It’s good to be Scott Neustadter and Michael H. Weber. The screenwriters behind 500 Days of Summer and The Spectacular Now had their biggest hit yet in 2014 by adapting John Green‘s hit novel, The Fault In Our Stars. They followed that up with another of Green’s books, Paper Towns, which hits theaters this summer. Now the band is getting back together one more time. Neustadter and Weber have signed to adapt Looking for Alaska, Green’s debut novel, the rights to which Paramount has owned since 2005.
Sarah Polley was once attached to direct, but that no longer seems to be the case. Read more about the Looking for Alaska movie below. Read More »
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Thirty years have passed since audiences were introduced to Red Sonja on the big screen. Envisioned as a female equivalent to Conan, the film starred Brigitte Nielsen as the title character and even featured Arnold Schwarzenegger in a slightly confusing Conan, but non-Conan, role. The sword and sandal fantasy epic was not a big hit and in fact even took home a Razzie award for the actress. Yet fans who found the film when they were younger hold it in high regard and a new Red Sonja movie has been in talks for sometime.
Robert Rodriguez was originally attached with Rose McGowen in the lead. Megan Fox was floated and then Simon West seemingly boarded the film with Amber Heard as the warrior. Now, that has all been wiped clean. No one is attached to Red Sonja except screenwriter Christopher Cosmos. Read More »
Six years ago, news of a Tomb Raider movie reboot first hit the web. It was being developed by GK Films as an origin story drawing inspiration from Rise of the Planet of the Apes. MGM then came on board and there a script was even commissioned. But we haven’t heard anything since 2013.
Now there’s the first significant update in two years. Warner Bros. has come on board to distribute the film, which will be written by Evan Daugherty, the writer of Snow White and the Huntsman, Teenage Mutant Ninja Turtles, Divergent and the upcoming G.I. Joe 3. Read more about the Tomb Raider movie reboot below. Read More »
To promote the pre-order of his first novel, Abomination, screenwriter Gary Whitta (Book of Eli, After Earth) sat down with us for an extensive interview spanning his career thus far. Over the course of this week we will be posting the parts of this interview broken up into digestible thematic bites — we’re calling it “/Film’s Week Of Whitta”.
If you missed it, Gary Whitta talked about Star Wars on Monday. On Tuesday he talked about his journey from video game journalist to screenwriter and the post-apocalyptic Oliver Twist script that got him into the business. Today we return with the third installment, which focuses on Whitta talking about his biggest produced film projects, Book of Eli and After Earth, as well as his upcoming novel Abomination. Read the next installment of the Gary Whitta interview after the jump.
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To promote the pre-order of his first novel, Abomination, screenwriter Gary Whitta (Book of Eli, After Earth) sat down with us for an extensive interview spanning his career thus far. Over the course of this week we will be posting all of the parts of this interview broken up into digestible thematic bites — we’re calling it “/Film’s Week Of Whitta”.
If you missed it, yesterday we ran the first part which featured Gary Whitta talking about growing up with Star Wars, dealing with prequel and special edition disappointment, writing the Star Wars prequel for director Gareth Edwards, and much more.
Today we return with the second installment, with Whitta explaining how he went from being a video game journalist to working as a screenwriter. We learn about his first spec screenplay that got him an agent, a futuristic re-telling of Oliver Twist which never got made into a movie but is now coming out in comic book form. (We have an exclusive look at two pages of the Gary Whitta Oliver Twist comic book.) He talks about writing for video games like Duke Nukem Forever and how that’s different from writing movies. We also learn the screenwriter’s thoughts on sequelitis and the current trend of creating novels and comics as a backdoor way to get “original” stories to the big screen. Read the Gary Whitta screenwriting interview after the jump.
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After a trailer and Super Bowl spot, it’s pretty fair to say fans are lukewarm on Alan Taylor‘s Terminator Genisys. We’re intrigued by the casting and some of the ideas teased in these spots, but the ultimate execution is a huge question mark. Well, Thursday, two pieces of news broke which are both on the encouraging side.
First up, Paramount and IMAX have announced that Genisys will be released in IMAX when it hits theaters on July 1. That’s not a guarantee of quality, but it’s good news for fans of the franchise who want to see the new film in the biggest format possible.
Second, an Arnold Schwarzenegger fansite posted two Terminator Genisys script reviews, both of which are positive. They’re spoiler free too, so no worries there, and you can read excerpts below. Read More »
Michael Myers never stays dead for too long, and now he’s returning to the big screen. Dimension films has revived efforts to make a new Halloween film. The first step in the process is to hire Patrick Melton and Marcus Dunstan, who together wrote several Saw movies (specifically the latter four films), to write the script for the new film. But what is this Halloween going to be? Reportedly, it will be a “recalibration,” which seems like a single-word replacement for “we’re not sure yet.” Read More »
Academy Originals’s Creative Spark series profiles screenwriter John August‘s creative process. August’s list of credits include Go, Charlie’s Angeles, Big Fish, Frankenweenie and many other films. He’s probably best known for his adaptations and his collaborations with director Tim Burton. We have often featured August on the site because we’re fans of his work (Go is in my top 10 of all time) and he puts himself out there to help aspiring screenwriters learn about the craft and how the business works — we sometimes point to the instructional content he produces. In this Creative Spark video, August gives us a rundown of how he comes up with ideas, how he crafts a scene, and how his screenplays are created. Watch the how to write movies video now embedded after the jump.
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In November 2012 we learned that Aaron Sorkins‘ Steve Jobs biopic would be presented in three long real-time sequences written around specific Apple keynote events. Now that the movie is filming, under the direction of filmmaker Danny Boyle, we are starting to learn more about the feature film.
Last week video footage was released from the the film set outside of Steve Jobs’ old home in Los Altos, California where they are filming the garage where Jobs and Steve Wozniak began the Apple empire. This led a lot of people to wonder if Sorkin’s screenplay has changed. Will the film still be set during three Apple keynotes? And if so, how is does the Apple garage work into things? Find out about the Steve Jobs movie flashbacks, after the jump.
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