Roland Emmerich‘s 2012 as the newest addition to CinemaSin’s popular series of videos dissecting and mocking the flaws, improbabilities and just out-right stupidness of big Hollywood blockbusters. CinemaSins is infamous for editing down the sins to an easily digestible 6 minute videos, but 2012 required a much longer video — running almost 20 minutes and featuring a whopping 213 sins. Watch the 2012 movie problems video now embedded after the jump.
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One of the worst kept secrets in Hollywood is that major movies use fake titles when they’re in production. The purpose of the misdirection is to throw the general public living and working around the shoot locations off the scent of a picture that might have huge fan interest.
Thirty years ago, Star Wars fans had no idea the Return of the Jedi was being filmed near them because it was called Blue Harvest. Even today the practice continues. People would riot if they knew Christopher Nolan was filming The Dark Knight Rises in their town, so the film goes by the name Magnus Rex. (Not that it takes long for people to realize what’s up.) Captain America: The Winter Soldier and The Amazing Spider-Man 2 are being referred to as Freezer Burn and London Calling respectively.
A Reddit user has made a gallery of movie posters using the film’s production titles and it’s quite funny. Check it out below. Read More »
In a new article in the Toronto Sun, Seth Rogen talks about his meeting with Steven Spielberg and George Lucas, and how the Star Wars creator/filmmaker lectured him for 25 minutes about how the world is going to end in 2012.
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Think of all the ridiculous, crazy things you’ve ever seen in science fiction movies: X-Wing Fighters flying through trenches, aliens bleeding acid blood, giant robots that transform into cars. Take all of those things into consideration and then realize this. NASA has named Roland Emmerich‘s film 2012 the least plausible science fiction movie ever made. They also made an inverse list, naming Andrew Niccol‘s Gattaca as the most plausible science fiction movie ever made. Want to know what else is on each list? You’ve gotta hit the jump. Read More »
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The current controversy over the Motion Picture Association of America slapping Derek Cianfrance’s Blue Valentine with an NC-17 rating, and then repealing it, has once again brought into question the usefulness of the MPAA as a whole. In fact, renowned film critic Roger Ebert goes so far to say that “there are only two meaningful ratings: R and not-R” and has called for a total overhaul of the system because, in his words, “our national standards of taste have changed.”
Ebert cites the example of The King’s Speech, which carries an R rating for “some language.” For anyone who hasn’t seen the movie (and we urge you to check it out) there is only one scene with any vulgar language. And while the one scene does have multiple uses of the F-word, the rest of the movie is tame. Compare that to something like 2012 which was rated PG-13 also for “some language” in addition to “intense disaster sequences.” While there wasn’t much language, director Roland Emmerich (possible spoiler coming up) pretty much ended the world, killing billions of people in the process. So mass genocide gets a PG-13 while The King’s Speech gets an R. That simply doesn’t seem right.
What does Ebert propose we do? And do we agree? Read more after the jump. Read More »
This Week in DVD & Blu-ray is a column that compiles all the latest info regarding new DVD and Blu-ray releases, sales, and exclusive deals from stores including Target, Best Buy and Fry’s.
WHERE THE WILD THINGS ARE
With his adaptation of the classic children’s book Where the Wild Things Are, co-writer/director Spike Jonze took the $100 million budget he was given by the studio to make an accessible family film, and used it to make a heartrending arthouse film for adults. And we could not be better off for it. Never before has a film so honestly and fascinatingly depicted what it’s like to be a kid: the excitement, the loneliness, the confusion, the joy, the anger—even the rapid mood swings that lead from one to the other. There is no traditional three-act arc; the story takes place entirely through the eyes of Max, who invents the world of the Wild Things as a means of coping with his emotional pain, and later uses it to help gain a better understanding of life and himself. Jonze approaches all of the themes with great subtlety and intimacy, even when the larger than life Wild Things are punching holes through trees and launching each other into the air. The cinematography, special effects, sound work, and score are all astounding, and perfectly complement the tone and ideas of the film to create a fully unified vision—all while still firmly retaining the spirit of the book. That a film this unique and wonderful exists is surprising; that it’s been so casually neglected by audiences, critics and the Oscars is straight-up tragic.
Available on Blu-ray? Yes.
Notable Extras: DVD – 4 Webisodes. Blu-ray – Includes everything on the DVD, as well as an all-new short entitled “Higglety Pigglety Pop!” featuring the voices of Meryl Streep and Forest Whitaker, a HBO First Look featurette, a digital copy, and the standard definition DVD.
|BEST DVD PRICE|
|Amazon – $17.99|
|BEST BLU-RAY PRICE|
|Amazon – $23.49|
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Could we be seeing Spider-Man, Ghostbusters, District 9 and 2012 in Digital 3D in 2011? Maybe…
Last month it was reported that Sony Pictures Home Entertainment would begin to release 3D movies on Blu-ray for the first time, beginning this summer with the computer animated release Cloudy With a Chance of Meatballs (with additional 3D Blu-ray titles expected to also appear this summer).
Bloomberg is now reporting that Sony Pictures might even begin upconverting older catalogue films to 3D, but not for theatrical rerelease, but instead to promote the new digital 3D Blu-ray technology. While no titles have yet to be announced, it is expected that Sony would feature popular catalog titles like Spider-Man, Ghostbusters, Men in Black, Gladiator, and possibly newer blockbuster films like 2012, District 9 and Zombieland.
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Author Stephen King has published his annual listing of the top 10 films of the year. This year King agreed with the mainstream critics in naming The Hurt Locker as the best film of the year, but the rest of his list is the opposite of conventional. His list for 2009 is bound to spawn as much debate and outrage as previous years (last year’s list included Death Race, Lakeview Terrace and The Ruins). For example, #2 is The Last House on the Left, which he claims is “on par with The Silence of the Lambs” and that it’s “easily the most brilliant remake of the decade.” Other films include District 9, The Taking of Pelham 1 2 3 and 2012. Check out the full list after the jump.
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Posted on Tuesday, November 17th, 2009 by David Chen
This week, Dave Chen, Devindra Hardawar and Adam Quigley reflect on the style and career of director Jon Turtletaub, try to unravel the plot of Ridley Scott’s new Monopoly movie, remember the greatness of Independence Day, and compare the Kick-Ass teaser trailer with the Comic-Con footage they’ve already seen. Special guest writer/director Dan Eckman joins us for this episode. Dan Eckman and Derrick Comedy’s first feature-length film, Mystery Team, is out in limited release right now. If you don’t have it in your local theater, head on over to their website and Demand It!
You can always e-mail us at slashfilmcast(AT)gmail(DOT)com, or call and leave a voicemail at 781-583-1993. Join us next Monday at 10 PM EST / 7 PM PST at Slashfilm’s live page as we review Precious.
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Roland Emmerich‘s next disaster film 2012 won’t hit theaters for a couple weeks (November 13th), but a sequel has already been planned… but not the normal kind of sequel. Entertainment Weekly has learned that Emmerich and executive producer Howard Gordon (Grey’s Anatomy, Private Practice) are also developing a television drama titled 2013, which would be about what happens after the disaster. Gordon has already entered talks with ABC to develop the series, and if it does happen, don’t expect a lot of action to take place on the small screen, as this would be a drama set in a post apocalyptic setting.
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