David Michôd’s Animal Kingdom is my favorite film of 2010 so far (see my Sundance review here), so when I was given the opportunity to chat with Michôd a few months ago, I jumped at it. In our half-hour interview, we discussed how he first broke into the industry, the decline of bank robbers in Melbourne, Australia, the process of choosing a complete unknown to headline his film, his copious use of slow motion, and the beauty of Air Supply. I’ve released this interview on the /Filmcast feed. You can also watch the video of the interview and read a few highlights from it after the break.

Note: During this interview, we discuss some plot details that are revealed in the first 30 minutes of the film, and there’s a clearly demarcated section at the end where we talk about some of the film’s spoilers.

Animal Kingdom is already playing in New York and LA and opens on Friday in Boston and Chicago. It will expand wider to cities across the country in the weeks to come.

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David Michôd‘s Australian crime film Animal Kingdom debuted a couple months back during Sundance, where it drew a full slate of rave reviews. (Including one from our own David Chen.) At the time we presented a teaser trailer for the film, where the footage was cut to ‘All Out of Love’ by Air Supply. (You’ll never hear the band the same way again after seeing the film, says David.)

Now there is a full Australian trailer for the Sony Pictures Classics release (US trailer is forthcoming) which opens in early summer, on June 3rd. (UPDATE: That’s actually the Australian release date. SPC hasn’t set a US date yet.) Read More »

Editor’s Note: Filmmaker Jake Scott has been blogging his Sundance experience on /Film. You might not know 42-year-old director Jake Scott yet, but you will. You definitely know his father Ridley, the filmmaker behind such films as Alien, Gladiator, and Blade Runner (Jake worked in the editing room during the school holidays). Chances are, you’ve probably never seen Jake’s directorial debut was a 1999 British historical action comedy titled Plunkett & Macleane. He’s directed iconic music videos for REM’s Everybody Hurts, Radiohead’s Fake Plastic Trees, The Cranberries’ When You’re Gone, as well as videos for Soundgarden, The Smashing Pumpkins, Live, Blind Melon, Tori Amos, Lily Allen, The Strokes, The Verve, and U2. Jake’s second feature film, Welcome to the Rileys premiered in Sundance’s US Dramatic competition. The story follows a damaged man on a business trip to New Orleans who is seeking salvation by caring for a wayward young woman. The movie stars James Gandolfini, Kristen Stewart, and Melissa Leo.

You can read Jake’s first blog post herehis second here, his third blog post here, and his fourth and final post, after the jump.

Jake Scott

Working hard on my latest project in South Africa

Well, that was quite a week. Saw some incredible films, especially an Estonian movie called ‘The Temptation of St. Tony‘ written and directed by Veiko Ounpuu. Quite the most riveting thing I got to see. There were many walk outs but this is not a film for everyone. It’s about one man’s moral confusion in a world turned upside down. It’s an odyssey through hell. I felt the same way when I first discovered Tarkovsky or Bela Tarr and clearly this director is influenced by them both. The sound design and stark, sooty black & white photography are superb.
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edgeofdarknessposterIn this week’s episode of the /Filmcast, David Chen, Devindra Hardawar, and Adam Quigley discuss the art of the new Wall Street teaser, reflect on the business of indie cinema, and offer some of their favorite films and disappointments from Sundance 2010. Special guest Steve Weintraub (AKA Frosty) from Collider joins us this evening.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next week on Monday night at 9 PM EST / 6 PM PST at Slashfilm’s live page as we review From Paris with Love.

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David Michôd has had a pretty big year at Sundance. Hesher, which he wrote along with director Spencer Susser, was one of the most anticipated films of the festival (read Peter’s review here). He also directed Animal Kingdom, an Australian crime drama starring Guy Pearce, Ben Mendelsohn, and newcomer James Frecheville. I have no compunction about saying that Animal Kingdom was one of my most favorite films of Sundance. Hit the jump for some of my thoughts, as well as a video review I recorded with members of our blogger condo.

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