This year’s Cannes Film Festival may have come and gone without a new film from Austrian director Michael Haneke (who won the 2012 Palme d’Or with Amour), but it looks like the filmmaker could hit the 2015 festival with his next film. Haneke is prepping to shoot a movie called Flashmob this summer, which means it should be rolling soon. This sounds like it is probably the culmination of ideas Haneke was toying with starting back in 2010, and we’ve got more details below. Read More »
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The Cannes prizes were handed out over the weekend, and the top award, the Palme d’Or, went to Winter Sleep, from Turkish filmmaker Nuri Bilge Ceylan. The film is The director has visited Cannes many times before — in fact, his last five films have all taken prizes at the festival. (2003’s Distant and 2011′s Once Upon a Time in Anatolia both won the Grand Jury Prize; 2006’s Climates was awarded the FIPRESCI Prize; 2008’s Three Monkeys won Best Director.) While we don’t have a US trailer for the new film at this point, you can check out the first French Winter Sleep trailer below, and you’ll get a good taste of the film’s gorgeous imagery. Read More »
Posted on Tuesday, May 20th, 2014 by Angie Han
2012 Best Picture winner The Artist was a lighthearted and joyous celebration of cinema. But for their next project together, The Artist director Michel Hazanavicus and star Bérénice Bejo are foraying into much heavier, grimmer territory.
The Search is a remake of the 1948 film of the same title, with the setting changed from post-WWII Berlin to the Second Chechen War. At the center of the story are a young boy (Abdul Khalim Mamutsiev) and his older sister (Zukhra Duishvili), who try to find each other amidst the destruction.
Bejo plays an NGO worker who tries to help him out, and Annette Bening an orphanage director. Maksim Emelyanov rounds out the main cast as a young Russian Army recruit. Watch the first The Search trailer after the jump.
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After a brief detour from the main story in the third film, [REC] 4: Apocalypse comes back to the beginning to complete the franchise. The film opens October 31 overseas and is directed by Jaume Balagueró. Where as [Rec] 3: Genesis told a parallel story to the first two films, Apocalypse returns to the story of news reporter Ángela Vidal (Manuela Velascoa). She’s the one who got dragged into the darkness of the original film. Somehow, she’s now been captured, and thrown on a oil tanker that’s gone out to sea. There, things get a tad out of hand.
Below, watch the violent first trailer for [REC] 4: Apocalypse. Read More »
The Kid With a Bike, the last film from sibling directors Jean-Pierre Dardenne and Luc Dardenne, was one of the best films of 2011, and will probably end up standing as one of the best films of the decade. So we’d be excited at the prospect of any new film from the brothers. The fact that their new movie, Two Days, One Night, stars Marion Cotillard is just a lovely bonus. The film will premiere at Cannes next month, and the first new Dardenne Brothers trailer film is below. Read More »
Posted on Thursday, April 17th, 2014 by Angie Han
You can always count on the Cannes Film Festival to showcase the most intriguing releases from around the world. This year, that includes Coming Home, the latest from director Zhang Yimou.
Gong Li (Raise the Red Lantern) and Chen Daoming (Hero) lead the sweeping romantic drama, which has already been scooped up by Sony Pictures Classics for U.S. distribution. Watch the gorgeous first Coming Home trailer after the jump.
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There’s an implied threat in the title of the film A Girl Walks Home Alone at Night. Those words together suggest menace and victimization. An image forms, not of a woman out for an enjoyable stroll, but of one who might not make it home.
A reversal of that threat is the core of this vampire film written and directed by Ana Lily Amirpour. Luminescent black and white photography buttresses a very spare approach to story. Into the tale are woven supernatural tropes, and elements of westerns and ’50s rebel movies. Shot in California but set in Iran, with dialogue in Farsi, the film’s images and characters are a collision of Iranian and American cultures, specifically with respect to social politics of sex and gender. This is an inversion of classic horror, because it is not about victimization of the person described in the title, but rather that person’s retaliation against forces that seek to dominate and subjugate.
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Cool Posts From Around the Web:
The world premiere screening of Gareth Evans‘ highly anticipated sequel, The Raid 2, just finished at the 2014 Sundance Film Festival and the response was electric. We’ll have a review and video blog soon but, for now, we’ve compiled a bunch of tweets from movie bloggers and filmmakers alike to give you an idea of what you can expect when the film hits on March 28. Here are two to get the ball rolling:
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