Unless you were at a film festival recently, you’re probably still waiting for the new Coen Brothers movie, Inside Llewyn Davis. The tale of a ’60s New York folk singer got stellar reviews out of Cannes and Telluride. It hits US theaters on December 20.
Of course, with the pending release of one Coen Brothers movie, fans can start to look towards their next work. At the Telluride Film Festival, Joel and Ethan gave a small hint at what they’re currently writing. It’s a film with an opera singer as the main character. Read More »
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Arrested Development season 4 ended on a pretty big cliffhanger. It was a bold move by creator Mitch Hurwitz because there was no guarantee the show, which had been off the air for seven years, would reconnect with audiences. Especially since the entire structure was radically different. But it did. Season 4 of Arrested Development was a big hit for Netflix and everyone wanted to bring it back, as long as Hurwitz had an idea.
The question became, would he make a movie like he had originally said years ago? Or would the show simply come back for another season on Netflix? Though nothing has been decided on legally, Hurwitz has finally made his decision. He’s writing an Arrested Development movie right now and hopes to do a fifth season after that. Read More »
The week is finally here. Simon Pegg, Nick Frost and Edgar Wright‘s conclusion to the Cornetto Trilogy, The World’s End, finally opens everywhere on Friday August 23. To commemorate the occasion fans can buy that Mondo Shaun of the Dead poster, see full Trilogy on the big screen, or attend a Wright-centric art show.
But that’s not all. Hot off the release of the interactive screenplay to Shaun of the Dead, Focus and Moviefone have teamed up to do the same for the 2007 film Hot Fuzz. Read More »
While Kick-Ass and Red Mist haven’t really changed a lot between Kick-Ass and Kick-Ass 2, Hit-Girl is like a whole new person. In the first film, she’s a foul-mouthed killing machine who loves nothing more than her father and justice. In Kick-Ass 2, she’s forced to bury that spirit to assimilate to the social life of high school. Instead of fighting crime, she deals with sleepovers, dating, makeup and more. In the end, the film features a more feminine version of Mindy Macready.
That character change is by design. In an interview with Digital Spy, Chloë Grace Moretz revealed screenwriters Chad Gomez Creasey and Dara Resnik Creasey were brought in to specifically work on her character, making her less masculine. Read More »
Posted on Tuesday, August 6th, 2013 by Angie Han
Much ink has been spilled lately about the movie industry’s “bigger is better” problem. Studios regularly throw $200 million or more at the latest Marvel- or DC-based adventure, yet even icons like Steven Spielberg and George Lucas have trouble wrangling mid-range budgets for projects like Lincoln or Red Tails.
Nor does that attitude stop at the financial level. Those hefty price tags come with the expecation of correspondingly massive stories, which is why it seems like every other summer blockbuster hinges on the fate of a major city or even the world itself. And though writer Damon Lindelof acknowledges that he is himself a “purveyor” of these big, explosive moments, even he cops to feeling “slightly turned off by this destruction porn.”
In an illuminating interview, Lindelof offers an inside look at Hollywood’s self-destructive gigantism — how the approach inflates even intimate dramas into superhuman epics, and why it’s so difficult for writers and filmmakers to buck these trends. Hit the jump for more.
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We don’t know who’ll be piloting the starship Enterprise now that J.J. Abrams is working on Star Wars, but two major crew members will remain the same. Alex Kurtzman and Roberto Orci, who wrote the 2009 original and co-wrote the 2013 sequel, will return to pen Star Trek 3, possibly for a 2016 release date. Read More »
Briefly: Jeremy Renner‘s first turn as the lead of a Bourne film wasn’t quite as well-received as the first three films with Matt Damon, but that hasn’t stalled the series. Universal is now moving on a fifth film in the franchise to follow the 2012 release The Bourne Legacy, with Renner again in the lead.
Deadline reports that Anthony Peckham (Sherlock Holmes) has been hired to script a story that will feature Renner’s Aaron Cross as the lead. There’s no real hint as to the storyline, and at this point it still seems unlikely that Matt Damon will reprise the role of Jason Bourne in any significant capacity. Also uncertain at this point is the choice to direct; while Tony Gilroy scripted earlier Bourne chapters and directed Renner in The Bourne Legacy, he’s not locked to return.
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Briefly: MTV’s Scream TV series is moving forward. The network announced the show at their upfront this past Spring and Friday, at the Television Critics Association event, they revealed Jay Beattie and Dan Dworkin would be writing the show. Beattie and Dworkin worked together on Criminal Minds, Revenge and The Event.
There’s still no word on how, or if, the show will tie into the movies or when we might see a pilot. Either way, the show is aiming to “reinvent” the franchise. [Variety]