There’s trouble in Mega-City One. Earlier this year, director Pete Travis oversaw production on a new film based on the 2000AD comic character Judge Dredd. Karl Urban plays the lawman in Dredd, and the movie has been in post-production for some time.
But Pete Travis is reportedly no longer in control of Dredd, as “creative disagreements with producers and executives” came to a head, and he was asked to step aside. Now writer/producer Alex Garland will oversee the end of post-production, and may ask for co-director credit. Read More »
Please Recommend /Film on Facebook
Just yesterday producer Joel Silver told MTV that the remake of Logan’s Run, which has cycled through a couple directors in the past two years (like Bryan Singer and Carl Erik Rinsch), was still alive and could happen ‘soon.’ We sat on that quote because, well, “it is still happening” just isn’t a huge update.
But this is a big update: Nicolas Winding Refn is now set to direct Ryan Gosling in a new Logan’s Run. Scratch that — it’s not a big update — it’s a pretty massive one, and a massive upgrade as well. Suddenly this might be a movie to really look forward to. Read More »
Here’s our first look at the brand new Mr. I Am The Law. Thanks to comic book artist Jock for tweeting this photo of Karl Urban (Red, Lord of the Rings) starring as Judge Dredd in Dredd, the latest incarnation of the famous British-born comic book lawman. The film, which will be distributed by Lionsgate, has only been shooting for a short while, so it’s pretty insane to get such an early look at the costume. Directed by Pete Travis (Vantage Point) from a script by Alex Garland (28 Days Later, Sunshine), Dredd also stars Olivia Thirlby (Juno, The Wackness). Read more, and see a bigger version of the photo, after the jump. Read More »
Much like the characters in Logan’s Run, it seems directors of the proposed remake have a limited shelf-life too. Commercial director Carl Erik Rinsch had been attached to directed a remake of the 1976 feature film but has now left the project, which he was developing to shoot in 3D, to concentrate on Universal’s 47 Ronin with Keanu Reeves. This once again leaves Warner Brothers and producers Joel Silver and Akiva Goldsman without someone to direct the script by Alex Garland. Directors such as Bryan Singer, Robert Schwentke and Joseph Kosinski have all previously been attached to direct the remake. Read more after the jump. Read More »
After the Telluride Film Festival premiere of his latest film, I had the opportunity to sit down and interview director Mark Romanek for a long-form interview. It was a collaboration between Alex from FirstShowing and myself, which explains how we were able to get so much time with the filmmaker.
Mark Romanek is one of the best music video directors to come out of the 1990′s. His videos have included Nine Inch Nails’ “Closer”, “Scream” – Michael Jackson’s grammy award winning collaboration with sister Janet Jackson (at $7 million, one of the most expensive music video ever made), Janet Jackson’s “Got ‘Til It’s Gone”, Johnny Cash’s gut-wrenching cover of Nine Inch Nails’ “Hurt”, En Vogue’s “Free Your Mind”, Lenny Kravitz’s “Are You Gonna Go My Way”, Beck’s “Devil’s Haircut”, Jay-Z’s “99 Problems” and Fiona Apple’s “Criminal”. His 2002 feature film One Hour Photo is probably best known for Robin Williams’ dramatic turn. While the film is beloved by cinephiles, it pretty much went under the radar of mainstream audiences. It did however gain Romanek a lot of the respect in the movie industry. His follow-up, a big screen adaptation of Kazuo Ishiguro‘s novel Never Let Me Go, premiered at the 37th Telluride Film Festival. The book was named one of TIME’s 100 Best Novels (from 1923 to the Present), featured on many top ten books of 2005 lists, and a finalist in the National Book Critic Circle Award.
After the jump is part one of the chat, where we talk about the director’s influences, how he became a music video director, his long journey back to feature filmmaking, and what it took to create his latest movie, Never Let Me Go.
Read More »
There’s a new Judge Dredd film getting underway, and it’s possible that this one will be a lot better, or at least far more faithful to the source comic series, than the ’90s film starring Sylvester Stallone as the helmeted, law-giving Dredd.
Karl Urban plays Dredd this time out, and now Olivia Thirlby has signed on as Cassandra Anderson, aka Judge Anderson. Read More »
Briefly: The BFI London Film Festival is getting a little bigger every year. Last year it was given a push when Wes Anderson’s Fantastic Mr. Fox debuted at the fest. This year, the festival will open on October 13 with the European premiere of Mark Romanek‘s new film Never Let Me Go, which adapts the novel of the same name by Kazuo Ishiguro.
That isn’t the film’s world premiere, as it will first bow at the Toronto International Film Festival, but it’s a good booking for the London fest regardless. Doesn’t hurt that there’s a lot of British talent on board, among them screenwriter Alex Garland and cast Andrew Garfield, Carey Mulligan and Keira Knightley. (The film will already be open in the US by the time of this showing; it hits Stateside screens on September 15, right after the TIFF premiere.)
There’s a solid if low-key buzz on the film, which looks like a lush, smart take on Ishiguro’s novel, even if some of the marketing might be trying to trick us into thinking it’s a bit more overtly sci-fi than the film likely is. Regardless, can’t wait to see this one; check out the trailer if you haven’t already.
Cool Posts From Around the Web:
I hadn’t seen a proper projection of the trailer for Mark Romanek‘s new film, Never Let Me Go, until I sat through the Trailer Park exhibition in Hall H at the San Diego Comic Con. Talk about weird — Romanek’s very quiet movie was sandwiched in between a lot of big-ticket films, and the contrast was pretty striking. (Plus, it was amusing to hear nearly the entire hall whisper ‘that’s the new Spider-Man,’ not when Andrew Garfield‘s face was shown, but when his credit was written on screen.)
Now there’s a new poster for the film, and the image captures some of the idea of hope and escape that permeates the latter half of the trailer. Read More »