Quentin Tarantino doesn’t commission original scores for his films. Instead, the writer/director collects a huge amount of music from other films and popular music to assemble idiosyncratic soundtracks that have become as integral to the identity of his films as are the scripts and casts.
Tarantino has drawn heavily on the music of Ennio Morricone for many years, using tracks from prior Morricone scores in Kill Bill, Death Proof, and Inglourious Basterds. Now, for The Hateful Eight, Morricone will compose the first full original score for a Tarantino film, which will also be the composer’s first western score in 40 years. Read More »
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The film world is still reeling from news of a plane crash that appears to have taken the life of Oscar-winning composer James Horner. I say “appears” because Horner’s own attorney remains unable to confirm the composer’s death, more than twenty-four hours after the crash. A statement was released, however, saying “Although we are all awaiting official confirmation that our dear friend and client James Horner was in fact the pilot, we are shocked and deeply saddened to learn that his single-engine aircraft was involved in a fatal crash yesterday morning in northern Ventura County.” A confirmation seems like a formality at this point, given everything we do know.
Other filmmakers are speaking out about Horner’s passing and his influence. James Cameron‘s film Aliens led to Horner’s first Oscar nomination and also caused a rift between the two men that wasn’t healed for a decade. The two reunited to work on Titanic, which led to two Oscar wins for Horner, and they paired again another decade later for Avatar.
Now Cameron has released an extensive remembrance of James Horner, some of which you can read below. Read More »
Posted on Tuesday, June 16th, 2015 by Angie Han
Among the approximately eight thousand film-to-TV adaptations in development, Narc is distinguishing itself with some serious behind-the-camera talent. Joe Carnahan was already on board to direct the small-screen version of his 2002 crime thriller, and now Eminem has come aboard as the show’s music supervisor. And yes, the job involves writing original music.
More details on the possible Eminem Narc hire after the jump. Read More »
Posted on Friday, June 12th, 2015 by Angie Han
Lots of casting notices, plus fresh plot details and a new spin on an old score. After the jump:
- Gbenga Akinnagbe joins Independence Day 2
- Colman Domingo will Fear the Walking Dead
- Cristine Rose will return for Heroes Reborn
- Wyatt Russell is on board for Goon 2
- Fuller House will give Danny a hot new wife
- Open Season is getting yet another sequel
- Get more details on Netflix’s Wet Hot prequel
- Fox CEO addresses the delayed Avatar sequels
- Thomas Tull gets a chunk of Jurassic World money
- Listen to Michael Giacchino‘s Jurassic World score
Read More »
UPDATE – Entertainment Weekly has posted two more tracks from Michael Giacchino’s, John Williams-influenced, score to Jurassic World. Listen to them after the jump.
With Avengers and Tomorrowland now in theaters, most fans look to Colin Trevorrow for the summer’s next big blockbuster. That would be Jurassic World, opening June 12, starring Chris Pratt and Bryce Dallas Howard, among others.
One of the many, many things that made the Steven Spielberg original such a unmitigated classic was the iconic, amazing score by John Williams. Williams was unavailable this time around (working on a small little space movie) and the task of bringing music back to the park fell to the capable baton of Michael Giacchino. The Oscar-winning composer said he’d be using some of Williams’ themes along with his own new work and you can now hear a bit of what that sounds like. Two tracks from Giacchino’s Jurassic World score are online. Listen to them below. Read More »
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This weekend brings the sequel Pitch Perfect 2 to theaters, featuring a wonderful showcase of music created by Anna Kendrick, Rebel Wilson, Brittany Snow, Hailee Steinfeld and more. Their group The Barden Bellas trots around the globe in an effort to win the world championships of a cappella. Their slick mash-ups and catchy harmonies have made them a sensation on the big screen, and Kendrick even turned into a radio hitmaker with her cute song “Cups.”
But The Barden Bellas aren’t the only musical groups on film that know how to jam. There are plenty of other fictional bands from cinema that give us a toner (a musical boner). Below, I’ve rounded up my picks for the Top 15 Best Bands in Movies. Did your favorite big screen musical group make the cut? Find out after the jump! Read More »
Ladies and gentlemen, there’s a new Cameron Crowe movie coming out next month. That may sound crazy because buzz around the film has been almost non-existant, but it’s true. The director of Almost Famous, Jerry Maguire and Say Anything is about to release Aloha, a Hawaiian-set military romance starring Bradley Cooper, Emma Stone, Rachel McAdams, John Krasinski, Bill Murray, Danny McBride and Alec Baldwin.
It’s an insane cast in a film with a weird plot that involves satellites and space. Aloha seems difficult to peg. But what better way to preview a Cameron Crowe movie than with its soundtrack? The writer/director recently revealed the songs that make up the Aloha soundtrack, which you can hear below. Check out a new poster, too. Read More »
Over the decades, the 20th Century Fox fanfare has become synonymous with Star Wars. It’s so intrinsically part of the feel of those first six movies that some versions of the soundtracks actually include it as the first track.
That’s going to change. When Disney purchased Lucasfilm, it was pretty obvious no future Star Wars movies would have those recognizable drums and horns in front of them. So one of the first questions (literally) we asked after hearing this news is what would Lucasfilm do without that music? We now know.
Though 20th Century Fox still owns the rights to the first six films, most of the new digital releases remove the Fox logo and fanfare, going instead with a John Williams-penned riff over the Lucasfilm logo. Listen to the new Star Wars Fox fanfare below. Read More »
Last year, while promoting his documentary 20,000 Days on Earth, Nick Cave told me that he and Warren Ellis were hungry to do more work scoring films. Specifically they were eager to do a horror film, but clearly they’re not about to be limited by genre. The duo has recorded a couple of new films scores in the past few months. One is for Amy Berg’s documentary Prophet’s Prey. (For which Cave also provides voice-over in an opening animated history of the Mormon Church!) The other is Far From Men, a film starring Viggo Mortensen, based in an Albert Camus story, and directed by David Oelhoffen.
The film arrives soon, but you can listen to the first track from the score right now. Read More »