That Hugh Jackman loves musicals and the theater isn’t a secret, so it’s not surprising that he’s set to make his return to Broadway in the 2013-2014 season. What makes this particular appearance extra special, however, is that he’ll be hitting the stage as the lead of Houdini, the librettist debut of Aaron Sorkin. (This is a completely separate project from the other Houdini, a film by director Francis Lawrence.) Three-time Tony Award winner Jack O’Brien is slated to direct, with Stephen Schwartz writing the music. More details after the jump.

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Every year during awards season, The Hollywood Reporter somehow organizes the schedules of basically every single actor, actress, writer and director of the year’s best films to sit down and discuss them. This, in itself, is pretty spectacular. What’s even better is they release the videos of the full conversations so we can watch. For the 2011 Writers’ Roundtable, they’ve brought together Moneyball‘s Steve Zaillan and Aaron Sorkin, The Skin I Live In‘s Pedro Almodovar, J. Edgar‘s Dustin Lance Black, Rampart‘s Oren Moverman and Extremely Loud and Incredibly Close‘s Eric Roth to discuss their own, and each others’, scripts, all of which have a good shot at multiple award nominations. Check out the video after the jump. Read More »

Whether you’re a new parent or a singleton, whether you’re into video games, drugs, cable news, there’s a little something for everyone in this rather random edition of TV Bits. After the jump:

  • Breaking Bad showrunner Vince Gilligan admits has no idea how his AMC series will end
  • SyFy taps Legion helmer Scott Stewart to direct video game-related series Defiance
  • Aaron Sorkin’s HBO drama, formerly known as More As This Story Develops, may have a new title
  • ABC’s Up All Night and Fox’s New Girl land guest stars from 30 Rock and True Blood, respectively

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About a month after we first reported that Social Network and Moneyball screenwriter Aaron Sorkin was being courted to write Sony’s Steve Jobs biopic, the scribe has said that he is “strongly considering” taking the studio up on its offer. While that’s not exactly a confirmation that Sorkin will actually do the project, the fact that he’s talking publicly about it seems like a step in the right direction, right? More details after the jump.
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Aaron Sorkin may not have deemed himself worthy of writing a Pixar movie, but perhaps he’ll find himself up for the task of writing about the man who asked him to do so. Sony is reportedly trying to get the Social Network writer on board to pen the biopic of former Apple CEO and Pixar exec Steve Jobs, who passed away earlier this month of cancer. More details after the jump.

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When you’re one of the best screenwriters in the world, sometimes you’d get random phone calls from Steve Jobs. That’s what happened to Oscar-winner Aaron Sorkin who, after professing his love for Mac products in an interview, began a telephone friendship with the recently passed entrepreneur. Sorkin wrote about their friendship in a new issue of Newsweek and revealed that, the last time he spoke to Jobs, Jobs asked him to write a Pixar movie. Read their exchange after the jump. Read More »

Moneyball is a baseball movie, an underdog tale, a true story and a Brad Pitt vehicle. But more than any of those things, Moneyball is a character study about what it’s like to stand up against everyone and everything because you have faith in an idea.

In 2001, the Oakland Athletics, with a payroll of about $40 million – almost a third of the ultra-rich New York Yankees – made the playoffs. The next year, three of their marquee players were poached by other teams for bigger contracts and, with little money and few resources, general manager Billy Beane (Pitt) was forced to embrace a whole new way of looking at baseball to stay competitive.

Directed by Bennett Miller, who directed Philip Seymour Hoffman (also in this movie) to an Oscar in Capote, Moneyball plays like an exciting fantasy baseball draft if everyone was in on the intricacies but, at its heart, it’s really about the struggle of being different. And that’s something we can all relate to. Read More »

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This week, Dave, Devindra, and Adam discuss Mel Gibson’s next sure-to-be-controversial product, praise the brilliance of Children’s Hospital, get disappointed by the studio feel of Warrior, and wonder whether or not Attack the Block is a perfect movie. Guest Alison Willmore joins us from Movieline and AV Club.

You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Tune in on Sunday night (9/18) at Slashfilm’s live page at 10 PM EST / 7 PM PST as we review Drive.

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