuss: The producers are the writers of both National Treasures and I Spy.
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