Unless you’ve been living under a rock, you probably heard about the special Saturday Night Live 40th Anniversary special that aired this past Sunday night. It was a three and a half hour trip down memory lane, featuring a true dream-team of comedy’s elite.
Among the many highlights came early in the show when a 5-minute video montage was shown of cast members’ first auditions. Not fake auditions, like we’ve seen in the past. The actual, real auditions for stars like Will Ferrell, Bill Hader, Amy Poehler, Jimmy Fallon as well as classic cast members like Dan Aykroyd, Chevy Chase, Gilda Radner and John Belushi. Here, you can see them in the auditions that would change their lives forever. It’s pretty special.
As a bonus though, there are also auditions from people who didn’t make the cut. They’re people you’ve definitely heard of who auditioned, but didn’t make the show.
Below, check out the Saturday Night Live auditions video as well a few of the other highlights from the special including Celebrity Jeopardy, Wayne’s World and more. Read More »
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Posted on Monday, January 26th, 2015 by Angie Han
Adam Sandler‘s first picture for Netflix is taking shape. Sandler is set to star in Ridiculous 6 with Taylor Lautner, Rob Schneider, Luke Wilson, and Terry Crews. Also appearing will be Nick Nolte, Steve Buscemi, and Dan Aykroyd. More on the Adam Sandler Ridiculous 6 movie after the jump. Read More »
Actors have been “overpaid” for a long time. For the past few decades the biggest stars were getting 10, 20, 30 million dollars for a movie that maybe wasn’t even that good. Recently, things have begun to go away from that huge upfront sum. No, stars are taking less money upfront for more options on the back end. That encourages a better product, but also creates much bigger pay days. Sandra Bullock made around $75 million for Gravity. Robert Downey Jr. around $100 million for The Avengers. But somehow, you’re okay with that because the movies are good and they took a gamble at the beginning.
Most of these stars did not take a gamble and, in most cases, you can’t blame them. Forbes has complied their list of the ten most overpaid actors of 2014. They look at the “last three films each actor starred in before June 2014,” add the grosses, then divide by the total salary. What’s left is a return on investment number. The amount of money each actor grosses for every $1 paid. None of them lose money, but some make less than others. Read the most overpaid actors 2014 list. Read More »
David Spade has posted a photo of him in costume for Crackle’s Joe Dirt sequel Joe Dirt 2: Beautiful Loser. Hit the jump to see the photo and find out more about the upcoming sequel
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In The Cobbler Adam Sandler plays a shoe repairman who isn’t happy with the lonely, dead-end life he’s crafted for himself. Then he discovers that the old sewing machine in his shop basement is actually a magic old sewing machine. Shoes repaired on that machine give the wearer a chance to live in the body of the shoes’ actual owner. Watch the Cobbler trailer below. Read More »
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It’s a shame only 600 people got to see Jason Reitman‘s Live Read of American Beauty on Thursday. If more people saw it, they’d be lining up to see Men, Women and Children this weekend. The cast proved they are wonderful together.
As the kickoff to the 4th season of Live Reads at LACMA, Reitman presented Alan Ball‘s Oscar-winning 1999 script. For all the roles, he chose actors from his latest film. (Which happens to open wide this weekend.) In the role of Lester Burnham, for which Kevin Spacey won an Oscar, Reitman cast Adam Sandler. The wife Carolyn, originally played by Annette Benning, was played by Rosemarie DeWitt. Their daughter Jane, originated by Thora Birch, was played by Kaitlyn Dever. Her best friend Angela, originated by Mena Suvari, was played by Olivia Crocicchia. Buddy the real estate king, first played by Peter Gallagher, was read by Phil LaMarr. Next door, the Colonel, played by Chris Cooper, was read by Dean Norris. DeWitt doubled as his wife (Allison Janney) and their son, the pot-dealer Ricky was Travis Tope. Wes Bentley originated the role.
With a script as good as Ball’s, an infant could read it and it would sound like poetry. What Reitman showcased with his latest cast is prove that good words are one thing, but chemistry and talent are something entirely different and wonderful. Below, read more about the American Beauty Live Read presented by Film Independent at LACMA. Read More »
Posted on Thursday, October 2nd, 2014 by Angie Han
As announced earlier this week, Crouching Tiger, Hidden Dragon: The Green Legend is Netflix’s first foray into original movies. But it definitely isn’t the last.
Netflix has just signed a deal with Adam Sandler to star in and produce four films that’ll be released exclusively on Netflix. Hit the jump for more on the Adam Sandler Netflix deal.
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In the new Jason Reitman film, Men Women & Children, technology really isn’t making our lives easier. Instead of bringing us together, social media, gaming, online dating and other tech advancements too often provide methods to emphasize our fears and insecurities, and all the other things that cause pain and drive us apart. In this new Men Women and Children trailer, we see a dazed young guy played by Ansel Elgort, the girl he’s interested in (Kaitlyn Dever), her tech-paranoid mom (Jennifer Garner) and a host of other characters who either can’t connect, or choose the worst possible ways in which to reach out through technology. Read More »
Posted on Tuesday, August 19th, 2014 by Angie Han
Because Paramount stuck Labor Day in the doldrums of January, we’re getting not one Jason Reitman movie this year but two. The second is Men, Women & Children, an ensemble piece about the way technology has changed the relationships between, well, men, women & children.
Adam Sandler, Ansel Elgort, Kaitlyn Dever, Judy Greer, Rosemarie DeWitt, Jennifer Garner, and Dennis Haysbert are among the faces who populate the small town where the action takes place. The first Men, Women & Children trailer has just hit, and you can watch it after the jump.
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