Posted on Monday, January 26th, 2015 by Angie Han
When it rains, it pours. The very first official images from Fantastic Four hit today, and now we have even more new details from the so-far mysterious superhero movie.
Director Josh Trank has confirmed that Philip Glass is scoring the film with Marco Beltrami. In addition, he cites David Cronenberg as an influence on the look and feel of the film. More about the Fantastic Four Philip Glass score and David Cronenberg inspiration after the jump. Read More »
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Ant-Man and Fantastic Four open within three weeks of each other this summer so their post-production schedules are pretty much on the same track. We just got an Ant-Man trailer, and should get a Fantastic Four trailer during the Super Bowl if rumors turn out true. Plus, behind the scenes, each film just officially announced a key member of the creative team: the composer.
On Fantastic Four, which is directed by Josh Trank, they’ve hired Marco Beltrami. He’s no stranger to the superhero genre having scored The Wolverine, Hellboy and Blade II. Recently, he did the score for Snowpiercer but is probably best known for his work on the Scream movies.
For Ant-Man, directed by Peyton Reed, Christophe Beck will provide the score. He too has worked in the superhero genre before, with Red and R.I.P.D, but has also worked with Reed before on Bring it On and recently did Edge of Tomorrow and Frozen. Read more about the Ant-Man and Fantastic Four composers below. Read More »
The music of Richard Strauss and Stanley Kubrick‘s 2001: A Space Odyssey are all but inseparable at this point, as the fanfare from Strauss’ composition ‘Also sprach Zarathustra’ became the unforgettable sonic accompaniment to the opening of Kubrick’s film. But the movie was originally going to be scored by Alex North. In fact, North composed an entire score for the film, which Kubrick ultimately discarded. If you haven’t seen it before, below you can watch a clip of the opening featuring the original 2001 score by Alex North score intact. Read More »
Sitting down to see Guardians of the Galaxy the first time, the most surprising thing about it was its tone. Director James Gunn created such a fun, energetic feeling with the film, which was cemented in that wonderful opening credits sequence. That showed Star Lord (Chris Pratt) rocking out to Come and Get Your Love by Redbone. Instantly, you knew this movie was different. This movie was going to be fun, yet also grounded.
The actors had that knowledge before the film even began shooting. Gunn gave Pratt in particular his own customized Awesome Mix Vol. 1 to listen to so he’d be in the mindset of his character. Most of the songs made it into the movie but some did not. Now Gunn has revealed the full original list. He also explains why a few of the songs didn’t make it into the final film. Check out the original Awesome Mix Guardians of the Galaxy songs below. Read More »
Awesome Mix Volume 1 did quite well for the Guardians of the Galaxy. Not only did it inspire the team on screen, it inspired tons of sales off screen, becoming the first soundtrack filled only with catalog songs to hit #1 on the Billboard charts. Volume 2 popped on quickly at the end of the film, too. But what is the Awesome Mix Volume 0? Director James Gunn revealed the playlist on his Facebook. It’s an eclectic mix of high-energy songs that were used in the Boot of Jemiah bar scenes on Nowhere to keep the extras hyped up.
Below, listen to all the songs from the Guardians of the Galaxy Awesome Mix Volume 0.
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Paul Thomas Anderson has given us an unexpected gift this morning, and if you live in London there are actually two gifts. For everyone, there’s a new Inherent Vice UK trailer, cut by Anderson himself. For those actually in the UK — and specifically, those in London or close to the city — the special gift is that this trailer heralds surprise screenings of the film which will take place this coming Wednesday. Check out the new trailer below, and get the screening info, too.
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Alfonso Cuaron‘s Gravity did a fantastic job of showing how isolated one might feel in space. It also really pushed the emotions because of Steven Price‘s Oscar-winning score. Space is a silent vacuum, however, and to give Gravity fans a wholly new experience, an upcoming re-release of the Blu-ray will have a “Silent Space” audio track to give the viewer a sense of what the events of the movie might actually sound like in space. Read more about the Gravity silent space version below. Read More »
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Posted on Tuesday, November 11th, 2014 by Angie Han
Thought shark-tornadoes were a ridiculous idea? Wait til we send them into outer space! Or at least, that’s what the artwork on the new Sharknado 3 seems to be saying. Also after the jump:
- Tina Fey says it’s “too late” for a Mean Girls sequel
- Bette Midler is totally up for a Hocus Pocus sequel
- John Lasseter explains why they’re making Toy Story 4
- Jason Statham is returning for a sequel to The Mechanic
- The Transporter Legacy sets a summer release date
- Rumors has it Sam Smith will sing the Bond 24 theme
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