Being a big fan of William S. Burroughs, especially of his early novels before rampant experimentation took over, I thought one of the best news stories of 2010 was the fact that The Messenger and Rampart writer/director Oren Moverman had scripted an adaptation of Burroughs’ early novel Queer and that Steve Buscemi would produce and direct.
Readings of that script have taken place here and there, but we’ve heard almost nothing about Queer since Moverman started working in earnest on Rampart. With that film finished, earning serious early praise and being set for an Oscar qualifying run late this year and full release in early 2012, news on Queer is starting to surface once more.
In short, the Moverman script is still in use, and Buscemi is still directing. Even better, a recent post-Rampart screening Q&A with Moverman revealed that Guy Pearce, Ben Foster and Kelly MacDonald are all set for roles in the movie. Read More »
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The Die Hard 5 news continues Thursday. We recently learned that the film, directed by John Moore, would be called A Good Day To Die Hard and released February 14, 2013. It’ll focus on John McClane, once again played by Bruce Willis, heading to Russia to get his son out of prison which then escalates into some kind of massive terrorist threat. With the McClane’s son seemingly the second lead and possible torch-bearer for the franchise, it surely will be a sought after role.
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The film Gotti: In the Shadow of My Father has had a difficult path from development to screen. In fact, it looks like the project has fully stalled out before cameras were even able to roll.
While Barry Levinson came on board a few months ago (replacing Nick Cassavetes) and a cast had started to shape up with deals for John Travolta, Al Pacino, Ben Foster, Kelly Preston and possibly Joe Pesci, the time has come when some of those people were meant to be paid. And if reports are correct, there is no money to pay them. As a result, the movie has been put on hold. It almost certainly won’t make a planned January start date, but we don’t know if the project will die altogether. Read More »
Here’s the trailer for Contraband, the remake of smuggling thriller Reykjavik-Rotterdam starring Mark Wahlberg, Kate Beckinsale and Giovanni Ribisi. Wahlberg plays a guy who escaped his former criminal life, but is drawn back into smuggling when his wife’s brother (Caleb Landry Jones, from X-Men: First Class) gets into trouble.
Baltasar Kormákur, an actor and producer on the original film, directs this version. Contraband looks just a bit more visually polished than the original, and sadly like a pretty routine thriller. Check out the trailer below. Read More »
Here’s the warning up front: if you prefer to learn some of the character and story points of Ridley Scott‘s sorta-Alien prequel Prometheus only through the eventual trailer and film release, beware of what follows. There aren’t big super-serious spoilers below, but there might be a tidbit or two you don’t want to know yet.
Damon Lindelof, brought on to the project by Ridley Scott and who ended up rewriting the Alien prequel script that Jon Spaihts had penned, is well versed in keeping secrets. But in a recent chat he gives up a few details about Prometheus that add to the recently-released synopsis and might answer a few questions you’ve had about the movie. Read More »
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One of the more appealing TIFF premieres is 360, from director Fernando Meirelles (City of God). We’ve covered the film a bit in the past year and change as it cast Rachel Weisz, Jude Law, Anthony Hopkins, Ben Foster and more, but things have been a bit quiet since then.
The film is written by Peter Morgan based on Arthur Schnitzler‘s play Reigen. (Also adapted by Max Ophuls as La Ronde; a Schnitzler story was also the source for Kubrick’s Eyes Wide Shut.) The play is an erotic drama that features a number of couples, with one half of the couple from one scene appearing as half the couple in the next, and so forth. (So the couples would be essentially: AB, BC, CD, DA.)
With the film about to premiere at the festival, we’ve got some new images, which you can see below. Read More »
When John Travolta was cast as notorious gangster John Gotti, one had to assume that was the lead role of the movie. But when the title to the film was changed from Gotti: Three Generations to Gotti: In the Shadow Of My Father it became pretty obvious, Gotti Sr. wasn’t the plum role. The role of John Gotti Jr. was and Ben Foster has just been cast to play him.
Despite some ongoing controversy, Gotti: In the Shadow Of My Father is scheduled to begin pre-production next month for a January start date. Foster and Travolta will co-star with Al Pacino and Kelly Preston under the direction of Barry Levinson. The real Gotti Jr. is a consultant on the project, which was recently in the news because Joe Pesci, once cast as Gotti’s second in command, filed a lawsuit against the production company, Fiore Films. Read more about Foster, his role and the latest on the film after the jump. Read More »
Yesterday we saw the purported synopsis of Ridley Scott‘s Prometheus, a rundown of the film’s plot that gave away a great deal of the story structure. Assuming, that is, that it was accurate at all. Fox has denied the rundown, and issued in its place what must be the most non-detailed synopsis in movie history. It isn’t the best counter-move, as denials of story leaks go, but read the new official line below and see what you think. No spoilers in this one! As a bonus, there is also word that Ben Foster has been given a role in the movie, which is continuing to shoot in the UK. Read More »
CBS Films has released an uncensored red band movie trailer for The Mechanic, British director Simon West’s (Con Air, Tomb Raider, When a Stranger Calls) remake of the Charles Bronson thriller starring Jason Statham, Ben Foster, and Donald Sutherland also co-stars. The story follows Statham as a veteran hitman who takes on an apprentice (Foster) who has a connection to one of the hitman’s previous victims. The trailer has a bit more blood than the previous green band trailer, and a brief shot of top-frontal nudity. I’m not sure I care much for the story (hasn’t this been done more than a few times before?) but the action sequences looks like a lot of fun. Watch the trailer now embedded after the jump. Please leave your thoughts in the comments below.
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