Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week we catch up with Ab Fab’s Edina and Patsy, visit a true honky tonk, get our fill of a fictional Sabado Gigante, get kind of pervy with an animated joint from the 70’s, and outwardly wonder who is Roman Atwood.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: What better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? This week Jesus brandishes a firearm, we get caught up in a thrill kill cult, avoid being a victim of a teenage girl, and try on some new high tech threads.
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The horror anthology V/H/S did well enough that a sequel went into production pretty fast, and you can already see the red-band trailer for V/H/S/2 from Magnet. Now another Magnet-released anthology, The ABCs of Death, is also going to be followed by a sequel.
The hook for The ABCs of Death was that the film featured 25 directors (and a 26th crowd-sourced entry) making short films based around a single letter. The sequel will take the same approach, and as with the first film the hook isn’t the concept, but the people bringing it to life. The new crew includes animator Bill Plympton, Day of the Beast and The Last Circus director Álex de la Iglesia, and Room 237 director Rodney Ascher. More participants in the gruesome sequel are listed below. Read More »
We’ve got a handful of release dates to share, with the biggest possibly being Guillermo del Toro‘s upcoming Pacific Rim, which, if things go well, will begin shooting late this summer or in early fall. Warner Bros. will distribute the Legendary Pictures production, and has just set July 12, 2013 as the release date. Pacific Rim is scripted by Travis Beacham and already boasts Charlie Hunnam, Idris Elba and Charlie Day in the cast. The story is “set in a future where giant malevolent creatures threaten to destroy the earth, and the planet must band together and use advanced weapons technology to eradicate the growing threat.” [THR]
After the break, a new date for Steven Soderbergh’s Contagion, and dates for the Stephenie Meyer adaptation The Host, as well as for Roman Polanski’s Carnage, Pedro Almodovar’s The Skin I Live In, and Tucker & Dale Vs Evil. Read More »
“Because if I wasn’t a clown I’d be a murderer.”
That’s a line in The Last Circus, the latest film from Spanish director Álex de la Iglesia, aka the director of El Crimen Ferpecto, 800 Bullets, and The Day of the Beast. He has made crazy films before, so The Last Circus is in good company, but it is still rare that we get a look at a movie that seems quite this insane. Set at first in the late ’30s, then moving forward to the ’70s, the movie tells a multi-generational tale of violence, large-scale killing, and clowns. This one looks like a mind-blower.
Check out the red-band trailer — definitely not safe for work — after the break. Read More »
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In an interesting and slightly surprising move, the Venice Film Festival jury headed by Quentin Tarantino has awarded the Golden Lion to Sofia Coppola‘s film Somewhere. (Trailer here.) The film got mixed to positive notes out of the fest, but Tarantino said today, “This was a film that enchanted us from our first screening…Yet from that first enchanting screening, it grew and grew and grew in both our hearts, in our analysis, in our minds, and in our affections.” The jury’s decision was unanimous.
The Silver Lion (aka Best Director) went to Alex de la Iglesia for A Sad Trumpet Ballad — that’s also something of a surprise, but I love seeing a long-time sort-of genre filmmaker like de la Iglesia take the prize. His film also won for Best Screenplay.
And Essential Killing, the movie with Vincent Gallo as a Taliban soldier on the run (trailer here), won Best Actor for Gallo as well as the Special Jury Prize. Quite a surprising and intriguing set of awards all around, really. Mila Kunis was also handed the Marcella Mastroianni Award for Best Young Actor or Actress for her work in Black Swan. Full list of winners is after the break. Read More »
Last night we got a brief preview of some of the films that will appear in the always-entertaining Midnight Madness lineup at this year’s Toronto International Film Festival. Now we’ve got the full nine, which in addition to the three announced last night (Super, Bunraku and The Butcher, The Chef and the Swordsman) include John Carpenter‘s The Ward, Brad Anderson‘s Vanishing on 7th Street and Insidious, by James Wan.
But TIFF isn’t stopping there: a whole host of other high-profile films were announced for the fest today. They include Clint Eastwood‘s Hereafter, Casey Affleck‘s I’m Still Here, Matt Reeves‘ Let Me In, Dustin Lance Black‘s directorial debut What’s Wrong With Virginia? and the Will Ferrell dramedy Everything Must Go, along with confirmation of Danny Boyle‘s 127 Hours, for which there’s a new photo. (Above.) This year’s TIFF looks like a good one: check info about all the films after the break. Read More »