David O. Russell and The Fighter were good to Christian Bale — they gave the actor a chance to really dig deep into a role rich with dramatic potential, and he took home an Oscar for it. Now Bale is going back to work for Russell, in the film once called American Bullshit, which is working without a title for now.
Bale joins Bradley Cooper, fellow Fighter vet Amy Adams, and Jeremy Renner in the film, which is based on a true story of a con man recruited to take down other con men. Read More »
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Posted on Friday, August 31st, 2012 by Angie Han
We’ve already seen a couple of trailers for Walter Salles‘ adaptation of Jack Kerouac‘s Beat classic On the Road, but the latest to hit may be the most arresting one yet. Thanks to sharp editing and a relentless pounding drumbeat, it does a fairly good job of capturing the heady exuberance of being young and carefree, hopped up on drugs, and in pursuit of the next awesome thing.
Garrett Hedlund, Sam Riley, and Kristen Stewart star as the central trio of Dean Moriarty, Sal Paradise, and Marylou as they journey across America, crossing paths with all manner of people along the way. The star-studded supporting cast includes Kirsten Dunst, Amy Adams, Viggo Mortensen, Tom Sturridge, Steve Buscemi, Elisabeth Moss, Alice Braga, and Terrence Howard. Check out the video after the jump.
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Paul Thomas Anderson did another early screening of his new film The Master in 70mm last night at Chicago’s Music Box Theater, to follow on the Santa Monica showing that took place a couple weeks ago. Just about the only people who seem to be unhappy about that are officials at film festivals, as praise for various aspects of the film is pouring in via Twitter and a few reviews. (The Venice film gave The Master a slot in competition, but the showing will now hardly count as a world premiere.)
It would be wrong to suggest that the praise for Anderson’s latest film is uniform. The film follows a drifter (Joaquin Phoenix) as he comes into the orbit of the magnetic title character Lancaster Dodd (Philip Seymour Hoffman) and Dodd’s wife (Amy Adams), who have organzied a coterie of followers around Dodd’s philosophical approach to life. The film’s performers are universally acclaimed so far, as is the visual presentation, specifically as seen in 70mm. Some seem to be seeking a new film to lead the charge in the battle between film and digital, and have found it in The Master. But the movie is also called a bit aimless (which isn’t necessarily a point of complaint) and referred to as one that takes a lot of processing time.
See some of the reactions below. Read More »
Posted on Thursday, August 16th, 2012 by Angie Han
We got our first teaser clip from Paul Thomas Anderson‘s The Master in May, followed by a second in June, and then the full-length trailer in July. In other words, we’ve been getting video about once a month all summer. Which means, yes, it’s time for one more now that we’ve hit mid-August.
If you’ve been following the marketing so far, you’ll have some idea of what to expect from the new clip. Jonny Greenwood‘s score once again pops up to set the uneasy tone, and stars Joaquin Phoenix, Philip Seymour Hoffman, and Amy Adams continue to convince us that they’ll be nominated for some little gold statues before this is all over.
But just because it’s not terribly surprising doesn’t mean it’s not breathtaking. Hit the jump to watch the video — which, by the way, promotes a 70mm screening scheduled for tonight in Chicago. Details on that after the jump, too.
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Clint Eastwood came out of semi-retirement as an actor to star in Trouble With the Curve, the directorial debut of his long-time production partner Robert Lorenz. Eastwood plays an aging baseball scout who is on a trip to check out a new player. But his eyesight is going — cue some drama right there — and his slightly estranged daughter (Amy Adams) joins him on the scout.
The basic premise sounds like a familiar, relatively safe one, and this first trailer for the film doesn’t challenge that idea. Eastwood’s persona here looks just a bit softer than his “git off my lawn!” attitude from Gran Torino, but this is still the sort of character we expect to see the star play at this point. Adams is more than strong enough to take him on, and Justin Timberlake looks gently appealing as another scout who has romantic intentions towards Adams. Read More »
Here’s why you should go out to the movies on a Friday evening: last night at the Aero, in Santa Monica, audiences who turned up to see The Shining were told that Kubrick’s movie would be followed by a surprise double-feature. That second film was Paul Thomas Anderson‘s The Master, and it was projected in 70mm.
What a cool move on Anderson’s part — not a test screening, but just a low-key surprise for people who were in the right place at the right time. (This is a bit like his choice to premiere There Will Be Blood at Fantastic Fest, when that festival was a lot smaller.) Opinions are starting to filter out about the movie, and while they’re largely from people we don’t know — so we don’t know their taste in film in general — there are some comments that you’ll probably want to read. Read More »
Clint Eastwood suggested that he was done with acting after the release of his 2008 film Gran Torino. The then- 78-year old actor had already pulled away from acting in any films but his own, and had long seemed more interested in directing and scoring films than performing in front of the camera.
But then Robert Lorenz, who has worked with Eastwood for years, decided to direct his first film. The family drama centers around an aging baseball scout, and Eastwood agreed to play the role. And so Trouble With the Curve, which also stars Amy Adams and Justin Timberlake, opens on September 28 of this year. The production was in and around Atlanta and Macon earlier this year shooting the picture, and now we’ve got the first look at all three actors in two official stills from the movie. Read More »
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Posted on Thursday, July 19th, 2012 by Angie Han
The first teasers for Paul Thomas Anderson‘s The Master were just that — teasers. They offered tantalizing glimpses of the two main leads, religious leader Lancaster Dodd (Philip Seymour Hoffman) and his acolyte Freddie Sutton (Joaquin Phoenix), but little more than that. And as fantastic as they were, it was only a matter of time before the studio released a more conventional trailer for theatrical release.
Fortunately for us, the first full-length trailer offers a better idea of the plot and general set-up without sacrificing too much of the unsettling moodiness that made the first teasers so striking. Plus, it offers much better looks at some of the other talents that fill out the cast, including Amy Adams as Dodd’s wife and Jesse Plemons as his son. Check it out after the jump.
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