Posted on Tuesday, November 11th, 2014 by Angie Han
Thought shark-tornadoes were a ridiculous idea? Wait til we send them into outer space! Or at least, that’s what the artwork on the new Sharknado 3 seems to be saying. Also after the jump:
- Tina Fey says it’s “too late” for a Mean Girls sequel
- Bette Midler is totally up for a Hocus Pocus sequel
- John Lasseter explains why they’re making Toy Story 4
- Jason Statham is returning for a sequel to The Mechanic
- The Transporter Legacy sets a summer release date
- Rumors has it Sam Smith will sing the Bond 24 theme
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Christopher Nolan controls every single aspect of his movies from preproduction through publicity. He wants every single thing about his film to be handled just right, from something as important as the IMAX film capture all the way through to who writes about the movie before release. Recently, multiple reports said he personally went to numerous theaters that would be screening his latest film, Interstellar, to double- and triple-check the sound and picture quality. That’s a comforting fact, to know that he’s out there making sure things look and sound great.
Much less comforting is the buzz coming out of those screenings. From the first press screenings through opening night, fans have been complaining about issues with the film’s sound mix. Reports say multiple scenes have the music and sound effects so loud that dialogue is drowned out. This doesn’t seem to be an isolated incident. It’s a complaint that’s been registered all over the US, Europe, and Canada.
Below, we’ll present some of those reactions, some of the stories, and some of the explanations hoping to get to the bottom of these possible Interstellar sound issues. Read More »
Posted on Tuesday, November 4th, 2014 by Angie Han
Around this time last year, Hans Zimmer was telling press he saw “so many good reasons” not to do the score for Batman v Superman: Dawn of Justice. Even after he eventually came around, he admitted that he was struggling to give the new Batman his own sound, distinct from the one he’d created for Christopher Nolan’s Dark Knight movies. But now it looks like he’s come up with a solution for the Batman v Superman score.
The composer revealed in a recent interview that he’s bringing in some additional reinforcements in the form of Junkie XL, who he says will “take care of Batman.” Hit the jump for more on Hans Zimmer’s Batman v Superman plan.
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Posted on Tuesday, October 21st, 2014 by Angie Han
So many sequels, so little time. So let’s get to it. After the jump:
- Channing Tatum isn’t so sure about 23 Jump Street
- Magic Mike XXL could be in 3D (but probably won’t be)
- Adam McKay is still planning to make Step Brothers 2
- Producer Malek Akkad has a Halloween 3 update
- Rumor has it Frank Grillo will lead Skyline 2
- Jason Reitman offers a suggestion for Ghostbusters 3
- See the Lorde-curated soundtrack list for Mockingjay
- Billy Boyd will sing the final Hobbit credit song
- Check out the new banner for Horrible Bosses 2
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Part of the reason Nicolas Winding Refn‘s film Drive took on an unusual life was the film’s skillful use of music. Beyond the original electronic compositions from Cliff Martinez (The Knick, Only God Forgives), the heartbeat of the very quiet film was provided by pop and electronic songs from Kavinsky and Chromatics. Music was a more important aspect of Drive than is the case in many other films, and the movie probably wouldn’t have enjoyed the same cultural impact without those sounds.
So naturally, there’s a plan to re-score Drive with entirely different pop songs. This will be (for now) a one-time only broadcast in the UK. Get the info on the new Drive soundtrack below and see a trailer for the broadcast. Read More »
Cool Posts From Around the Web:
Paul Thomas Anderson‘s new film Inherent Vice premiered at the New York Film Festival over the weekend, and along with the first reviews and reactions to the film, we’ve got a lot more information about the Thomas Pynchon adaptation. The Inherent Vice soundtrack has been revealed, and that’s great. And then there’s a lot of other info that came out of the festival.
For one, you can now watch the 30-minute press conference for the film featuring Anderson and many members of the film’s crowded cast. That’s a good treat, but also contains a lot of talk about a film that most of us haven’t yet seen.
More friendly to those who want to preserve the experience of watching the film is the rundown of the film’s soundtrack, and an accompanying playlist featuring all the tracks. There are a couple great tracks from Can, and an unreleased Radiohead song called ‘Spooks.’ (The Radiohead song is represented in the playlist by a live version.) Read More »
The fact that Marvel’s Guardians of the Galaxy was such a big box office hit was a huge surprise on its own. It was only eclipsed by the success of its soundtrack. The Guardians of the Galaxy soundtrack hit #1 on the Billboard charts and is certified Gold, with sales over 500,000. Pretty impressive for an album consisting only of previously released songs. In fact, it’s the first such album to ever hit #1.
Now, the Guardians of the Galaxy soundtrack gets taken up a notch. Mondo is releasing it on vinyl with art by the awesome Tyler Stout. The Guardians of the Galaxy vinyl is currently available for pre-order and comes with a randomly inserted handbill.
Below, see the front and back cover art as well as all the handbills. Read More »
Posted on Thursday, September 25th, 2014 by Angie Han
For fans of David Fincher and/or Gillian Flynn, Gone Girl became a must-see the second it was announced. But for those still on the fence — or, alternately, for those who are so eager they just need something to tide them over until the movie actually opens — Fox has tons of new marketing material to share.
Among them are the first Gone Girl clip, four new Gone Girl TV spots, and the full streaming Gone Girl soundtrack. Bury yourself in Nick and Amy’s twisted world after the jump.
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Posted on Monday, September 22nd, 2014 by Angie Han
It was only a few years ago that Trent Reznor and Atticus Ross began composing scores, but already they’ve come to feel like a staple of David Fincher‘s films. The dynamic duo are at it again this year with Gone Girl, and in keeping with the twisted feel of the movie the first track released from the Gone Girl soundtrack is eerie and kind of off-putting. In a good way.
Hit the jump for the Gone Girl soundtrack preview, plus a big gallery of new high-res pics from the thriller.
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