John Williams had a personal issue that caused him to back out of scoring Steven Spielberg’s new film Bridge of Spies, breaking their long-running collaborative pattern. But Williams is still composing the Star Wars: The Force Awakens score, and now he’s planning to record it in Los Angeles, making it the first Star Wars score to be recorded in the United States. Read More »
Please Recommend /Film on Facebook
Steven Spielberg‘s latest film, recently named Bridge of Spies, won’t be scored by the director’s frequent collaborator, John Williams. The Cold War spy film starring Tom Hanks opens October 16 and was supposed to feature music by Williams. The composer had to drop out, however, when his “schedule was interrupted and he was unavailable to score the film due to a minor health issue, now corrected.”
Williams will be replaced by Thomas Newman, who obviously is no slouch. The twelve-time Oscar nominee (he’s never won!) has done the scores for The Shawshank Redemption, Finding Nemo, American Beauty and Skyfall.
Williams will, however, work with Spielberg on The BFG, which will start filming later this year.
Below, read more about the Thomas Newman/John Williams Bridge of Spies change and see a new image from the film. Read More »
The fan community has finally come down from the high of seeing what Aquaman looks like in Batman v Superman: Dawn of Justice. It was an exciting moment, both because of the character himself and because we hadn’t heard many updates on the film in a while.
Jumping off that, a few minor Batman v Superman updates are now out there. First up, the film’s costume designer, Michael Wilkinson, talked a bit about the responsibility of designing a look for Aquaman. Second, composer Hans Zimmer offered up a few thoughts on the score, which he will soon begin working on. He says that, ideally, all of the heroes in this film will have their own themes and reiterates that Junkie XL will be doing the Batman half of the music.
Below, read more on these Batman v Superman updates. Read More »
Kumiko the Treasure Hunter is an excellent, slightly strange film about a young Japanese woman who comes to the United States in search of treasure. Part of the film’s success can be attributed to the score, created by The Octopus Project out of Austin, TX. This is the band’s second collaboration with filmmakers Nathan and David Zellner, and the music is an essential part of creating the film’s mood. (The jury at Sundance agreed, awarding it the Special Jury Award for Musical Score at the 2014 Sundance Film Festival.)
The film opens in March, and Robot High School will release the score as a digital album on March 10, 2015, with a limited-edition vinyl release set for later this year. Below, you can hear two tracks from the Kumiko score. Read More »
The words “Tron” and “video game” are about as synonymous as “Marvel” and “comic book.” Tron, of course, is the 1982 Disney film, by Steven Lisberger, which was directly influenced by video games. It’s basically about a man who goes into a game, and the first film spawned several games and then, a few decades later, a sequel that took the idea even further. More games then came out of that sequel.
While fans patiently wait for a third film that will probably never happen, it seems like a new Tron video game may be on the way. In an interview with Oscar-winning songwriter and composer Giorgio Moroder, he says he’s going to be working with electronic music producer Skrillex on the music for a new Tron video game. Read more below. Read More »
Cool Posts From Around the Web:
Posted on Monday, February 16th, 2015 by David Chen
Fifty Shades of Grey wasn’t a great film, but I do vividly remember watching its very first trailer, which stunned me with its remix of Beyonce’s “Crazy In Love.” That song had been transformed from a grating club song into something that was far darker and more sinister that perfectly fit the tone of the film. It was incredible.
I decided to try tackling a version of that song using a single looping cello (as I have done previously with other movie soundtracks). But in order to spice things up, I worked with a local pole instructor, Danaë Montreuil, who performed an interpretive pole dance set to my music. We got together and filmed a short music video Divine Movement, a pole dancing studio in Seattle.
See the mildly NSFW video after the jump.
Read More »
Posted on Monday, January 26th, 2015 by Angie Han
When it rains, it pours. The very first official images from Fantastic Four hit today, and now we have even more new details from the so-far mysterious superhero movie.
Director Josh Trank has confirmed that Philip Glass is scoring the film with Marco Beltrami. In addition, he cites David Cronenberg as an influence on the look and feel of the film. More about the Fantastic Four Philip Glass score and David Cronenberg inspiration after the jump. Read More »
Ant-Man and Fantastic Four open within three weeks of each other this summer so their post-production schedules are pretty much on the same track. We just got an Ant-Man trailer, and should get a Fantastic Four trailer during the Super Bowl if rumors turn out true. Plus, behind the scenes, each film just officially announced a key member of the creative team: the composer.
On Fantastic Four, which is directed by Josh Trank, they’ve hired Marco Beltrami. He’s no stranger to the superhero genre having scored The Wolverine, Hellboy and Blade II. Recently, he did the score for Snowpiercer but is probably best known for his work on the Scream movies.
For Ant-Man, directed by Peyton Reed, Christophe Beck will provide the score. He too has worked in the superhero genre before, with Red and R.I.P.D, but has also worked with Reed before on Bring it On and recently did Edge of Tomorrow and Frozen. Read more about the Ant-Man and Fantastic Four composers below. Read More »
The music of Richard Strauss and Stanley Kubrick‘s 2001: A Space Odyssey are all but inseparable at this point, as the fanfare from Strauss’ composition ‘Also sprach Zarathustra’ became the unforgettable sonic accompaniment to the opening of Kubrick’s film. But the movie was originally going to be scored by Alex North. In fact, North composed an entire score for the film, which Kubrick ultimately discarded. If you haven’t seen it before, below you can watch a clip of the opening featuring the original 2001 score by Alex North score intact. Read More »