Posted on Thursday, October 31st, 2013 by Angie Han
Many directors make their narrative feature debuts on small, making dirt-cheap indies with no-name leads. Not Adam Smith. The TV and music video helmer has set white-hot actor Michael Fassbender to star in his gangster pic Trespass Against Us, and The Chemical Brothers to score.
The script, by Alastair Siddons, has Fassbender following the opposite trajectory of his The Counselor arc: Instead of sliding into a life of crime, Trespass Against Us‘s protagonist will try to climb out of the one he was already born into. Hit the jump for plot details and more.
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Trailers are an under-appreciated art form insofar that many times they’re seen as vehicles for showing footage, explaining films away, or showing their hand about what moviegoers can expect. Foreign, domestic, independent, big budget: I celebrate all levels of trailers and hopefully this column will satisfactorily give you a baseline of what beta wave I’m operating on, because what better way to hone your skills as a thoughtful moviegoer than by deconstructing these little pieces of advertising? Some of the best authors will tell you that writing a short story is a lot harder than writing a long one, that you have to weigh every sentence. What better medium to see how this theory plays itself out beyond that than with movie trailers?
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